Three Identical Strangers
2018. Documentary
By Tim Wardle
About: the lives of Edward Galland, David Kellman, and Robert Shafran, a set of identical triplets adopted as infants by separate families.
Country: United States
Language: English
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seen from United States
Three Identical Strangers
2018. Documentary
By Tim Wardle
About: the lives of Edward Galland, David Kellman, and Robert Shafran, a set of identical triplets adopted as infants by separate families.
Country: United States
Language: English
I had mixed feelings after finding out that the triplets finally get their own documentary....
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(Hopefully by this point you’ve finished all 96 minutes of 'Three Identical Strangers’, the kind of person who isn’t bothered by spoilers, or are just deciding if you still want to keep watching.)
Three Identical Strangers (2018)
Three Identical Strangers Movies-at-Home Review
Note: This review contains unmarked spoilers. As always, I suggest you watch films knowing as little about them as possible. Everyone has at least one really good story in them. Because it’s important or they believe in it or just because they’ve practiced it to perfection, they can nail it every time, even if they couldn’t tell any other story on earth to save their lives. That’s the impression you get when Robert Shafran starts talking. He’s an affable man, adopted at birth, with a feel good story to tell about the time he found out he had two twin brothers. The story will take the sort of dark turns you only expect to find in yellowing old 1960’s paperbacks, but at that moment it is just a man with something to say.
Robert’s brothers Eddy Galland and David Kellman discover each other after Robert, at 19, enrolls at a college he’s never been to and on arrival finds that, like at the very best bars, everybody knows his name. His name isn’t David, of course, but too many people are sure they know him for them to be entirely mistaken. Then, coincidence of all coincidences, his new roommate recognizes him and knows there must be a mistake, as he’s sure his friend from the previous semester did not re-enroll.
That topples the dominoes, and soon enough the boys are together for the first time since birth. It is initially a joyous reunion. They move in the same ways, they have the same mannerisms, they finish each other’s sentences, they like the same types of girls. They are largely oblivious to the concerns of their parents, all of whom understandably want powerful adoption agency Louise Wise (now defunct) to explain why none of them were ever informed their children were triplets. The name is mentioned several times before we visit a recreation, and by the time we do the agency---a “New York institution” decades old and run by the city’s elite---has taken on an almost legendary quality, the way a menacing name is spoken and re-spoken throughout a fictional story before we are finally introduced to it. The Agency acts suspiciously, and we later find out way: the boys were divided up deliberately.
This takes place in 1980, and the footage of the time used, some of which was supplied by relatives, has that grainy feel of old camcorders that will never be seen by a generation used to videos looking better than real life. I am fond of it, it being the mode of recording in which I spent childhood, but here it takes on a double-edged importance. It starts out invoking a lost time when cars and houses were colorful and video was something to be saved for the important memories.
Soon, that fuzzy feeling is perverted as we learn of a labyrinthine science experiment that separated the boys for little apparent reason except curiosity. Respected psychologist Peter Neubauer, who died before the documentary was released, placed each child with a family of a different income level, allegedly to study the concept of nature vs nurture. Neubauer’s voice is heard on tape replying evasively to journalist Lawrence Wright, who first exposed the case in 1995. He knows people think this will be wrong, and cares about public perception, but because it is bad publicity, not because what he is doing is harmful. His aged assistant, Natasha Josefowitz, insists that in the ‘50’s no one had an issue with stuff like this. To use a not-so-scientific term, this is of course pure bullshit. Josefowitz thinks no one cares because the academics she spent her time with did not care. This is science that never asked if it should.
These revelations eventually lead to tragedy, heartbreak and struggle for the many subjects of the study. Yet what director Tim Wardle seems most interested in are the moments of humor, warmth and disquietude. Phil Donahue points out the brothers are all sitting exactly alike; they immediately react and all end up sitting in the exact same new position, a five-second clip that somehow has the quality of silent physical comedy. The men find and go to meet their birth mother, who is seen only as a photograph. They discover she struggles with alcoholism and is not much use to them, but she left me wondering. Their lives went three directions that became one; hers went in another. I imagined her, her teenage beauty faded now, vanishing back into the tangle of New York streets to resume whatever her life was. What would she think, if her head were clear, of the events around the children she produced? Asides like this remind me of one of my constant credos: we are all the main character in our own stories.
Everyone wants, above all, to believe their life has purpose. The movie concludes by letting us know that the study, sealed away until 2065 but shown to the subjects after immense public pressure, reached no conclusion. Imagine that the sum of your life was that you were found not especially useful. The story is currently being prepared for dramatic treatment, but as with a documentary on Mr. Rogers, it’s hard to imagine that format having the impact of Robert Shafran, looking into the camera, remaining silent for a moment as he is asked what he thinks about his life and those of his brothers, and then letting out a little laugh
Verdict: Highly Recommended
Note: I don’t use stars, but here are my possible verdicts.
Must-See
Highly Recommended
Recommended
Average
Not Recommended
Avoid like the Plague
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Three Identical Strangers
I’m not a big documentary gal. I guess I’ve always been drawn to fiction because the world is big and scary and I like knowing I can escape from it. But as I’ve gotten older, I’ve begun to enjoy more things of the “truth is stranger than fiction” variety, probably because my country is a literal game show now and we’re all losers. As soon as I saw the trailer for this documentary, I was hooked. Three Identical Strangers is the story of Robert Shafran, Eddy Galland, and David Kellman - three identical triplets born in 1961 who were separated at birth and raised by three different families and were reunited by chance when they were 19. That story is wild enough as it is; it’s a heartwarming and offbeat human interest story with a feel-good ending. But the purpose of the documentary is to dig further into the story, to figure out why these triplets were separated at birth in the first place. And that’s where shit gets wild. How wild? Well...
"Three identical strangers" (idem) - netflix.
Sem rumo num sábado de noite, vagamos pelas listas dos streamings e esse documentário chamou atenção. Já tinha lido algo sobre, mas nada muito revelador, era apenas elogioso. Histórias de gêmeos separados fazem a festa em novelas brasileiras, será que essa real tem algo a ver com a ficção?
depois de ver: ótima história e muito bem contada. bom roteiro e edição. nenhuma semelhança com novelas, mas muito em comum com filmes de ficção científica.
去年看過《三個一模一樣的陌生人》的預告片後,就非常期待能看到這部電影,儘管最終沒能登上台灣院線,但幸好可以在線上影城看到這部作品,喜歡紀錄片的朋友,千萬別錯過這部既奇蹟又溫馨又恐怖又哀傷的佳作。 完整文章:http://hatsocks1975.pixnet.net/blog/post/68072946
Three Identical Strangers by Tim Wardle, 2018