#saftistic

[smytherines]

Fuck it, here's an Agent Mega dissertation

Alright since I have such elaborate headcanon for my beloved precious Owen Carvour, I guess I should do it for Agent Curt Mega too. Sigh.

So, going off of the last big one, if Owen is born in 1928, then I'm gonna say Curt was born in 1930. I'm forever won to the Texan agent mega headcanon, but I think it's safe to say that Mrs. Mega is not from Texas, probably more like New York or I've seen people say New Jersey.

We know nothing about Agent Mega's dad, but I imagine he was kind of a loser and low level con artist and moved his pregnant wife down to Texas to do scams around the bustling oil industry, and then soon after Curt was born a scam collapsed and he ran off. It's either that or an Aladdin 3 situation where he was secretly a spy the whole time and had to go into hiding.

So we've got mama Mega, raising a VERY hyperactive (read: ADHD) little boy on her own, in a place where she doesn't have any support, and he just becomes her entire world. But she has to work a lot, so Curt becomes used to taking care of himself, and most importantly- keeping himself busy so he doesn't lose it.

In this headcanon Curt would only be 15 when WWII ends- not old enough to fight, but definitely old enough to have personally known a lot of kids from his hometown who come home in caskets. I just truly think of WWII as a formative experience for both these guys. For Curt it just feeds into that inferiority complex.

Now anybody who has ADHD knows that you already spend a lot of your life feeling inadequate, feeling self-conscious about not being able to be the person other people want you to be (*especially* if you're queer). You get defensive, especially when criticized. You also get restless.

I headcanon Curt as growing up in Abilene, Texas, mostly because I have a friend who grew up there and I've visited and the vibe is right.

I don't know if anybody has ever seen The Last Picture Show, but its a film set in small town Texas in 1951-1952 (so a little late for our timeline but still) and it's (more or less) about two high school seniors essentially trying to escape this suffocatingly small, dying town before they become doomed to spend their lives trapped there.

That's definitely what I think about Agent Mega too- this gay, ADHD teenage boy climbing the walls of this little town, never being able to fully be himself. But he's got a lot of energy (and more than a little anger) to burn off, so he does sports. It's Texas, so football for sure. Maybe wrestling too. Perhaps wrestling is even where he has his gay come to jesus moment.

And when he isn't doing sports, he's home, alone (mama Mega is working so hard), out back drinking a beer (or two, or three) and teaching himself how to shoot. I think he becomes hyperfixated on becoming an expert marksman, because with all of this shit he cannot control, all the stuff he is supposed to be but isn't, this is one area where it feels like he has the power here.

What starts off as "kid drinking beer to feel cool and rebellious" starts to morph into a lifetime dependence on alcohol. Substance use is a big issue for a lot of ADHDers for the same reason I think it would be for Curt- it calms him down. It eases that constant restlessness in his bones. It softens the edges of other people's criticisms of him. It makes him care a bit less what others think about him.

In a vicious cycle, he drinks to avoid feeling those big feelings (especially as a man, especially as a gay man, especially as a gay man in Texas), but the drinking leads to more criticism, which leads to more drinking to numb the emotional response to that criticism.

But his hyperfixation on learning to shoot pays off. Let's say he becomes a junior state champion trapshooter (did I look up trapshooting competitions from the 1940s? yes I did). He's good, especially when he hits the sweet spot of drinking just enough to calm his ass down but not so much that he's useless. Maybe this is how he comes to the attention of the A.S.S.

And he fully believes that these skills he cultivated, the ability to hit hard and run fast and shoot accurately, his ability to escape when it doesn't feel remotely possible, is why many years later he just kinda rolls his eyes at Owen for insisting that they do things carefully and methodically. Careful didn't get him out of small town Texas. Careful didn't get him the exciting non-stop life he has now, a life where he *almost* gets to be himself a lot of the time.

When Owen "dies," and its Curt's fault, he naturally turns to drinking to numb that pain. But its a lot of pain, so it takes a lot of alcohol to kill it.

I'm sure I could go on, but as always I have rambled a lot here so I'm just gonna leave it.

[smytherines]

Every six months five new autistic people make SAF their entire identity, and that's why this fandom will never die

[smytherines]

Fuck it, here's an Owen Carvour dissertation

We don't have canon ages for Curt & Owen, but personally I headcanon Owen as being born in 1928, making him 29 when the banana incident happens. This leads to a lot of thoughts that are fascinating to me, because growing up in London during WWII could inform so much of his character.

