Jun 1
Elliot & Erick Jiménez (US, Miami, Florida, 1989)
The Grand Odalisque, 2022 Archival photo print, 111.8 x 152.4 cm Courtesy of Spinello Project
https://www.all-about-photo.com/photo-articles/photo-article/1247/paris-photo-2022
seen from Norway
seen from China
seen from United States
seen from T1
seen from Taiwan
seen from Malaysia
seen from T1
seen from China
seen from United States
seen from United States
seen from T1
seen from Malaysia
seen from United States
seen from Maldives
seen from T1
seen from United States
seen from South Korea
seen from United States
seen from United States
seen from Uruguay
Elliot & Erick Jiménez (US, Miami, Florida, 1989)
The Grand Odalisque, 2022 Archival photo print, 111.8 x 152.4 cm Courtesy of Spinello Project
https://www.all-about-photo.com/photo-articles/photo-article/1247/paris-photo-2022
Gustav Klimt (At 1862-1918)
Reclining nude (ca 1912)
Pencil drawing on paper (37 x 56 cm)
eucanthos
Rembrandt, The Anatomy Lesson of Dr. Nicolaes Tulp, 1632
Joel-Peter Witkin, Nature Sees the First Human Death, 2017 [deer head]
George Pitts reclining nude [torso]
Anonymous reclining French 1900 [legs]
Love is graffiti, Brooklyn
iidamiidam asemic poetry, Untitled 340 [3 part background]
Inner blank page paper, 1903
Admiral Vernon Carnation
The Artist's Wife (Périe, 1849–1887) Reading
Artist: Albert Bartholomé (French, 1848–1928)
Date: 1883
Medium: Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas
Collection: Metropolitan Museum of Art, New York City, NY, United States
Description
The sitter is the artist’s wife, Périe, known to be a "beautiful woman of delicate health, cultivated, and of supreme distinction." Upon her death in 1887 a grief-stricken Bartholomé abandoned painting and pastel.
