#regarding style

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Regarding Style (www.regardingstyle.com)

Various web graphic designs from Regarding Style.

© 2017 TRSB (Sam Bone)

[realsamcalloway]

2/22/17 - Interview With Musician Brody Dalle “Style Evolution From AUS to The USA” (www.regardingstyle.com)

Originally posted February 22, 2017 and appearing on www.regardingstyle.com.

© 2017 TRSB (Sam Bone)

A Conversation with Brody Dalle, Regarding Style (And More)

By Sam Bone

The indie/punk rock/alternative music scene has been a desolate, lonely lull since 2014. It’s been nearly three whole years since fans of Brody Dalle’s haunting-yet-dangerous growl and lyrical prowess have heard anything new. If you’re a genuine fan of Brody’s (which I have no shame in admitting that I adore her immensely and forever!), then you’re probably one of the 300,000+ people who follow or “Like” her social media posts. It is from within this social media sphere, where fans grasp onto every tweet, photo and post in general, in hopes of a tour announcement or a Beyoncé-inspired surprise album drop.

This question has been an ongoing one for Brody Dalle since she and her (former) band of misfits, The Distillers, hit the punk scene in the late 90’s/beginning of 2000. The Distillers self-titled album was single-handedly the anthem record equivalent of ammunition of that time, and every record Brody has since released has only added as kindling to that raging fire. Back then during the “debut era,” fans of Dalle were in high school (or just out) and most of those fans have grown up right alongside with her. It didn’t matter what was happening, either.

Fans of Brody Dalle don’t “mess” around, and have stayed with her through it all, the good times and the bad. #Punx4Ever, right?

Since the debut in 2000, Brody released two more records under The Distillers moniker, Sing Sing Death House (2002), and Coral Fang (2003), followed by her Spinnerette project which saw the release of an album with the same name in 2009. Most recently, die-hard fans rejoiced when Brody flew solo with the powerful and equally as memorable Diploid Love (2014).

In January of this year the stage was set for me to interview Brody and in an attempt to tackle something she has never spoken about publically; her personal style and fashion sense. I know I’ve always been pretty curious about this subject, so I’m willing to bet that other fans share my feels.

Being a badass punk poster girl, plastered on the walls of both guys and gals the world over (her fans expand across both the Pacific and Atlantic oceans), Brody Dalle’s sense of style has a direct correlation to ethical fashion in that punk style requires a love of thrift store shopping. Tattered and torn hand-me-downs are always in high demand no matter what rock subgenre you identify.

Without further ado, here is our 2017 conversation with Brody Dalle, Regarding Style.

 Hey there, Brody! I’d like to start off slightly unconventional by asking what’s got you angry lately?

The insanity right now-- the attitude and the words that come out of the Orange-Faced thing. Pence. Speaker Ryan and Bannon. He's terrifying and completely delusional and represents the Christian alt-right. Fuck all of them; their gross incompetence and their being unqualified, arrogant fucks. The lying, the misogyny, the racism, the homophobia and the unfairness of it all. The (Russian) hacking. The lack of people being held accountable. It's disgusting, embarrassing and horrifying. The hypocrisy of banning Muslims from entering the United States when this country was founded on freedom of religious beliefs.

It's baffling really. By the way, it’s only been a week.

I don’t want to get too into that here, because it’d be unending, but I will just say three words: I feel you. How are you, otherwise? How is your family? Congratulations on the birth of your newest son, Wolf!

Thank you so much! My family is wonderful! My son Wolf is a sunbeam rainbow baby, sweetest little munchkin ever. As far as myself, I'm doing better-- Going from 2 to 3 kids was a massive adjustment. Wolf is about to be one, and it's taken me about a year to get back on my feet. It's been a bit wobbly trying to balance the kids with no sleep, having to breastfeed, and issues with my health (rheumatic fever with chronic pain). Also balancing my husband’s schedule, kids school schedule, and then our family… friends… just our lives, in general… all while trying to balance my own personal life and get back to creating. Just started in the studio a couple of days a week.

