#rsim

[bamfspock]

FIC MASTER POST (to be updated)

Know All Your Enemies

Fandom: Star Trek: Alternate Original Series

Rating: Mature

Word Count: 351,857

Pairings: Jim Kirk/Spock, Spock/Nyota Uhura, Jim Kirk/Carol Marcus, Jim Kirk/Gary Mitchell, Jim Kirk/Original Character, Carol Marcus/Leonard McCoy

Summary:

Being able to read someone's mind doesn't mean knowing them, as Jim finds out. Being forced to navigate the fallout of a terrible tragedy while fighting to stop a large-scale threat doesn't help. What will it take to protect what matters? Will the Federation survive it? Will Jim?

And will the growing connection between he and Spock bring them together before it tears them apart?

Tags: T'hy'la; Telepathy; Telepathic Jim; Eating Disorders; ARFID; Tarsus IV; Academy Instructor Jim; Section 31; Alliances; Dadmiral Pike; Dadmiral Archer; Starfleet Academy; Murder Investigations; Amanda Grayson Lives; Jim has a lot of high-profile penpals; Slow Burn; Endgame Jim/Spock; Multiple POVs; Primarily Jim POV; Background Relationships

WARNINGS: Explicit discussions and descriptions of a restriction-type eating disorder (ARFID); discussion of involuntary weight loss; murder of children; genocide; eugenics; child abuse (physical and emotional); descriptions of dissociative states; descriptions of panic attacks; discussion of sex as self-harm; mentions of pedophilia; mentions of other self-harm behaviors; discussion of suicidal ideation; graphic violence; minor character death; sanist language

READ IT HERE!

(BONUS: My meme-ified preview post)

A Weary Traveler

Fandom: Star Trek: Alternate Original Series

Rating: Mature

Word Count: 27,619

Pairings: Jim Kirk/Spock

Summary:

"Of course you're not," he says, which sounds patronizing but his tone isn't, like he's stating a fact. "But I saw you come in and had to say hi."

She narrows her eyes, because between that and his 'guess'..."Do I know you?"

The bar is a little too dark to be sure, but he does look awfully familiar.

"Not yet." He crosses his arms, and she realizes he doesn't have a drink. "You will, though."

Jim keeps jumping through time.

Tags: Time Travel; Non-Linear Narrative; Mentions of Restriction-Type Eating Disorder; Tarsus IV; alternating povs; T'hy'la; Bad Fake Physics; Brief Jim/Bones; No Uhura/Spock; canon character death

WARNINGS: non-specified restriction-type eating disorder; mentions of involuntary weight loss; child abuse; brief discussion of hypothetical sex between a minor and adult

READ IT HERE!

Red Sky In Morning

By a-really-good-lawyer (BAMFspock)

Fandom: Daredevil (TV); The Defenders (TV); The Avengers (Marvel Movie)

Rating: Mature

Word Count: 500,593

Pairings: Matt Murdock/Frank Castle, Matt Murdock & Peter Parker, brief Matt/Natasha

Summary:

"You ever been tired, Red?"

Captain America and his allies are allowed to come out of hiding under the terms of a stripped back Sokovia Accords, overseen by a newly-rebuilt SHIELD. An agreement is struck, and four Avengers are assembled once more.

Then Midland Circle Financial falls, and they find Daredevil among the ruins.

Identity revealed, Matt is forced into his own agreement. But SHIELD has a hidden agenda, and it's not the only organization making its move. A long-hidden secret is slowly working its way into the light, and now the race is on to find the truth.

Matt just wishes he'd never escaped from Midland Circle.

Tags: Graphic Depictions Of Violence; Rape/Non-Con; Post-Defenders AU; Sokovia Accords; Mystery; Conspiracies; alternates between present time and flashbacks; Matt-Centric; multiple POVs; Hurt/Comfort; Angst with a Happy Ending; Found Family; Matt being protective of kids; like so many kids; flagrant perversion of Marvel comic canon for plot purposes; some AU NMCU Punisher references; Teamwork makes the dream work; mostly ignores other NMCU/MCU shows except Iron Fist S1

WARNINGS: Discussions and portrayal of suicidal ideation; discussions and portrayal of sexual assault; allusions to and some portrayal of self-harm behaviors; discussions of trauma; discussions and portrayals of depression; discussions and portrayal of dissociative states (DP/DR); mentions of depression-related weight loss; allusions to and discussions of child abuse; portrayals of non-consensual drugging; ableism; sanism and sanist language; eugenicist talk; graphic violence; depictions of adults and children in captivity; depictions and discussions of eugenics; discussions of substance abuse; rated M for themes and sexual content

READ IT HERE!

