it is fairly difficult to take pictures of silkscreen prints man, especially with my bad phone camera. but looking at how this came out is a ton of fun. I need to play more with inks overlapping one another
little bit of progress under the cut!
the digital mockup before printing things out!
immediately followed by all three layers of the film stacked up before i exposed them onto my screen! you have to do each layer individually but i thought it looked really cool like this
the first two layers of ink laid down! i finally figured out how to get my ink to the right consistency so it's not having terrible dry-in all the time, but unfortunately i figured that out AFTER i placed down the green. but that's alright!! it looks cool
finally, i spent a decent amount of time trying to get the right orientation and styling for the font. this was one of the first mockups using impact. wasn't my favorite, it detracted from the actual drawing.
Nouveau poster en sérigraphie (4 passages couleur, 50 x 70 cms, 40 exemplaires) chez Le Dernier Cri, à l'occasion de la monstration collective M.A.D à Marseille à la Friche La Belle de Mai, depuis le 17 octobre 2025 jusqu'au 29 mars 2026. En vente sur place là-bas, et par ici : https://www.lederniercri.org/pro.../tjoyas-alexios-madpsylo/
New silk screening poster (4 color print, 50 x 70 cm, 40 copies) at Le Dernier Cri on the occasion of the M.A.D group exhibition in Marseille at the Friche La Belle de Mai, since October 17, 2025 until March 29, 2026. Available for sale there, and also here : https://www.lederniercri.org/pro…/tjoyas-alexios-madpsylo/
A lifelong socialist, Rowe focused a lot of his work on industry, working life, and people – he sought to achieve socially relevant art. Initially influenced by Socialist Realism prevalent in the Soviet Union, where he worked in the 1930s, Rowe slowly moved to more abstract art in the 1960s; though his dominant themes remained the same.