#seeing a performance

[themuseumwithoutwalls]

MWW Artwork of the Day (1/9/21) Kitagawa Utamaro (Japanese, 1754–1806) Seeing a Performance (1789) Polychrome woodblock print 22.9 x 37.1 cm. The Metropolitan Museum of Art, New York (Samuel Isham Gift)

Utamaro also dealt with the theme of voyeurism in this ehon (illustrated book) of kyoka (comic poetry), containing five double-page scenes of New Year's Day celebrations. The exquisite workmanship of this print is typical of ehon portfolios, which were commissioned by connoisseurs and consequently utilized only the finest ink, paper and bindings. A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist's suspension of two figures in half-silhouette is a unique usage of the convention. These characters —- the samurai's wife and her attendant —- are seen behind a sudare byobu (bamboo-slat screen), where they can view the festivities privately. To simulate the screen's diffusing quality, Utamaro softened the women's features in comparison to the other figures. Likewise, Utamaro isolates the pair through his monochrome treatment that is in somber contrast to otherwise rich color and sprinkled gold. (from the MMA catalog)

[themuseumwithoutwalls]

MWW Artwork of the Day (7/29/17) Kitagawa Utamaro (Japanese, 1754–1806) Seeing a Performance (1789) Polychrome woodblock print 22.9 x 37.1 cm. The Metropolitan Museum of Art, New York (Samuel Isham Gift)

A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist's suspension of two figures in half-silhouette is a unique usage of the convention. These women behind a sudare byobu (bamboo-slat screen) can view the festivities privately. To simulate the screen's diffusing quality, Utamaro softened the women's features in comparison to the other figures.

Utamaro also dealt with the theme of voyeurism in this ehon (illustrated book) of kyoka (comic poetry), containing five double-page scenes of New Year's Day celebrations. The exquisite workmanship of this print is typical of ehon portfolios, which were commissioned by connoisseurs and consequently utilized only the finest ink, paper and bindings. A monkey performance is being held at the home of a samurai (seated at the lower left) to ensure good luck during the coming year. The artist's suspension of two figures in half-silhouette is a unique usage of the convention. These characters —- the samurai's wife and her attendant —- are seen behind a sudare byobu (bamboo-slat screen), where they can view the festivities privately. To simulate the screen's diffusing quality, Utamaro softened the women's features in comparison to the other figures. Likewise, Utamaro isolates the pair through his monochrome treatment that is in somber contrast to otherwise rich color and sprinkled gold.

(from the MMA catalog)