[missvalerietanner]

Excerpt > Red Skies in Mourning | Devastation

Harry pauses and holds his breath. The creature's head bobbles in front of him, consuming his vision. He stares straight into those many milky eyes. Within them, he sees swirls of other worlds, glittering with life, and hears a humming of a far off sound—a melody that sounds familiar and strange at the same time.

The creature reels back, suddenly and sharply. Harry hears the click of a rifle. He turns to see Mike taking aim. Time slows; he can't breathe. He tries to yell, but the words die in his throat. The creature bellows a fierce scream that rings against his ears. One long, stout arm swings wide and collides with Mike’s body, flinging him far from sight. His scream follows him as he flies.

Harry sees the rest of the group crouched far away, but not out of reach. The shadow of the creature's arm falls over them, and he finds his voice, screaming for them to run. They scramble, darting left and right. The creature's arm slams the shore with the force of a crash, parting the people like waves in the ocean. His ears are still ringing; he doesn't hear their screams, but he sees the strings of blood and gore streaming from the creature's arm as it lifts and slams down for another strike.

A guttural, bowel-emptying scream erupts behind him. He turns to see Evie fall to her knees, wailing as she clutches her stomach. His own stomach rolls in response to her pain. He watches as the creature's arm hovers over the survivors. They run, fruitlessly, to escape its impossible length. Lynn and Marv sprint toward the horizon, and Julia drags Owen along with them. He's crying, stumbling as he is dragged away.

The creature releases a wail akin to the pain in Evie's scream but edged with a hard anger. It's other arm swings, low and to the right. Harry dodges to the side, avoiding its swipe, but as he rights himself among the shifting sand, he feels a tremor beneath his feet, a sizable earthquake as the creature's other arm hits its mark. 

His ears pop. The world hums its silence in his ears. He can't turn; he can't look to see the four bodies he knows now lay in fragments across the beach. Evie's scream tells him enough, and her voice scratches against his skin like rusted nails, sinking deep to his bones. 

He forces himself to look, to find Evie. A shadow falls over her as she sprints along the beach, slowed by the sand, desperate to reach the bodies on the other side of the gap—to reach their son now lying lifeless as a smear of red against the golden sand.

Panic strikes through him like lightning. He runs for her. He hears the creature yell, feels the weight of its arm bearing down on them. Yet he continues. He throws himself forward, clutching his pistol with one hand and reaching to her with the other, outstretched and yearning. His body collides with her, shoving them both to the ground. She squirms beneath him, but he pins her flat and rolls over, aiming to the sky with both hands steady in their grip against the pistol.

His mouth parts, and he releases a scream he doesn't recognize. He squeezes the trigger and empties the clip into the creature's arm. It stops; it growls from the pain. Dark-colored blood, iridescent and slick like oil, drips from the wounds, coating his body. The blood feels cold and slimy against his skin. The creature screams in rage and swings its other arms toward them.

Harry shuts his eyes and braces for impact—for death. He sees the stars beyond the darkness, the brilliant sun he would see no more, the crisp air he would no longer breathe. He lets himself weep in his final moments; not for his death but for the death of his team, of his son—of a life ripped away by his own hubris.

A feeling of serenity consumes him, calms him. He opens his eyes and sees his body bathed in the black, inky blood of the giant. But there is no shadow looming over them. The creature is gone, vanished as if it were never here.

He rolls forward, lifting his body off of her. Evie pushes herself onto her knees and vomits onto the crystalline sand. Her palms are red and speckled with dents from the grit as she lifts them to wipe the flood of tears from her cheeks. He looks toward the horizon, to the clear skies overhead and the red sun shining brilliantly; he cannot look at the devastation and death; he cannot bear it.

[suyun-rengi]

Hat san’atının resim san’atına çok yaklaşan bir alt kümesi, yazının figüratif bir şekle sokulduğu, örneğin armut, testi, arslan, cami v.s. biçiminde yazıldığı “yazı-resim” diye adlandırılan istiflerdir.

