R. Phillips, Indian Man with Sword, 1870 x
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R. Phillips, Indian Man with Sword, 1870 x
R. PHILLIPS ON 'IS SCI-FI POLITICAL?'
AS A CULTURAL NEONATE, THE METROPOLARITY CREW DISCUSSES ITS INTENTIONS, SCIENCE-FICTION, AND ITS RELATIONSHIP TO ‘THE POLITICAL.’ NOTE THE POINTS OF OVERLAP AND POINTS OF DIVERGENCE. RELISH IN IT ALL! WE ENJOY URBAN PARADOX. IT’S IN OUR NAME, IN FACT.
R.Phillips of the AfroFuturist Affair and founding Metropolarity member says:
The Institution that is Western Science was born of the politics of the 17th century, bifurcating itself as a practice and institution of empirical thought separate and distinct from philosophical thought. It is essential to note that the scientific institution’s development coincided with the emergence of the TransAtlantic enslavement system, used as a justification for subjugation. Its development was also impacted significantly by the Roman Inquisitions The Inquisition had condemned Galileo for teaching that the Earth moved; Descartes delayed publishing, and likely tweaked his philosophical theories on heliocentrism, due to the Inquisitions’s belief in the Earth as the center of the Universe. Newton conducted his experiments in an effort to prove Descartes wrong, and many of his theories have failed to stand the test of ‚time‛ (whose own scientific history is convoluted, in the realm of thermodynamics and relativity). Science is the ultimate political body, the mind-body split, the dualism that persists into present times, the reason why classical physics and quantum physics seemingly contradict.blinded by its own so-called enlightment and thusly setting light and dark as opposites/eternally at odds inside of the cascading, chaotic universe. Science is really the resulting end of a negotiation; the laws and principles we hold to be commonly true about the universe and world were all shaped by the hands of a privileged few.
Traditional sci-fi, a more imaginative retelling of science history and an anticipation of its trajectory, is steeped in the dark age from which it emerged, reinforcing the narratives of white superiority. Because we know science-fiction to be social commentary on the (d-)evolution of society through the use of parable, it is easy to see where the lines split between the Science of the haves and the have nots, and thusly where the lines split between traditional and DIY sci-fi. People on the edges/intersections/margins of society can no longer continue to try to rectify their lack of representation and their lack of survival in traditional science fictional worlds; it no longer computes for our program of living. We are here and we are many and we are political. We are political because skin color is political, because body parts are political, because gender is political, because who you like to hump is political, because breathing clean air and drinking clean water is political. And in order to disavow the political, to challenge the political, to break-down the political, you must first understand how it already has you confined, then proceed to unravel it from the inside. Out of the dust of the crumbling institutions of science divorced from imagination (what they call the hyphenated science-fiction) comes science and speculative possibility in the form of Metropolarity. A nu science for a nu world of our own shaping. Here, with Science left in our care, the thermodynamic arrow shoots out into all possible directions. Here at Metropolarity, there is no difference between the Experimental and the Theoretical. Science-fiction is the dying remnant of the old ways of living. We are Science's proposal to imagination for a happy, lifelong union, we are time = space. ∞
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