Have you seen Shane (1953)?
Yes
No
Haven’t even heard of this movie
seen from Yemen
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seen from Netherlands
seen from United States
seen from United Kingdom

seen from Malaysia
seen from Australia
seen from Sweden
seen from Singapore
seen from United States
seen from United States
seen from United States
seen from United States

seen from Malaysia
seen from Singapore
seen from Singapore

seen from Kuwait
seen from T1
seen from T1

seen from T1
Have you seen Shane (1953)?
Yes
No
Haven’t even heard of this movie
Silly things to spend too much time on.
Lovely comments by and about Van Heflin in an Alan Ladd biography.
Shane (1953)
Have you seen this movie?
Yes
I've seen parts of it
No, but it's on my watchlist
No, but I've seen gifsets of it
No, but I've heard of it
No
Nothing more heartbreaking than finding out that the internet just don't appreciate the old movie you just watched
shane (1953) is so funny. i was gonna say alan ladd didn't have to get gay with it but actually he did. if anything he should've gotten gayer. it's true to the book it's what jack schaefer would've wanted. jack palance on the other hand
first off, thanks @more-than-tender-curiosity for getting this clip!
second off. second off… hoo boy. TWO INSTANCES OF JAY.
alan also sounds like he’s bouta cry which. yea. hugging him. he deserves hugs.
the natsby vibes in this? god. what did we do to deserve this—“why don’t you forget about her?”
the flinch. i am going to talk about the flinch. alan Hated gunshots. you can see this in the start of 1949, and also in a few other movies—Shane being a great example, when Shane shows off his gun to Joey. but why would he flinch here? there’s no gun—it’s just macdonald carey’s hand. is it a character thing or his acting? i don’t know, to be honest, and i desperately want to. he’d been punched in several other films by this point—The Blue Dahlia and The Glass Key, certainly, come to mind. but it’s just carey’s hand. i would say that the flinch—and the reasoning behind it—is probably up for personal interpretation.
and then. “LET/LEAVE ME ALONE.” i can’t very well tell if it’s let or leave me alone, and both would fit just fine. but his voice—his voice. i can’t remember exactly which other movies alan raised his voice in, perhaps The Carpetbaggers? but anyhow, it’s the same in 1949 as it is in whatever other movie he raised his voice for. it’s not bad, honestly.
and also the music at the end. movie composers in the 40s and 50s… i desperately think there should be more recognition of 40s & 50s movie composers.
I've decided to watch more movies (follow me on letterboxd if ya like) and thought it'd be fun to try to do a study from each one i watch goin forward!
This is Shane (1953). I really like that big triangular patch of light in the middle of the frame.