#scott solter

[jdsoundbite]

Folk Implosion single out today, first leg of summer tour announced!

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[jdsoundbite]

Top 40 over 40.19: Rizwan-Muazzam Qawwali Live in Concert

In this series of posts on musicians doing high quality work after 40, little has been said about their audience.  Today’s post will start out with them first.  Last October, I went to see the Pakistani group Rizwan-Muazzam perform at the Reynolds Industries theater at Duke University.  I knew little about these performers from Pakistan, other than that they were nephews of the late great Nusrat…

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[lemuelhayes]

Back in January when the Polar Vortex was putting our Southern world in a deep freeze, I ventured up to Kernersville, NC for a 10 day expedition with White Violet. I would find these next 10 days to be intense, emotional, fun at times, and incredibly difficult in other moments. Scott Solter's production ideas, techniques, and ears proved to be a watershed moment for me as a player, in the studio and out.

Nathaniel, Brad Morgan, Mitchel Thunderbolt, and I spent 260ish straight hours together making a record we believed in and poured all we had into. Rhythm tracks were done live with all 4 of us and our spirit animal, Shay Bear, in the tracking room. Fourteen hour days were standard. I almost rolled off the small bed nightly. We ate way too damn much Panera Bread. ‪#‎StayLost‬ means a lot to me, to us, and I hope that our care and deliberate decisions make their way into your ears, mind, and heart.

"I almost went to bed without remembering  the four white violets  I put in the button-hole  of your green sweater

and how i kissed you then and you kissed me  shy as though I'd  never been your lover"

-Leonard Cohen, "Song ("I almost went to bed ...") from 'The Spice-Box of Earth'"

[jdsoundbite]

Busking in the digital age

Busking in the digital age

I’m planning on doing a Kickstarter campaign in July to help with the costs of recording and mixing a new album with Scott Solter this summer.  We will be starting by doing a few days in the studio late next week!

At any rate, I have a pretty good draft of the rewards, but I’m posting this here to say that if anyone would like to suggest ones they would like to see, shoot me an email at:…

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[ixxui1221]

As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was cut short when not long after the surgery he was hospitalized with meningitis. Though his recovery is ongoing, and he continues to struggle with a weakened immune system and memory loss, he was inspired to soldier on, rather than being deterred by his physical struggles. Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer. Much like the butterflies that adorn the album cover, he seems to have changed form and taken flight. The album opens with the sparse harmonics of "House of Insomniacs", which are soon joined by lush swells of vibes, cello, and even wordless vocals. On the tracks that follow, Turnquist continues to make use of this dynamic sonic pallet, even adding organ, piano, marimba, steel drums, violin, and french horn to the mix. From "Red Carousel", which was inspired by Ray Bradbury's Something Wicked This Way Comes, to the somber lilt of the love song "Wildflower", to the truly arresting title track "Flying Fantasy" which uses only 4 open strummed guitars and loops of damaged tape and wire recorders, every note of Flying Fantasy vibrates with life as Turnquist ushers us though his intoxicatingly colorful worlds of sound.

[giveitaspin]

As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was cut short when not long after the surgery he was hospitalized with meningitis. Though his recovery is ongoing, and he continues to struggle with a weakened immune system and memory loss, he was inspired to soldier on, rather than being deterred by his physical struggles. Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer. Much like the butterflies that adorn the album cover, he seems to have changed form and taken flight. The album opens with the sparse harmonics of "House of Insomniacs", which are soon joined by lush swells of vibes, cello, and even wordless vocals. On the tracks that follow, Turnquist continues to make use of this dynamic sonic pallet, even adding organ, piano, marimba, steel drums, violin, and french horn to the mix. From "Red Carousel", which was inspired by Ray Bradbury's Something Wicked This Way Comes, to the somber lilt of the love song "Wildflower", to the truly arresting title track "Flying Fantasy" which uses only 4 open strummed guitars and loops of damaged tape and wire recorders, every note of Flying Fantasy vibrates with life as Turnquist ushers us though his intoxicatingly colorful worlds of sound.

[gimmetinnitus]

As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was cut short when not long after the surgery he was hospitalized with meningitis. Though his recovery is ongoing, and he continues to struggle with a weakened immune system and memory loss, he was inspired to soldier on, rather than being deterred by his physical struggles. Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer. Much like the butterflies that adorn the album cover, he seems to have changed form and taken flight. The album opens with the sparse harmonics of "House of Insomniacs", which are soon joined by lush swells of vibes, cello, and even wordless vocals. On the tracks that follow, Turnquist continues to make use of this dynamic sonic pallet, even adding organ, piano, marimba, steel drums, violin, and french horn to the mix. From "Red Carousel", which was inspired by Ray Bradbury's Something Wicked This Way Comes, to the somber lilt of the love song "Wildflower", to the truly arresting title track "Flying Fantasy" which uses only 4 open strummed guitars and loops of damaged tape and wire recorders, every note of Flying Fantasy vibrates with life as Turnquist ushers us though his intoxicatingly colorful worlds of sound.

[mmuuji]

Alexander Turnquist - Finding the Butterfly As an accomplished 12-string guitarist/composer, Alexander Turnquist was naturally alarmed when the ulnar nerve in his left hand seized up in 2013, but after a surgical procedure he gratefully started the process of learning to play guitar again. His recovery was cut short when not long after the surgery he was hospitalized with meningitis. Though his recovery is ongoing, and he continues to struggle with a weakened immune system and memory loss, he was inspired to soldier on, rather than being deterred by his physical struggles. Turnquist's latest full-length Flying Fantasy confirms the idea that out of great hardship can come great art. As he wrote the material for the new album it became clear that his sensitivity had sharpened, his empathy magnified, and his sense of purpose blossomed. The unfortunate circumstances he endured ostensibly forced his metamorphosis from a remarkable guitar player to a truly great composer. Much like the butterflies that adorn the album cover, he seems to have changed form and taken flight. The album opens with the sparse harmonics of "House of Insomniacs", which are soon joined by lush swells of vibes, cello, and even wordless vocals. On the tracks that follow, Turnquist continues to make use of this dynamic sonic pallet, even adding organ, piano, marimba, steel drums, violin, and french horn to the mix. From "Red Carousel", which was inspired by Ray Bradbury's Something Wicked This Way Comes, to the somber lilt of the love song "Wildflower", to the truly arresting title track "Flying Fantasy" which uses only 4 open strummed guitars and loops of damaged tape and wire recorders, every note of Flying Fantasy vibrates with life as Turnquist ushers us though his intoxicatingly colorful worlds of sound.