Yazı-resimler arasında eskiden beri revaçta olan bir tür, sefîne (gemi) şeklindeki istifler olup bunlar arasında en yaygın olanlar “Amentü gemisi” ve “Yedi Uyurlar” levhalarıdır. Amentü gemisinde Ebû Hanîfe’ye maledilen, Kur’ân-ı Kerîm üzerine temellendirilmiş ve İslâm inanışını özlü bir şekilde dile getiren metin (Âmentü billâhi ve melâ’iketihi ve kütübihi ve Resûlihi ve’l- yevmi-l-âhiri ve bil-kaderi hayrihi ve şerrihi min Allahi te’âlâ ve’l-ba’sü ba’de’l-mevti. Eşhedü en lâ ilâhe illâ Allah ve eşhedü enne Muhammeden ‘abduhu ve Resûluhu.) sefîne şeklinde istif edilir, tekerrür eden “ve” sözcüğü geminin kürekleri şeklinde yazılır.

* Hüsni ketebeli ve Ramazan [13]24/1906 tarihli, taş baskısı bir Amentü gemisi. Bayrakta mâşâAllah, teknenin üzerinde kürek aralarında Eshâb-ı Kehf ve köpeklerinin adları, köşkte ise Fetih sûresinin ilk âyeti, yâ Mâlike’l-mülk ibaresi ve Allahümme yâ muhavvile’l-havli ve’l-ahvâl havvil hâlnâ ilâ ahseni’l-hâl duası yazılıdır. Geminin kendisini Amentü metni oluşturmakta, yukarıdaki istifte ise Kelime-i Şehâdet yer almaktadır. (Malik Aksel koleksiyonu, Bursa Kent Müzesi.)

"Hat San’atında Sefîne İstifleri ve Nuh’un Gemisi " Emily Neumeier & İrvin Cemil Schickait

[mobilephonetechnology]

(2024-03-17 image ©PR Newswire) The rSim that can be placed in any smartphone gives a new view of the SIM. The R stands for resilient, and the card will switch to another network if the current network is not working, out of range. the rSIM has capacity for storing a user's profile for 2 SIMs. So you could store on the card your Vodafone and EE accounts, and the SIM will swap between the two network as needed. Checking for the swap is every minute. One network is marked as the primary network, and the rSIM will use this where possible.

The obvious downside is that your need two accounts. I would guess that there is no real technical reason to restrict the number of accounts to 2, so you could have an account at each of the UK operators but this will cost. The main market will be for people that regularly commute between two countries and they could have a SIM from the Uk and one from France (for example).

Currently the rSIM is restricted to mobile operators and companies that need this specific facility and it is targeted at IoT solutions (transport operators spring to mind).

[ppcomp-ru]

rSIM-карты

rSIM — новый формат «симок», они круче обычных SIM и встроенных eSIM. Главный плюс по сравнению с eSIM – rSIM будет работать где угодно и пригодится для устройств IoT, которым критично важно постоянно быть на связи. Ссылка на источник: Читать дальше »

[perlundsittichaipatpatsit]

[missvalerietanner]

Red Skies in Mourning > Excerpt: Surrender

The expedition isn't going well. Harry surrenders himself to the island's depths to face his past mistakes head on and tries to convince the rest of the team to leave for their own good.

[missvalerietanner]

Red Skies in Mourning > Story Photoset

When letters from an old friend cross his desk at the university with talks of an undiscovered island and an undiscovered treasure, fresh-footed professor Harry O'Neil is curious and willing to try anything to better advance himself in his field. Together, he and his old friend, Ian, mount an expedition at the university's expense.

The team makes the discovery of a lifetime, but the team's curiosity outweighs their luck. Most of the team is struck down by the island's one inhabitant in less than thirty seconds, leaving Harry and his wife, Evie, as the sole survivors.

Nearly thirty years later, Harry is now a washed-up and forgotten relic of a lost legend. Having penned books about the expedition to the island, he lives a comfortable but isolated life. His marriage is long dissolved. His health is fading; his reputation is garbage. He languishes inside his home, waiting for Death's arrival--until a letter arrives from a university student, extending an invitation for Harry to join him and his team for a second trip the island.

With nothing waiting for him at home and nothing to lose, Harry accepts, eager for a second chance to correct his failure.