♒ who are your top three favorite characters (whether you muse them or not)?
i do tend to muse my favorites, but it’s very hard to pick a top three - i’m really unused to anything beyond a vague hierarchy of passion. yamamoto takeshi obviously gives me a great deal of hope and opportunity for reflection, as someone who has always been very good at things and prided myself on those abilities, at times allowing those to overshadow much more important ideals of compassion and healthy positive relationships. his relationship with his father also reminds me a lot of my own understanding with my mother. for my second, i’d probably pick isana yashiro from k project, the passive immortal, transformed (bettered) by mortal strain, loyalty, and love. i consider his loss and regaining of faith in the human world and heart something many people, including myself, experience on some scale. lastly, i adore lenalee lee from d.gray-man, someone who expresses a great deal of weakness and unsurety. however, she further displays immense determination, a willingness to push herself over the brink to preserve something so fragile as the homes and lives of her loved ones in a time of 'holy' war.
♏ what are you looking forward to roleplaying here?
frick, i feel like i’ve already answered this partly in 'if you could roleplay any one thing!' i’m definitely looking forward to - developing bonds with friends outside of the vongola, as well as of course reuniting with those who were already a part of yamamoto’s canon famiglia. i want to play a more hard-pressed takeshi: this park absolutely has an underbelly, an element of not always clandestine danger, and i hope as that perhaps continues to escalate (in events, etc), i can show him challenged, protective, delirious, distressed. he’s a very new muse for me such that i feel (ryohei voice) extreme!-ly blessed to be able to develop him in this setting.
♓ tell us 1-3 random facts of your choice!
one: sometimes when i’m bored i flip through wikipedia reading horror plot summaries to make my skin crawl just enough that i’m thrilled or excited. two: i really love thinking about asexual/aromantic/queer/etc headcanons for characters because of my own identity. three: when i work lately i usually put the national’s discography on in backwards order of release, because i like how their music feels like it’s coming undone as it moves from their later, perhaps more polished style to the more raw, early work. it’s low-key enough to put on in the background, but i also know those aching lyrics well enough to keep up with each song.