How do we do it all though?! I asked my mum if life has gotten crazier and she said yes… life used to be much simpler, slower, and we didn't always have to be “on” and available.

I feel as though technology has much to do with society’s rapid pace, also that “rat race” you once spoke of is real. The struggle is real. Since the Distillers all the way through now, your style has influenced a lot of people, both girls and guys. Where did your sense of style develop? What are your earliest memories?

I guess it all started with the punks in Melbourne. I made a book for my mum when I was about 6 years old; it was of punks walking down the street whistling and girls doing handstands. I asked her why she thought I drew punks in the book with the mohawks and she had no idea, but suggested maybe I'd seen them on the street. Perhaps it was a prophecy ha!

I was in a movie about teenage delinquents called "Hard Knocks" when I was a baby, but I doubt I would have remembered it as I was 8 months old at the time. Right after that I went to see Cyndi Lauper at the Tennis Center, and Madonna was all over the TV and in the magazines-- I remember spending every waking hour putting those records on and dancing for hours in the living room with a black beauty mark drawn above my lip with my mum’s eyeliner.

My mum collected Vogue magazine, and I remember perusing though the 80’s ones and noticing all of the different angles, the neon colors and all of the multicolored make up. I sewed a pair of pants at my grandmother’s house once, but when I put them on they fell apart and I was discouraged with fashion after that.

I remember wanting certain things, the first thing I ever wanted, as far as fashion, was a purple feather in my hair for school photos when I was 5 years old. After that, it was a pale pink pair of sneakers at the tennis shop my dad would go to on the weekends… I begged him for months to buy them for me, and finally he acquiesced.

My first pair of Chuck Taylors were red and I got them when I was 8. My parents didn't have much money, so we shopped at Target for clothing which was the equivalent of Cole’s today, which I'm sure is way cooler than Target was back then. But it was mortifying, and I was teased mercilessly. Doc Martins were all the rage but they cost about $100 which, of course, my parents laughed at. So I ended up getting fake Docs… a mean girl at school made me lift up the bottom of my Docs and then ridiculed and teased me in front of the other mean girls, and well, that was that.

My Uncle Frazer gave me my first guitar and also my first surfboard; a Strapper Thruster with a giant red sun on it. I went through a surfer girl phase and got an undercut and wore giant rusty t-shirts and surfer boots and brands. I longed to be a pro surfer but there are no waves in Melbourne, the best waves were at least an hour away. Plus, I was pale as a ghost and I looked nothing like the tanned bleached blonde beach girls. I gave up surfing after being tossed around like a rag doll in 20 foot waves in Coffs Harbour, I thought “This really isn’t for me anymore" as I did full cartwheels underwater for a minute at a time.

One of the first records I ever bought was Mothers Milk by RHCP. When I was 12 and on my way to Vaucluse Catholic Girls college in Richmond, the RHCP got on our tram. They walked right up to me and talked with me for 5 minutes before getting off a few stops later… so weird to think about that, cut to The Distillers opening for them in German stadiums 12 years later. They actually remembered our encounter. Fucking weird mate.

I hated everyone and everything after that-- I got into Nirvana, Hole, Mudhoney, and Sonic Youth, and then I started going to All-Ages shows in

Melbourne. The bands I loved the most were The Meanies, Tumbleweed and the Hard-Ons.

Then, flares and ripped band t-shirts were the fash. Eventually I started working at Friends of the Earth when I was a 12-year-old hippy/anarchist. That was a Co-op that my parents shopped at. I bought my first item of clothing with the money I had earned; vintage orange and brown flares, which I wore to death to every Tumbleweed and Meanies All-Ages shows I ever attended in Melbourne.

Then it evolved to Dead Kennedys and Kyuss t-shirts. That's right, Kyuss... they were my favorite band. I also wore Levi's jeans, one pair at a time until there was NOTHING left!

After that, thanks to Courtney Love, it was 1940's tea dresses, nighties, and ripped fishnets worn with shitty, op-shop high heels and Chuck Taylors.

