#scenograph

[ondastropicais-studio]

Uma casa que fica entre o cerrado, a caatinga e a floresta amazônica.

A base dessa miniatura é muito irregular porque fica numa esquina com duas subidas. Repare os degraus na calçada.

Mas consegui deixar tudo alinhadinho, nos conformes.

Ela é uma fotografia tridimensional de um tempo que não volta mais.

Agora essa memória fica eternizada num apartamento em Teresina.

Mais fotos da casa colonial da família Brito:

[ondastropicais-studio]

Meu ateliê. Março de 2024

[ondastropicais-studio]

The GMC CCKW, also known as "Jimmy", or the G-508 by its Ordnance Supply Catalog nr, was a highly successful series of off-road capable, 21⁄2-ton, 6×6 trucks, built in large numbers to a standardized design (from 1941 to 1945) for the U.S. Army, that saw heavy service, predominantly as cargo trucks, in both World War II and the Korean War. The original "Deuce and a Half", it formed the backbone of the famed Red Ball Express that kept Allied armies supplied as they pushed eastward after the Normandy invasion.

[ondastropicais-studio]

Cidade Proibida (2020)

[potatotalksculture]

Josef Svoboda:

"You must fight for it; there is no other way. Even when there is no money, and there is nothing there, you must find something, some trick, to show them that it does work, and bugger off. Theatre will always be poor; theatre will never be rich. Capitalists spend money on other things, not on culture. Communists spent money on propaganda. It is always the same problem. When you didn’t do propaganda during Communism, you didn’t have a chance. Now when you don’t do advertisement, you don’t have a chance.

A performance can be beautiful if the forces can be mobilized, but within reason. Then it becomes harmony, then it becomes beautiful. Twice I did a performance in Bayreuth; it is the best theatre in the world; everything is at your disposal. But that’s the thing: even though you have everything, everything must have sense."

Source: Sofia Pantouvaki. (Re)performing scenography: Josef Svoboda as a tutor. in: "Theatre and Performance Design" (2020, Vol. 6, No. 3, 199 - 200).