So, where were we? Oh, yes. You were holding your breath.
seen from United States
seen from United States

seen from Malaysia

seen from Malaysia
seen from Angola
seen from China
seen from China
seen from United States

seen from United States
seen from South Korea

seen from Greece
seen from China

seen from United States
seen from Greece
seen from United States

seen from Maldives

seen from China
seen from Saudi Arabia
seen from United States
seen from Malaysia
So, where were we? Oh, yes. You were holding your breath.
Dan and Phil I love you so dearly
Before anything else, I am a writer.
I would also call myself a singer. Or a textile artist, maybe. I could be a sibling, or a friend, or a student, or a baker, or a gardener, or a cook. There is an incredible number of labels you could put on me that would fit.
When I was a kid, I would deny so vehemently that I ever wanted to be a writer. I used to read like it was breathing, and when my relatives would interrupt me in the middle of a story to ask if I'd ever want to author one myself, I would tell them that reading and writing were two different things, thank you very much, and just because I was a reader didn't mean I was a writer.
But, through that love for reading, I ended up figuring out what the phrase "Stockholm Syndrome" meant much younger than you might expect. Think eight or nine, after reading the "Series of Unfortunate Events." Which, if you didn't know, is a notably bad place to garner vocabulary. Lemony Snicket is in the habit of explaining words in a context entirely different from what they actually mean. Still, I have a vivid memory of sitting in a corner of the living room on Thanksgiving as a nine-year-old (reading, naturally), and hearing my sister's boyfriend ask my mom for clarification on the concept of Stockholm Syndrome. I looked up from my book and told him what it was -- much to the chagrin of my parents, who were wondering where I'd learned it.
It's ironic that it was a book that introduced me to the concept of Stockholm Syndrome, and that it was one of the few phrases that Lemony Snicket ever explained correctly. I doubt you're unfamiliar with it, but it means to be trapped or held captive by something, and to grow to love it anyway.
When I think about it now, I realize that it was inevitable that I learned to love to write. I also hated learning how to read, but my dad taught me before I even started kindergarten, and I loved knowing I was better at it than the other kids. It was my way of setting myself apart. I drank so desperately from the books I read that I couldn't help but fill myself with words.
And then, just as inevitably, they had nowhere to go.
That was the first part of my own experience with Stockholm Syndrome. I was folded into myself like origami, with so much to say and no space for it. Every word I'd ever read was crammed into my lungs, and I didn't know what to do with them. It wasn't until I found other people's writing (like Broadway shows I loved, intersectional queer lit, characters that looked and felt and breathed like me, etc.) that I ever wanted to make my own.
I didn't start writing until I was 13. I found my first inspiration -- and what it was, I'll never tell because lord, is it embarrassing -- and I made something out of it. It felt like reaching down into my chest and taking hold of something I barely knew was there and turning myself out onto the page, but in a different font. Whether that be Times New Roman or the chicken scratch I had going in 4 different notebooks simultaneously, there was always something to say. I could never get away from it. And, as the Stockholm Syndrome mention might suggest, I grew to love it.
There is a part of me now that is inextricable from my writing. I put words together to get feelings out, in a way that is both authentic to myself and more beautiful than anything I have ever been. I put words together to process what I've been through. I put words together to write lives that I've never lived, and I grow vicariously through them. I know that love exists because I write it into existence. I am all that I need to be through the words I put down.
At the end of the day, yes. I am fully and completely bound to my writing. I am trapped in a way that I will never experience elsewhere. I would be nothing without it.
But fuck, I love it.
everyday i wake up and thank god for the casting of natalie dormer as anne boleyn because NO ONE else could've mothered so hard
- May I just say, a truly excellent notion. - It was Sam's. - Of course. - The vacation. The going with you part was all me.
"I was raised the old school way by my grandmother. She is truly the most wonderful person I know. She's in her 90's now and she still volunteers in nursing homes and soup kitchens every week. Growing up, she always had us involved in helping make food packages for the poor and all her other projects. I think because was raised by her, I'm a little different than most of my generation. I was taught that family comes first, giving to others comes first. I feel like the rest of this generation is very "me first" oriented."
i love my dad mako rutledge
the disney mega movie music cd is iconic 2 me