Aug 2
La Femme chic Octobre 1954
seen from South Korea
seen from United States
seen from China
seen from Poland
seen from China
seen from China
seen from Singapore
seen from Türkiye
seen from Poland
seen from Russia
seen from United Kingdom
seen from United Kingdom
seen from Yemen
seen from United States
seen from China
seen from Poland
seen from Mexico
seen from Bulgaria
seen from Poland
seen from Türkiye
La Femme chic Octobre 1954
Jean Pomarède for Jacques Heim, Spring/Summer 1963 Haute Couture Collection. "Fiacre," a red wool suit by Raimon, jacket hemmed with a navy wool band.
Jean Pomarède pour Jacques Heim Collection Haute Couture Printemp/Été 1963. "Fiacre", tailleur en lainage rouge de Raimon, veste ourlée d'une bande de lainage marine.
Photo Philippe Pottier
"Hippolyte"
Marc Bohan for Christian Dior Haute Couture Fall/Winter 1963-64 Collection. "Hippolyte," Wool and mohair suit with a beige and white braided checkerboard effect (Raimon). The suit is cut like a man's blazer with its English vents, square shoulders, and paneled skirt.
Marc Bohan pour Christian Dior Collection Haute Couture Automne/Hiver 1963-64. "Hippolyte", Tailleur laine et mohair à effet de damiers tressés beiges et blancs (Raimon). Le tailleur est coupé comme un veston d'homme avec ses fentes à l'anglaise, ses épaules carrées et sa jupe à panneaux.
Photo Philippe Pottier
"Hippolyte"
Marc Bohan for Christian Dior Haute Couture Fall/Winter 1963-64 Collection. Géraldine wears "Hippolyte," a wool and mohair suit with a beige and white braided checkerboard effect (Raimon). The suit is cut like a man's blazer with its English slits, square shoulders, and paneled skirt.
Marc Bohan pour Christian Dior Collection Haute Couture Automne/Hiver 1963-64. Géraldine porte "Hippolyte", Tailleur laine et mohair à effet de damiers tressés beiges et blancs (Raimon). Le tailleur est coupé comme un veston d'homme avec ses fentes à l'anglaise, ses épaules carrées et sa jupe à panneaux.
Photo Frères Séeberger
US Vogue March 1, 1965
Marc Bohan for Christian Dior Spring/Summer 1965 Haute Couture Collection. Suits with monkey jackets: shorter sleeves, high, tight armholes. Left: Monkey jacket and dirndl in ruby red Bufano wool; matching pongee blouse. Center: "New York," Scalloped-knit jersey - red, white, navy blue - with flowing pleats. In Raimon wool. Right: "Los Angeles," collarless jacket, belted dirndl in chrome yellow Perceval wool; yellow and white striped surah blouse. Slingback pumps and gloves by Christian Dior.
Marc Bohan pour Christian Dior Collection Haute Couture Printemps/Été 1965. Tailleurs à veste singe : manches plus courtes, emmanchures hautes et serrées. À gauche : Veste singe et dirndl en laine Bufano rouge rubis ; chemisier en pongé assorti. Au centre : "New York", Jersey tricoté à festons - rouge, blanc, bleu marine - plis fluides. En laine Raimon. À droite : "Los Angeles", veste sans col, dirndl ceinturé en laine Perceval jaune chrome ; chemisier surah rayé jaune et blanc. Escarpins à bride arrière et gants signés Christian Dior.
Photo William Klein
"Stockholm"
Marc Bohan for Christian Dior Fall/Winter 1965-66 Collection. Simone d'Aillencourt wears "Stockholm," a pure worsted wool mastic gabardine dress by Raimon, with a marmot hat.
Marc Bohan pour Christian Dior Collection Automne/Hiver 1965-66. Simone d'Aillencourt porte "Stockholm", robe en gabardine mastic pure laine peignée de Raimon, toque en marmotte.
Photo Jean-Louis Guégan
"Stockholm"
Marc Bohan for Christian Dior Fall/Winter 1965-66 Collection. "Stockholm," a pure worsted wool mastic gabardine dress by Raimon, with a marmot hat.
Marc Bohan pour Christian Dior Collection Automne/Hiver 1965-66. "Stockholm", robe en gabardine mastic pure laine peignée de Raimon, toque en marmotte.
Photo Louis-Roger Astre
"Stockholm"
Marc Bohan for Christian Dior Fall/Winter 1965-66 Collection. "Stockholm," dress in pure worsted wool mastic gabardine by Raimon, marmot hat.
Marc Bohan pour Christian Dior Collection Automne/Hiver 1965-66. "Stockholm", robe en gabardine mastic pure laine peignée de Raimon, toque en marmotte.
Photo Philippe Pottier