Personally, I believe DMA's accent is much closer to Owen's natural accent. I think the Owen Carvour accent is something he puts on to make himself sound neutrally British while working abroad, because he grew up working class. RP is how most people (at least in the US) assume British people speak. This also works with the Texan agent mega headcanon, like they both have to put on an act to be spies, just like they have to put on an act with their relationship.

And class is really really important to how you conceptualize this character, because your experience of the war could be radically different depending on how much money you had. Food rationing began in 1940, which in this case would make Owen 12. Rationing isn't fully lifted until 1954.

At Elizabeth II's wedding in 1947, the palace made a big deal about how she was saving ration coupons for the material for her wedding- a full two years after WWII ended.

Here's WWII London:

This is the city Owen would've grown up in. This is a war zone. A city where food is tightly rationed, where sirens were constantly going off and you had to draw down the blackout curtains and go sleep in the tube station with bombs dropping constantly overhead:

If Owen were upper middle class, he might have had a shelter at home, some people did. But I imagine him sleeping in dark, cramped, noisy stations. And he learns to keep his cool. He starts to enjoy the danger because he has to to survive it.

Maybe he has lost loved ones to the bombings. Maybe one morning he comes home from the tube station and half of his house is in rubble on the ground. Maybe he's used to hand me down clothes and simple homemade toys and not having enough to eat. He's used to having nothing, having nobody. That's a headcanon a lot of folks have, and I think it makes a lot of sense for his character.

Even if Owen were one of the kids evacuated to the countryside, maybe that happens when he's 15 or so, it wasn't a Lion, the Witch, and the Wardrobe situation. For a lot of those kids they were leaving their parents behind in a war zone, sleeping in barns or basements, and most importantly working almost non-stop on British farms because all the regular farmhands were fighting.

I think, if this happened, Owen would be itching to go off and fight in the war. My personal headcanon is that he's an intelligent guy, and he figures out how to forge some basic paperwork to claim he is older than he actually is, so he can go fight in WWII.

But by some fluke he couldn't account for, he gets discovered. And because of his skill and his ability to keep his cool under interrogation, he gets recruited to MI6. A lot of MI6 operatives are upper class men, recruited young from the top schools. He mimicks them.

I think many years later, when he and Curt are escaping a Russian weapons facility, Owen loves Curt and trusts in his capabilities (maybe a bit too much- especially when he's been drinking), but he also feels frustrated that Curt is impulsive and cocky and thinks he is untouchable.

Because Curt didn't grow up the way Owen did. He didn't grow up waiting for the bottom to fall out over and over again. He's certainly got his own shit from adolescence, but he doesn't have that survival impulse hardwired into him the way Owen does. So Owen is careful and cautious for the both of them, trying to keep them both safe and alive.

I think about Owen being trapped in the rubble a lot. He would almost certainly be critically injured. Maybe he has PTSD from the WWII bombings, and he's just trapped in an exploded building, trapped with his own memories of childhood until he's almost feral from it.

This also, btw, is why the AU of Owen as Eurydice from Hadestown is so so poignant to me. Someone who grew up cold and hungry and turned their collar to the world, and then suddenly they fall in love and everything is sunlight all around them. All I've Ever Known is such an important owen!Eurydice song to me

I could keep going from here, but I'll stop for now. This isn't as neat and concise as I wanted to present these thoughts, but I can't stop thinking them

[smytherines]

Overly long staircase scene acting analysis because I'm autistic

Watched the staircase scene again, because this is my life now. But I just cannot get over how incredible Joey Richter is in this scene. Every beat is absolutely heartbreaking. The anger and hurt in his voice as he yells "I'm going to single-handedly dismantle everything you've ever believed in," the way his voice breaks.

During the reprise he does a stunning job of "guy trying to be cold and intimidating but is actually incredibly sad and unbelievably angry." The way Owen says "a world without agencies, a world without spies, a world without secrets" with so much quiet contempt for the thing that ruined his life.

Maybe the best piece of acting in the entire show is when Curt steps up into Owen's gun and says "the feelings we had for each other." And Owen looks pained, he looks wistful for a second. His gun lowers to Curt's heart and his hand repositions like he's really struggling with what he believes he has to do. The thing he's been wanting to do for four years. But he just can't manage to pull the trigger, despite having ample opportunity to do so.