After that, I got into Discharge, The Exploited, Cock Sparrer, Oi Polloi and Last Resort. I got beat up by two street girls in the city wearing Bon Jovi t-shirts, and they fractured my arm... I was so pissed I shaved my head the next day into a Chelsea haircut and I dyed it blue. Also by now I could afford to buy real vintage stuff with the money I made from my jobs, and I also bought my own Docs and any op-shop find, especially plaid mini-skirts.

So my look was Courtney Love meets Skinhead. A lot of tops had to have the “Courtney Love white collar.” Then when I was 17 years old I saw “Betty Blue” (the film), and that changed everything-- I wanted black hair in a choppy bob. Black hair became my favorite thing! I got into do wop music and started cleaning up my look; black hair, up in a high ponytail with long side burns and big hoop earrings, Revlon Color Stay in Berry Red, black liquid eyeliner and Creepers-- plaid Creepers. Mini-skirts. Bomber jackets.

By this point I was in L.A., so I was being influenced by so much in Los Angeles and also New York, mainly trash and vaudeville. I was hanging around a lot of older, cooler punk chicks. My friend Tomomi made mohair sweaters.

I started cutting up my t-shirts after I'd seen a girl on the street with her t-shirt cut into tassels-- I didn't know that was an option and it changed the game. I became obsessed with, wore and collected Polly of California heels. I also discovered trashy lingerie and agent provocateur. I admired Vivienne Westwood. My friend Evelyn had a shoe store called Diavolina and I became obsessed with shoes.

I met Agatha Blois, who made most of my pants that I wore on stage… another game changer. Rosalyn Mazzola (“Casper Rose,” for you diehards out there) had these naturally occurring dark circles under her eyes and I loved the way it looked so I recreated it by using MAC's color 'texture', which is still my favorite for smoky eyes.

Right before we made Sing Sing Death House I met Rosalyn, and I fell in love. She was so beautiful and androgynous-looking, like jaw-dropping beautiful… I felt so ugly next to her. God I loved her so much. We kind of morphed into each other for a while although her thing was more gutter than mine. We dressed like dirty squatter boys and put our eyebrows on with black sharpie, it lasted for a week sometimes longer. I look back at old photos of us and think we looked pretty scummy but we weren’t, I swear!  I’m a very hygienic person, my favorite smell back then was this raspberry body spray that smelt more like cotton candy. They stopped making it of course, they stop making everything that’s awesome. I had my managers hunt down the last box in America. I wear mostly vanilla these days. The way you smell, your scent, is as important and memorable as your clothes. 

I will add this- my style icons in the past have been Kurt Cobain, Courtney Love, Lydia Lunch, the Misfits, Beatrice Dalle in “Betty Blue,” Discharge, The Exploited, Sex Pistols, DEBBIE HARRY ❤️, Vivienne Westwood, Oi, Agatha Blois, other punk girls.

Thank you for sharing all of those memories. I remember first hearing The Distillers on a sampler… I think it was one of those oi, garage punk compilations. Anyway, it had the rough cut of LA Girl on it, from the Oldscratch EP. It was of course this audio that lead me to visual curiosity so I checked out the band, and I remember the days of Rose and recall that she was very street punk, which obviously appealed to me. Moving on, do you have a vault of super-secret punk rock DIY designers that custom-make your garments? Who/what are some brands and designers that you respect?

Ha! I used to when I was touring more! I'm not much of a “fashionista.” I'm lucky to know and have some very talented friends who happen to be incredible clothing makers and designers. I'm not really too into brand names per se, it's more that I know what I like when I see it, or I’ll get inspired by something old and remake it. I did have a love for Vivienne Westwood, in fact my look in The Distillers was really a mash-up of Vivienne Westwood, Agatha Blois, t-shirts scoured from Goodwill, "wife beaters" from Target, Polly of California, trashy lingerie, vintage coats, various jeans, Submission, Very Bad Horse, spray-painted hooker boots from Hollywood Blvd, Agent Provocateur, very sick and cool shit from Japan and my old friend Tomomi (Fukuda) has a store called Camden Lock. I love Agatha Blois as a friend, and her designs had a big impact on me, she and I worked really well together. Ligia Morris made a badass jumpsuit and some stage clothes for Reading and Leeds festivals in 2004. Corey Parks makes the meanest leather jackets and pants ever. I love Hedy Slimanes, and obviously his influence made that company (Yves Saint Laurent, YSL) what it is today. Punk is Hedy's staple diet I think, not sure where YSL is headed now.

