May 19, 2017
3 track album
we’ve experienced this before: the short single that begins with a long cinematic piece to set the stage of a song that also takes its time to get going. listening and looking at the picture of Dionisi holding a guitar and expecting metal and slowly realising that there is no guitar until 1.20 from the end of the main song. what a world.
the final track is a fairly guff light metal guitar demo but it’s the most complete track on offer, going through a number of shades and movements. everything before it desires to be Hans Zimmer in its cold digital pensiveness but never quite achieves lift-off. (3)