#scott fields

[80smovies]

[musicmakesyousmart]

Scott Fields / Matthias Schubert - Minaret Minuets

Clean Feed

2011

[saintlorene]

[drone-reference]

This is a video shot with a DJI Phantom 4 Pro in October 2017 on McCloud Mountain. The video includes footage flying from the helipad toward the Chimney Rocks while the foliage was nearing peak color change

[jeffreylependorf]

Some more French love for Everything is in the Instructions!

Depuis plusieurs années, à intervalles réguliers, les sorties du label Ayler Records s’apparentent à un cabinet de curiosités qui offre à des têtes chercheuses, des musiciens atypiques ou transgenre la possibilité de se rencontrer et d’échafauder un dialogue en toute liberté, voire de creuser de nouvelles pistes. Avec Everything Is In The Instructions, ce sont le guitariste Scott Fields et le compositeur de musique contemporaine Jeffrey Lependorf qui empruntent ensemble un chemin de traverse ; (...)

[jeffreylependorf]

And another fantastic review—Thank you, Eyal Hareuveni!

___________________ CD/LP/Track Review

Scott Fields / Jeffrey Lependorf: Everything is in the instructions (2013)

By EYAL HAREUVENI, Published: December 25, 2013 Composer of contemporary chamber music and opera and certified master of the Japanese shakuhachi flute Jeffrey Lependorf cites an insightful incident he had with iconoclastic composer John Cage that reveals much about typical misconceptions about what is right and what is wrong in music and art. Lependorf wanted Cage to clarify his vague instructions for a theater piece he was assigned to assist a choreographer to prepare. But Cage insisted, kindly enough, that “everything is in the instructions.” After the performance of this piece, and following the standing ovation, Lependorf asked again Cage for his opinion, and Cage, typically but again, kindly enough, answered that he “did everything wrong.” 

Back to the Present. Lependorf’s collaboration with idiosyncratic guitarist and composer in avant-jazz and New Music Scott Fields does not bother itself with questions about what sounds right or wrong. All sounds are beautiful, as Cage once said, and these two masterful and resourceful musicians do not attempt to replicate any form of new world music or new-agey, meditative kind of interplay (as the Shakuhachi is associated with the Zen school of Buddhism), or to follow any familiar concept.

The two musicians suggest how innovative and original music of the 21st century can sound. Music that patiently, almost methodically, explores new timbres and sonic options; uses silence as basic element; is compassionate but never sentimental, gifted with dark humor but not emotionally detached; and always demonstrating deep listening and careful sensitivity to the the most fragile qualities of the music making process and and its immediate options.

The improvised pieces “Objects in Relation to Other Objects” and “The Politics of Solitude” are masterful expressions of the high art of these two musicians. Music that is comprised from brief, abstract and subtle articulations, loosely connected, but eventually accumulate to profound, mesmerizing pieces. The intimate, chamber interplay on “Oh yes” and “Tip bloused” is simply timeless with its thoughtful references to classical, contemporary and East-Asian music. The surprising cover of John Coltrane’s “Naima” is a moving tribute to the great master, performed with deep emotional gratitude but without reverence, wisely sketching this timeless classic.

Unique masterpiece.

Track Listing: She comes from nowhere; Terror babies; Objects in Relation to Other Objects; Oh, yes; The Politics of Solitude; Tip bloused; Advice for some young man in the year 2064 A.D.; Naima.

Personnel: Scott Fields: acoustic guitar; Jeffrey Lependorf: shakuhachi.

Record Label: Ayler Records

[jeffreylependorf]

Thank you, Monsieur de Lire, for this latest review of the latest CD?:

SCOTT FIELDS & JEFFREY LEPENDORF / Everything is in the instructions (Ayler Records)

Ahhhhhh… Splendide session studio entre Jeffrey Lependorf au shakuhachi et Scott Fields à la guitare classique. Des improvisations libres feutrées, alliant merveilleusement abstraction et mélodisme. Lependorf manie le shakuhachi (flûte traditionnelle japonaise) avec beaucoup de grâce, alliant dans son jeu tradition et innovation. Et Fields trouve le moyen de respecter l’esprit de cet instrument divin tout en demeurant lui-même. En finale, une interprétation très libre, incroyablement aérienne de “Naima” de Coltrane.

And for those who don’t read so well the French:

Ahhhhh… Gorgeous studio session between Jeffrey Lependorf on shakuhachi and Scott Fields on classical guitar. Zen free improvisations marvelously pairing anstraction and melodicism. Lependorf handles the shakuhachi (a traditional Japanese flute) with much grace, working tradition and innovation into his playing. And Fields finds the way to respect the spirit of this divine instrument while staying true to himself. The CD concludes on a wonderfully free and aerial rendition of Coltrane’s “Naima.”

[jeffreylependorf]

Poster for upcoming October performance (with composer/guitarist Scott Fields) in Sibiu, Romania (yes, the former capital of the Principality of Transylvania!).