When it comes down to it, it's not the label, it's what I like in the moment.

That’s great, and it’s also very cool that a lot of those more indie-back-then designers have really sort of exploded in the sense that they are doing their thing with their boutiques and brands. I know you’re busy, thanks so much for your time. Lastly, what can fans expect from you next?

I’m slowly coming out of the 1-year baby fog of losing myself completely. It’s a scary process to unravel but I usually get songs out of it. My plan is to write two records which I’ve just started.

I know fans will love this news! Again thank you so much, nothing but the purest wishes for both you and your family!

You can stay up to date with Brody oh her Twitter and Instagram profiles.

Certain elements, such as links and photos, may have been removed from the original version of the above article.

[realsamcalloway]

1/23/17 Interview With Caribbean Designer Lyb’rtee Rose (www.regardingstyle.com)

Originally posted January 23, 2017 and appearing on www.regardingstyle.com.

© 2017 TRSB (Sam Bone)

Q&A Regarding Style with Caribbean Designer, Lyb’rtee Rose

By Sam Bone

Hey there, Lyb'rtee! How are you doing today?

Hey Sam! I am doing great. Thank you for this opportunity.

You seem to have a very strong inclination to sustainable fashion  in your design (and, as your Twitter proudly boasts "using fashion to  create change!". Where do you draw your inspiration from, and at what  time and how did it all begin for you?

Would it be odd of me to say that my inspiration comes from my desire to create change?! I think this is my underlying drive. Fashion is so relatable that it would be the best ‘tool’ to use to create change within the industry. Of course there would have to be a complete buy in from all involved parties and the business of fashion would have to be completely transparent. Difficult, maybe…but not impossible.

I have been designing for a few years, but I only launched ‘Lyb’rtee Rose’ the brand, last year.  So, it’s relatively new. I came across the topic of sustainable fashion last year while researching on different clothing designs throughout the world. That first article I read (wish I had saved it) really exposed me to the back end of the fashion industry from the point of view of the factory workers, not that I was completely unaware, but I think being in the business of fashion, it really put things into perspective and it fueled me to keep researching. I must let you and also your readers know that at this point I was so ashamed of myself because I love to shop and I love a ‘good deal’ on clothes, however, the realization of what I was supporting embarrassed me, simply because I have the ability to do better.

I started looking into what the Caribbean is doing in terms of sustainable fashion. Living on islands means we depend heavily on taxed imports and to date I haven’t found anything that deals specifically with sustainable fashion. So I thought…why not be the catalyst?!

I had the opportunity to be part of a small business expo during last July but due to time constraints, I was unable to display a capsule collection, and at this time, I was also so engrossed in the concept of sustainable fashion that I thought I should do something to raise awareness of that concept in Grenada. I created a dress made of wild pine straw and displayed it during the expo. My solution (of course if you recognize a problem, you must attempt to find a solution) for us in the islands – in the Caribbean – in particular, in Grenada - is to use local. Use our very skilled, local people and stop supporting the unfairness that exists in the fast fashion industry. This is the reason for using all local materials to create the dress. The wild pine straw dress was later featured by the United Nations Environment Program as part of their World Youth Day activities.

Sometime after, I created a dress made from newspaper to bring awareness in Grenada of the Sustainable Development Goals (SDG). Grenada has signed on to implement these goals but not many people seem to be aware of it. The dress combines different  design styles and these represent the countries of the world, linked together through the United Nations to create change; there are pleated, fan-like sections on the dress that represent the people (of every creed and race) standing up for their rights; there are also three dimension, interlinked shapes that portray the countries working together to realize the SDG and finally there are roses on the dress that represents the beauty we should see by 2030 if all the goals are realized.

