memo for labor by Ryan Eckes
seen from United States
seen from United States
seen from United States

seen from United States
seen from Chile

seen from United Kingdom
seen from China
seen from Australia

seen from Germany
seen from United States
seen from United Kingdom
seen from Germany

seen from Malaysia
seen from China
seen from United States

seen from United States
seen from China
seen from United States
seen from United States
seen from Italy
memo for labor by Ryan Eckes
Ryan Eckes, memo for labor
Ryan Eckes | chase scenes
“we’re in a classroom, which is a store. the professor tells us the true write must destroy his own ego. do not tell stories, he says, unless they are someone else’s. do not say i. i look at the clock and the clock’s the wind, it says one tongue per king, and that pulls on me like a sad movie. i just watched five easy pieces, what a bummer. what a bummer he left her and life up in the air like a dead piano. i’m sick of the road as the end as if no gas station rots forever round the bend. one tongue per king, the poem becomes its own thing. not america, not this professor pulling maps down over the board, pretending to stand outside. he’s the enemy, which is at least tens of thousands of people. i’m not looking for the enemy. we look at each other and pass notes. call on me, call on me. let’s see what happens.”
read more
BLACKOUT ((poetry&politics))
you can lick your bowl clean for no credit you can pledge allegiance to the floor
*
from “for what we will” by Ryan Eckes
Welcome in the new year with six fantastic new poems by January featured poet, Ryan Eckes! www.ADozenNothing.com
BRIDGES
“the fire is central” -diane di prima
you can’t burn a bridge that never existed
bite into the orange, it’s yours
a stack of suns unpaid for
a queue of light
trains are running ten minutes behind due to operator unavailability
here we are, late to paradise again
a strike was authorized and leaders cozied up to the boss
a strike was authorized and they said just kidding, no hard feelings
if you stay in one place too long, you remember everything you’re not supposed to
a capitalist gets clipped by an amazon truck, squirrels scatter like broken bottles
a stop sign lies on the pavement, no hard feelings
fingers pointed in all directions, no hard feelings
justice is sudden and kaleidoscopic
laughter out a car, the spring, sprung, springs—
polysemous red sneakers leak free beauty
pouring thru the doors and out the turnstiles
the failures of the bosses melt off our shoulders
no hard feelings
where two rivers meet, all careers disappear
a skeleton full of rain cuts a hole thru a door
they try to seal off the city with hierarchy
but they’ve run out of careers
love burns thru the line
the draino of time chokes on itself
each split second of organizing the cities
splits into a forest of memory
spreading a thousandfold
a stack of suns unpaid for
widening the sky
a frame is just a frame
you can smash it to pieces
love burns thru the line
the world grinds open
like a fruit
the trains fly thru
but not for commerce
what are they for
what is anything for
the flu—
Ryan Eckes
affluent: having an abundance of goods or riches
effluent: liquid waste or sewage discharged into a river or the sea
Ryan Eckes, Prolit Mag, Issue 7
5. Hey Jeff, any poets you think should be household names in poetry households?
Donna Stonecipher. Douglas Kearney. Ryan Eckes. Dao Strom. Gina Myers. Harmony Holiday. Although I guess it depends on the household, eh? How might household be defined? All of the aforementioned writers are household for me. What are poetry households?