One time in college, I (engineer) took a poetry class (extremely fun). During one lecture, the professor said he’d give anyone an A who could tell him the sound of one hand clapping. It was intended to be philosophical, to make us think. It tied into an interesting argument that I can’t remember now, some 8 years later.
Anyways, the lecture went on until he paused to accept questions. I raised my hand, he called on me. “You said you’d give an A if I could describe the sound of one hand clapping,” I said, “is that a serious offer?” He said yes.
You see, if you bend your faggy little wrist about 90 degrees backwards and keep your fingers limp, you can make a clapping sound by violently shaking your arm back and forth at the elbow. I proceeded to demonstrate this fact to uproarious laughter, including a delighted (but sensible) chuckle from the professor.
I ended that class with a few poems I was genuinely proud of, that I keep in several places so I’ll never lose them. Poems that mean a lot to me, poems that I would show off if I had anyone to show them off to. Poems I am afraid to show off because they are vulnerable and raw in a way I’m uncomfortable with. I think he might even have actually liked them.
I still like to think that I earned my A through semantics.