Sadly, I was a bit unwell in September when the United Nations was having their summit on the SDG and so I didn’t get to fulfill my awareness activities with that dress.

What is the inspiration and where did you come up with your name,  Lyb'rtee Rose?

I’m smiling broadly here. I wanted something that resonated deeply within me. Lyb’rtee is a twist on the word liberty and a very popular synonym associated with the word liberty is freedom. Most people would describe a rose as beautiful; Lyb’rtee Rose refers to the beauty in freedom.  As the name of my brand, I want people to understand our clothes should be the way we choose to express ourselves – whatever that may be, and we should have that freedom. Of course, freedom – being free – to do as you please, is a beautiful thing!!! What is the fashion industry like in Grenada? How are you received  as a designer both locally and elsewhere?

I think we face so many limitations being an island, yet there are quite a few people involved in designing and garment manufacturing. There has recently been a rejuvenation of the industry, that if I am to apply a business lifecycle model - presently, I would say we’re on the threshold between start up and growth.

Let’s just say since launching in March, I’ve been very busy. Break down your "female on a mission" motto for us!

Sure. Simply put, I’m a female on a mission to use fashion to create change! The goal for Lyb’rtee Rose is to produce quality, prêt-à-porter clothes. Designing basic, every day wear is my answer to fast fashion. In Grenada, I think we struggle with the concept of sustainability in fashion in our daily lives. My answer is that we should become self-sufficient to curb our reliance on the fast fashion that we are exposed to.

I know it boils down to a morally conscious decision, but if we change our buying habits, we can do so much and we have to realize that individually we can all make changes, that overall will have a tremendous impact. What are you currently up to, in regards to design?

Oh goodness!! So much that it keeps me up at nights. I want to combine my love for various cultures into fashion. Secretly, I think I’m a fashion anthropologist…but that I’ll explain another time. Who are your idols both in fashion and/or elsewhere?

I’ve always been fascinated with the work and life of Gabrielle Chanel. In that era when she started on her journey, she had a clear mission - she wanted to prove that a woman can design for women and be successful at it. I have always admired that boldness and she certainly used her talents to create change and open doors.

I must also pay homage to my mother, who is a very creative designer, for getting me involved in fashion and for carving a road for me that I am now on, before I was even aware of it. What types of changes and/or developments in the fashion industry  do you hope to see? In your eyes, what are some of the biggest  problems and issues?

Fast fashion. I am fully aware of its allure. A cultural change in the way we think is needed and we have to realize that our decision to constantly purchase and discard of our clothes is causing a lot of harm to the people who make it. We have to be responsible and make socially conscious decisions and recognize that our buying habits as customers affect the lives of factory workers.

I am pleased to see the efforts of some of the popular brands in their strides to create better working conditions for their factory workers, but I think more can be done to bring the human aspect back into garment manufacturing. What does the future hold for you, what is next??

Oh boy! I’ve recently started in menswear, as that was not a focus before. So definitely, menswear for future…and create greater awareness of sustainable or ethical fashion.

Thank you so much Sam for this interview and all the best to Regarding Style and all of your lovely readers. My designs can be found via my twitter, instagram or facebook page using the handle @LybrteeRose473.

Certain elements, such as links and photos, may have been removed from the original version of the above article.

[realsamcalloway]

12/1/16 “They Say The First Post Serves As ‘The Hook’“ (www.regardingstyle.com)

Originally posted December 1, 2016 and appearing on www.regardingstyle.com.

© 2017 TRSB (Sam Bone)

They Say The First Post Serves As ‘The Hook’

Who is behind this website, you ask? My name is Sam Bone and I am just an average guy in my early 30’s, engaged to the love of my life and best friend, and currently living in a suburb of Northern California.

