#sergio los

[germanpostwarmodern]

Casa Tabarelli (1968-69) in Cornaiano, Italy, by Carlo Scarpa & Sergio Los. Photo by Altrospazio.

[ofhouses]

585. Carlo Scarpa & Sergio Los /// Gianni Tabarelli de Fatis House /// Cornaiano, Trentino-Alto Adige, Italy /// 1968

OfHouses guest curated by AFGH. (Photos: © Curzio Castellan, Davide Franceschini. Source: “Casa Tabarelli 1968-2008”, Bozen University Press: 2008.)

[biourbanism-school]

Farming a House

“The person who wants to collaborate with Earth instead of dominating it—persuading instead of imposing—treats the fields as living beings: plants, animals, and humans share a coexistence based on symbolic communication, not on causal and physical interactions. Therefore, that person must learn how to interpret signs, the same way as any other being, to anticipate any potential permutations. One will then try to anticipate any potential encounter, reading into the clues carved into our memory by experience. The intention of anticipating allows us to distinguish events from the clues that anticipate them, projecting such clues into the future. This is what builds the future and establishes a relationship between present and future with the inclusion of design. I think that correlating anticipation to symbols and design is an important task because it makes us aware of the circular nature of time.” Sergio Los

Città e paesaggi come sistemi simbolici / Cities and Landscapes as Symbolic Systems (2019) Artena Anarchist Press       

English version originally published in the Journal of Biourbanism, Vol. V "The Silence of Design” ed. Stefano Serafini

https://journalofbiourbanism.files.wordpress.com/2017/11/jbu_epistemology_of_design_vol5_issue1_2.pdf 

[onsomething]

Carlo Scarpa & Sergio Los + Augusto Murer (sculptor) | “La partigiana veneta”, 1964-69 Giardini di Castello - Venice

Photo Seier+Seier + 2