❝ worse things out tonight than you. ❞
all he did was mention the fucking curfew, considering they’re getting close to that time of night where no one should be out on deadwood’s streets. it’s supposed to be a polite warning, that’s all. if anything, it’s his job as sheriff. and sure, maybe he’s not exactly happy about the manor up in the woods, and the fact that he had to show up a few times for accidental deaths on those working on it. maybe he thinks that there must’ve been some occupational hazard rules broken to let that happen. maybe he’s also tired of the department getting calls from stupid kids stammering about hearing horrible screams from this house.
the dispatchers have genuinely started telling those callers that just because it’s up in the hills, and just because it’s isolated, doesn’t mean it’s haunted. go home. sober up, or get some sleep, or eat some food and actually take a break. after the first few calls, garrett figured that reputation was the problem more than anything. but then there’s something like that, something so smooth and smug that it genuinely makes him grit his teeth. saying things like that encourages the calls about the black manor.
jesus christ, seriously, garrett almost snaps, because the last thing he needed tonight was some admittedly weird backtalk. he’s tired. it’s been a long tiring week, and it’s going to be worse as the days go on. maybe it’s the author thing. he’s never met an actual author before, especially one that’s bestselling. maybe there’s just something ominous about living like that. deadwood’s current crisis does read like the plotline of some bestselling thriller, a small town with some murders and a desperate police force.
that means he’s either the useless police chief or the protagonist. both are equally bad for different reasons. he isn’t the protagonist of anything, and he never has been, and he would prefer to actually do something about the state of the town. moreover, the idea of some guy up in a manor in the woods, not even really that close to the town, using the town for material makes him bristle. very small town of him, he knows, but the emotion is his regardless.
“yeah,” he says, grim and exhausted, “i’m sure. and that’s why the curfew matters, okay? i really don’t want to have to drive all the way up to your manor to issue a ticket, so please just... get home on time.” please. he’s asking, as politely as possible. “i don’t want the hassle. you don’t. so let’s keep this simple.” nothing’s simple, and he would love for just one thing to go right this week.
not that everything else bodes well so far, but he can hope.











