Simone Brown (First in Flight)
2022 Nastia Liukin Cup (Junior)

seen from United States
seen from Germany
seen from Belarus
seen from Hong Kong SAR China
seen from China
seen from India

seen from Türkiye
seen from Belgium
seen from Singapore

seen from China

seen from Malaysia
seen from Germany
seen from China
seen from United States
seen from Netherlands
seen from United States
seen from China
seen from China
seen from Ireland
seen from Hong Kong SAR China
Simone Brown (First in Flight)
2022 Nastia Liukin Cup (Junior)
Simone Brown (First in Flight)
2022 Nastia Liukin Cup (Junior)
check those with power, and achieve some modicum of social justice for people that are always already criminalized
Edi Rock feat. Simone Brown – Sonhos em Construção (Clipe Oficial)
Current biometric technologies and slave branding are not one and the same; however, when we think of our contemporary moment where ‘suspect’ citizens, trusted travellers, prisoners and others are having their bodies informationalized by way of biometric surveillance – sometimes voluntarily and sometimes without consent or awareness – and then stored in large-scale databases – some owned by the state and some owned by private interests – we can find histories of these accountings and inventories of the bodies in slave registers, slave branding and the slave vessel manifests that served insurance purposes. My suggestion here is that questioning the historically present workings of branding, the body and race, particularly in regard to biometrics, could allow for a critical rethinking of our moments of contact with our increasingly technological border.
"Digital Epidermalization: Race, Identity and Biometrics," Simone Brown (2010)