When Curt finally shoots his gun out of his hand and aims the gun at his head, the way Joey Richter plays Owen just feels incredibly sad. To me it reads as Owen, not being able to kill Curt, thinking Curt wouldn't be able to kill him either, and realizing too late that he was wrong about that. There's a kind of incredulous disappointment in his voice as he says "so what are you doing?"

I know I get ridiculous with my Owen Carvour headcanon, but this one scene just gives SO much insight into his character and motivations, without outright telling you pretty much anything. That's partially clever writing, but its also just Joey Richter absolutely killing this role, making Owen feel like a real person with real anguish and doubt and anger. Its spectacular.

And it's wild because Curt Mega is also really fucking good in this scene, but kind of in different ways? His delivery doesn't subvert what we know about Agent Mega, it reinforces it. Curt has been grieving for four years. He fell apart after Owen's "death," his alcohol use turning into a full-on disorder, making him incapable of doing the one thing he loves, the thing he feels he does best. And actor Curt Mega does an incredible job at conveying all of that without even saying a word. Curt's stance, the way he braces against the staircase just kind of numb with the realization that Owen is alive, the anger and resentment that he mourned Owen for so long only for him to be out there doing evil schemes. It's all played perfectly.

As an Owen Carvour defender I have issues with what agent Mega does here that are mostly subtextual, so I'm gonna stick to the acting choices within the actual text of the show:

The thing that stands out the most about Joey Richter's performance to me is the little vocal breaks and how raw the line deliveries are, but what stands out to me about Curt Mega's performance is his body language and facial expressions, which are just pitch perfect from start to finish.

Our guy is speedrunning the five stages of grief on that staircase.

First is denial and anger, kinda wrapped up in one package- denying that Owen has the upper hand, there's something about the stance here that feels like he's planting himself with a false confidence, like he doesn't want Owen to know how scared and overwhelmed and sad he is about this. How angry he is that his life fell apart mourning someone who isn't even dead.

Then bargaining- when Curt is pleading with Owen, telling him that he's sure the agencies can pull some strings and get him pardoned if he agrees to give up Chimera. It's hard to describe the expressions & body language in a way that doesn't sound kinda weird, but there's a flash on Curt's face that reads to me like "if you give up Chimera maybe there's a chance for us," which is of course cut off by Owen's anger. There's a desperation, and even a little hint of optimism- it isn't too late to fix this.

Then depression- the expressions here are just heartbreaking, as Owen pontificates Curt is just slowly unraveling, leaning back into the staircase his face just crumbles. Like every word Owen says is physically hurting him. Like he's realizing slowly that there is no going back, that the time they shared & the feelings they had aren't going to be enough. Actor Curt Mega makes so many interesting acting choices here that say so much more than you could say through dialogue alone. The way Curt steps into the gun very much feels like he is accepting that baring his heart to Owen could get him killed, and that it's worth the risk to try (damn, just gave myself more empathy for agent mega here)

And then- acceptance. After Curt has his big moment of vulnerability, appealing to Owen's memories of their time together, and Owen rejects him by telling him to move on, Curt accepts that he has to kill Owen. It reads to me like he isn't doing it to save the world (or at least not exclusively for that) he's doing it to save himself. To remove the spectre of Owen that has been haunting him for the last four years. That as long as Owen is alive he will be haunting Curt.

(As an Owen Carvour defender I have to point out that Owen is *disarmed* at this point, so I personally have a whole big rant I could make but this shit is too long already)

Again it's weird to describe someone's facial expressions and body language, but all of the emotions you can infer from this scene are down to just great acting. Two really good actors doing a well-written scene spectacularly. As good as the rest of the show is- and its very good- this scene is why there's still an active fanbase for a comedy spy parody musical, still making art and writing fanfiction and doing edits and memes about the relationship between Owen Carvour and Agent Curt Mega nearly eight years later.

[smytherines]

I love that while I was fully in the middle of a minor mental breakdown over whether or not I pissed off the real Curt Mega by misunderstanding the Space Baby tweet, Shipwrecked reblogged this post from my first watch of Unsolved Babesteries. I mean their comedic timing is impeccable so that tracks