My love of fashion began at a young age. My working career began at the age of 15 and a half. When I was 17, I found myself immersed in the world of the underground music scene. In (shitty) punk bands and the whole nine yards... Naturally, like most kids that age, the place I NEEDED to work was Hot Topic, which was located at a local mall of my hometown, Sacramento. I wanted to work for corporate America, specifically the corporate America that fed into the subculture music and fashion scene. It made sense, it was the best of both worlds.

Funny thing is, Hot Topic was when and where I learned to hack. When I say hack, it means that I used my measly employee discount on merchandise that was on Clearance...  I would score accessories and makeup for a few bucks, and in some cases for change found at the bottom of my skinny plaid pants. See, the grown up Sam began to come of age before I was even able to enter bars (legally, of course)! To make, what could be, a (very) long story short, I worked most of my life in fashion. And, if it wasn't about fashion, I made it about fashion.

Most of my jobs were in fashion retail, but not retailers such as Gap, Inc. or Balenciaga-- They were fashion retail resale jobs, AKA thrift jobs. And it was a wide array; there pretty much wasn't a thrift store that I didn't work for or manage for, between the years of 2002 through 2012 (AND for bonus points, I was sifting through, pricing, sorting, and buying passed down clothing and accessories before Macklemore's Thrift Store song was cool and trending). I was involved in thrift and consignment before the recession, before it was cool, and although I ran into a quick identity crisis (I'll touch on that shortly) recently,

I'M STILL HERE. A VERSION OF ‘SELLING OUT’ Background aspect you should know about me: I love to help people.

I always have been obnoxiously selfless my entire life (anyone who knows me would say that's actually an understatement). The proof can be found in my past and present: I've worked for multiple companies in the non-profit sector, organizations like WEAVE, INC. (a fantastic Sacramento-based organization which helps victims of domestic abuse and sexual assault), Sacramento's SPCA (all about the animals!), and Eco-Thrift (which helps to enable local veterans), as well as helping raise money for R.A.I.N.N. (The Rape, Abuse and Incest National Network).

In attempting to somewhat keep with my line of work, and with recent events of terrorism hitting our homeland and our allies (France), I decided to pursue a bachelor degree in homeland security. As it stands currently, I am almost a year and a half in! Great, right? So where does the ‘selling out’ come in, you ask? As my ‘adult mind’ saw it, a resounding voice in my psyche said that I should leave retail behind and go for a career in-line with helping others and myself. As a huge perk, hopefully this line of work would offer a nice salary pay and job security so that I can take care of my family and be all grown up... I was feeling burnt out from working retail, and after the recession hit, employers got super cheap. Often times my ideas were dismissed and my previous positions (pre-recession) were ignored-- basically, I was beginning used. I.was.over.it.

Then mid-October 2016, it hit me: I'm kind of lying to myself. Well actually, completely lying. I love fashion. I can spot trends. I've styled almost everyone I know at some point.

Upon this realization, I felt really good! (Like, super good. Think of that scene from Clueless when Cher realizes she is in love with Josh.)

(Assumedly) like you, I'm a pretty average person, probably even borderline a total cliché:

I'm a 32-year-old gay guy, I've worked numerous odd jobs (in addition to the retail experience I mentioned above).

I do what I can to make ends meet, all while trying to retain some semblance of ‘fun’ once in a while.

I've, no doubt, had my fair share of obstacles in life, like who hasn’t?

…but one thing I am rebelling against and refusing to do is SELL OUT. I am going to pursue fashion, I will change my degree to focus it on marketing, and I will be here for you, to share my love of fashion. I don’t want to be constricted to a 4’x4’ cubical, in between crazy cat woman to my left and smelly Simon on my right.

Instead of selling out, I will work hard in doing what I want to do. I’ll give it a shot, because well, why not? The price to pay is a high cost. It’s only everything.

Thanks for reading and stay tuned!

Certain elements, such as links and photos, may have been removed from the original version of the above article.

[realsamcalloway]

Regarding Style

Various designs (logos, social media graphics) from fashion website, Regarding Style.

© 2016-2017 TRSB (Sam Bone)

[marriageofferszt]

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[projectzonenab]

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