hella spoilers cause this is actually planned animation. yay!
partial notes for myself.
Eris is awoken.
She awakes in a craft of awoken origin. This of course is unknown to her. Moments before her awakening we saw the ghost floating through space searching, scanning. Minutes prior to her consciousness the ghost was scanning the remains of the pilot in the craft.
Eris awakens deep into the void, the dark of space on the edge of where the Light meets the Darkness.
Cue scenes about creation, dreaming, conscious, 42, and the question why? Note to self, remember to thank them for all the fish.
Roaming for parts scenes.
Traveling great distances without craft scenes to get parts.
Maybe have Eris run into hostiles along the way while scavenging and show a Guardians first combat and explore the nature of “humanity” as one is placed in combat situation with no training. Explore what that means for Guardians, if they are just naturals of if they learn like the rest of us. Open.
Post Craft fixed,
Flying.
Flight stuff, food? poop? shower?bored as fuck, like cowboy bebop and firefly.
Rift. A wave of some space stuff hits. Use simulation liquid with texture on it to look like space wave. have it affet boyant craft or manually animate.
Rift in space,
Transfer scene.
Black and white scene.
That sort of Neon Evangelion feel of what is real, some “real” matrixy shit. Have scenes where they are still in that plane of existence but then they appear like on skyscrapers and shit, but are local areas and not a full “world”. This gives for a very abstract feeling of incompleteness as there is a segement representing a world, but no world. A visual representation of the falsehood of their existence. Very jarring. Legit shit. Lots of negative reflections.
Have Eris wake up on the beaches of venus. Be like the fuck drug did I take and how did i get here and why are my.... No.
But ghost can be like,
yeah man, you were out for days. we came in from a blah blah blah space slip stream rupture and the ship crashed. “I wasn’t sure if you were gonna make it”.
Alright, now I can go to sleep knowing I wrote that down.
PROMPT: CREATE A SHORT HORROR FILM SCRIPT (>15 MIN) WITH AT LEAST FIVE SCENES AND THE LINE, “Come out and play.”
Characters:
First Person POV
“Supernatural force”
Setting:
Average Home-want the eerie feeling that this could happen to anyone
Dedications:
I dedicate this short film to my family as they all love horror just as much as I do, and I hope this gives them the creeps when they try to sleep at night.
Overview Plot:
We awake from a typical dream that won’t seem to end.
Author Note:
Since basically the entire film is in first person and mostly quiet, there won’t be much dialogue. A lot will come down to how the camera moves.
Scene I
We awaken from our bed in a groggy mood. Think like how when you wake up from a dream late at night. We check our phone to see that it’s currently 2:58 am. When we look back from the phone, there is a figure standing in the corner. It’s back is toward the camera. We see the covers of the blanket go up to look like we’re trying to shield half our face from the figure. Nothing happens as some time goes by. All that is occurring is a figure standing in the corner and us holding our blanket up. Soft breathing is heard from both parties. The figure finally begins to raise its head slowly. It begins to turn its head towards our direction. At the exact time it should be looking at us, we raise our blanket over our head. It is completely dark, but we can hear heavy breathing right outside our blanket. A growly voice speaks as if it’s on a radio that is losing signal.
Voice: Come out and play.
Not moving from our blanket, the thing begins to laugh and fades away. We wait a few seconds after silence, and remove our blanket. The room has a bit more lighting than before.
Scene II
We check our phones once again, and the time reads: 2:59am. We, once again, look in the corner, but there is no figure nor abnormal shadows. We shakily get out of our bed and turn on the lights. We check the corner, under our bed, and move toward the closet. Hesitantly, we open the closet door to find nothing more than a simple closet. We close the door and turn around to a normal room. We go to turn out the lights, and, when the lights are out, climb back into bed. Build up suspense with a bit of suspenseful music that cuts when the lights are out. After in bed, we look back at the corner, stay a bit, and roll over in bed. Black out to look like eyelids closing.
Scene III
As soon as our eyelids shut, the sound of our ringtone begins to go off. We sit up in bed and grab our phone. The caller is unknown, and the time reads: 3:01am. We answer and bring the phone to our ear. We hear radio static and the same growly voice.
Voice: Come out and play.
In a panic, we throw our phone to the end of our bed. The voice continues to chant the same line over and over again as we rush to turn the lights on. When the lights come back on, we awake in our bed. When we check the time, it reads: 3:00am.
Scene IV
Phone in hand, we rush to turn the lights on; however, when we flick the lights on, they do not turn on. We watch as the time turns from 3:00 to 3:01am. Immediately, the phone begins to buzz with an unknown number. We try the light switch again and again, but the lights don’t turn on. We go to head out the door, but hear the closet door creak open behind us. The familiar click of a phone being answered is heard, even though we haven’t answered our phone. The voice speaks.
Voice: Look behind you.
We do not turn around. Instead we try the bedroom door that will not open.
Voice: *more intensely* I SAID LOOK BEHIND YOU.
We slowly turn around to see a closed closet door. Build suspense just as before. We stare at the closet door for a few moments, expecting something to happen. When nothing does, we turn back to the bedroom door. Only then do we hear the closet door bang out. We spin around to find it opened.
Scene V
We slowly walk towards the closet door. When we get to the door, the lights come back on. Flick camera toward light and then back to closet. We are greeted with a normal closet. When we check the time, it reads: 5:04am. We go to close the closet door, and when we do, we see the main door begin to open slowly from the corner of our eyes (no creaking). Flick camera toward now open door. We walk toward the bedroom door to close it. As soon as it’s closed, we hear the closet door slam open again. Make a small jump with the camera to signify person jumping from sudden noise.
Scene VI
Flick camera back to closet door that is now open. Again, go to close the closet door. When the door closes, the lights go out again. Flick camera back to lights and then back to the closet who’s door is now open once again. We slam the door shut and it immediately opens back up again. Do this once or twice and on the last time we slam it shut and put our palm against it. Heavy breathing. The door begins to shake violently and we back up. After a beat, it slowly opens and the voice speaks very calm and clearly.
Voice: Glad you came to play.
We see our phones sitting in the closet. It’s the only light we can see. The time reads: 3:01am. We are grabbed suddenly into the darkness of the closet and hear the door slam shut behind us. Complete silence. End
Scroll Capture + Screen Write on the Galaxy Note5 makes saving and notating long web pages or articles a snap.
Simply activate Air Command from your S Pen menu and select Screen Write. Tap Scroll Capture on the bottom of your screen and then + Capture more will appear. This will allow you to do a continuous screen capture for as long as you need. You can also find a preview of your captured image on the top right of your screen.
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so... i just realized that one of my characters in my screen write is strangely like Nezumi in one aspect..... but there's a problem..... I DIDN'T READ NO. 6 UNTIL AFTER IT WAS WRITTEN, well... at least half of it... and I don't think that Nezumi would like this character later in the plot.......................