Another Nomination for "Dune: Part 2"! | Austin has been nominated for "Villain of the Year" for the 2024 Seattle Film Critics Society (SFCS) Awards 😁

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Another Nomination for "Dune: Part 2"! | Austin has been nominated for "Villain of the Year" for the 2024 Seattle Film Critics Society (SFCS) Awards 😁
Awards will be announced on Monday, 17 January 2022, starting at 09:00 (9:00 a.m.) Pacific Time.
Remember… wee Jude’s CV could prove to be longer than many of his mates.
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Annunciati i verdetti dei Seattle Film Critics Society Awards #SFCS, i premi con cui i critici e i giornalisti di Seattle scelgono le migliori produzioni e performance cinematografiche dell'anno. Quest'anno il principale frontrunner per la corsa agli Oscar #Nomadland di Chloé Zhao ha vinto nelle principali categorie: miglior film, miglior regia, miglior attrice, miglior fotografia, miglior montaggio conquistando in sintesi ben 5 riconoscimenti. Segue con 3 premi il film rivelazione #Minari del talentuoso Lee Isaac Chung che ha vinto nelle categorie miglior giovane performance #AlanKim, miglior film straniero (pur essendo una produzione americana) e miglior attrice non protagonista, la pluripremiata #YounYuhjung Tra i verdetti interessanti spicca sicuramente quello per il miglior film d'animazione laddove il meraviglioso #Wolfwalkers ha vinto il suo 14esimo premio della Stagione rendendo ancora più competitiva questa categoria e attestandosi come l'unico vero rivale di Soul ai prossimi Oscar #AwardsSeason #Awards #Movies #FilmCriticsAwards #OscarsRace @seattlecritics #Seattle #SFCSawards2020 https://www.instagram.com/p/CLUsyNQFTsb/?igshid=1f6rz4uhlmdyv
Giornata ricca di premi per #Parasitemovie dopo i 3 Vancouver Film Critics Circle Awards #VFCC (film straniero, regia, film) conquista ben 5 Seattle Film Critics Society Awards #SFCS (film, regia, sceneggiatura, straniero,cast) attestandosi come uno dei film non in lingua inglese più premiati dell'awards season americana https://www.instagram.com/p/B6JSDV_IfQO/?igshid=1jw928s0ae7rr
Seattle Film Critics Society Awards 2018, trionfa Roma di Alfonso Cuaron #romacuarón #seattlecritics #SFCS #ethanhawke #tonicollette (LINK IN BIO) https://www.instagram.com/p/BrgCQ-eF902/?utm_source=ig_tumblr_share&igshid=1xf8jyyjyw1rh
The first big issue is how often Strong Female Character refers to a woman who written to be strong, but not much else. Rather than being written like a real, believable, flesh and blood human being, she’s a vaguely appealing stock character. She’s strong, but that doesn’t necessarily mean that there’s very much to her, and as a result she tends to ring hollow. What’s more, strong is often means “unable to fail” or “without weaknesses.” Faults and weaknesses are what make characters interesting. Showing a woman fail doesn’t make her lesser; it makes her human. By focusing on making her strong rather than relatable, the writer deprives her of the nuance and depth of characterization afforded to men. So, the problem here isn’t with women being capable or badass; it’s with the fact that capable and badass don’t comprise a full personality. She needs something in addition to these traits to make her function as a believable human being.
WR
Another issue with the Strong Female Character is usually lauded as being able to “hold her own with the guys” and “not needing to be rescued by a man.” She’s not cool because she’s a woman who kicks ass. She’s cool because she’s one of the boys, and because she’s Not Like Other Girls. In fact, its rare for the Strong Female Character to surround herself with other powerful women. The idea of “holding her own” and the language that we use to discuss Strong Female Characters suggests that it’s not about the SFC being a badass in her own right so much as its about proving that she can keep up with the men, which carries the unfortunate implication that men can do anything while women have to earn their place. Instead of challenging gender assumptions, the Strong Female Character enforces them by implying that the only way for a woman to be badass, strong, and interesting is to make a show of aligning herself with traditional masculinity.
WR