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Bookworm [Yandere Mahito x Reader]

Title: Bookworm [Yandere Mahito x Reader]

Synopsis: Mahito doesn't like that you have an interest in a book character.

Word count: 1787

notes: yandere, kidnapped reader, mentions of other people being tortured/killed, supreme self indulgence of the highest order

“Who is the smiling man?”

The silence that had existed between the two of you was broken by a question that made you flinch. Well, why not? Mahito has been quiet all morning--and afternoon, actually, which perhaps should have startled you more than his sudden words.

But you were too happy to enjoy some quiet (you would never say “peace and quiet,” not down here, not with him); all too happy to curl up in your haphazard nest on the floor with some books that took you away from this place. Away from Mahito.

Who was, of course, still here. Lounging in his hammock with a pile of books sagging down the netting.

You couldn’t tell exactly what he was reading from down here--you probably needed new glasses, a subject you were certainly not going to bring up with Mahito, who might reiterate his offer to “fix” your eyes. It looked like a bundle of pages stapled together. Maybe he went to the library and printed off obscure articles to read again.

“Hey,” he calls down, and the first hint of worry begins to prickle on your arms at his uncharacteristically serious tone, “Answer me.”

Your mind stutters, tries to put one word in front of the other, and make sense of it all.

The smiling man? The smiling man, the… ah. From Small Spaces. The otherworldly supernatural entity who lives in a world behind mist and has a penchant for making deals with people for their greatest wishes.

It’s not your fault that you haven’t thought about him in ages. It’s not like you had copies of your books with you, and the fun you had with imagining him in an endless number of scenarios had fallen by the wayside considering your circumstances.

It’s hard to daydream about worlds behind mist and cornfield servants when you’re watching people be turned into grotesque experiments that had them, sometimes quite literally and loudly, begging for death.

Mahito is looking down at you now, staring expectantly.

“He’s a character,” you say, fidgeting on the floor. “From a book series.” You look down, flip a page in your book, although you haven’t finished reading the last one, and ask, casually as you can muster: “Why?”

Mahito, up above, flips a page. You can hear the wobble in the paper--not a bound book, that’s for certain. And there’s some low, primal sense that shivers through you which says, plainly, that he’s actually reading whatever’s in front of him.

“You write about him a lot.”

Oh.

Low, slimy dread filters into your stomach. Thick and gelatinous, resting at the bottom of your belly like an unwanted slug.

“I… don’t know what you mean,” you say, voice only half-there, because while you are apparently stupid enough to lie to Mahito’s face, you’re not stupid enough to think he’ll believe you.

You are just stupid enough to think that he won’t know exactly how deep your interest in this particular character goes; before Mahito took you, you thought about him all the time. You’d take walks and daydream about him, write story after story; you’d even commissioned fanart of him, because it wasn’t like there was a plethora of fanart for a character from a middle grade horror book.

Mahito huffs out a sigh. Quick and short, it sends a shock right down your stomach.

“Get you a man,” he starts, and confusion buzzes through your brain until he continues. “Who is an otherworldly entity that is so petty when an 11 year old beats him that he traps her in another world, leaving her to a fate worse than death, and laughs until he cries about it.”

You wrote that. There’s a vague memory of when you posted it--after you’d taken a walk, you think, and reread your favorite parts in the books for a few hours. But the way Mahito says it makes it sound--you don’t know how to explain it. Like saying the words out loud almost pains him; they come out clipped and bitter.

Bitter? But why?

He doesn’t stop there. He reads something else, voice getting higher, almost mocking the way you talk. And that bitterness is still there, a thread continuing through every syllable.

“What if we kissed in the corn maze before you turned me into a scarecrow servant whose soul slowly gets dried out and useless and in the end you feed it, crunchy and tasteless, to your hellhound.”

He takes a breath. Then--

“One particular aspect of the Smiling Man’s cruelty that I truly adore is that he can make people feel understood. He can make them feel like he cares, like he’s lending a listening ear, like he’s wanting to help them out and make them feel nice.”

Another breath--and he continues, again and again, reading your posts. Quoting your stories. Listing off the titles, the imagine posts, everything you’ve said about him.

All the while, bitter and mocking, his voice raising now and then in an imitation of your own.

Then he gets to the last page of his clearly self-created tome and stares down at you, waiting, expectant.

And you… you actually glare up at him.

Because you're scared, sure. You’re always scared in some way, when you’re with Mahito. But there’s something else too, something that digs its way out of the rot in your gut and sticks up a petulant middle finger.

How dare he do this. How dare he take something that was yours and make it his; put it in his mouth and sneer over it.

“Have you been--” Your mouth sticks together, refusing to let you accuse him of what you know he’s been doing. Stalking your online profiles. “That’s… that’s private,” is what you finally mutter, cheeks feeling hot and that half-buried petulance pushing you forward. “It’s not any of your business.”

“Private?” He mutters the word softly, cradling the sound.

And then--

Mahito doesn’t often move fast around you. He prefers to be slow, languid. Calculating. You think it’s because that terrifies you more.

But now, in a moment, he goes from being slouched in his hammock to leaping down and crouching right in your face--there’s sudden pain in your head, and you realize he’s grabbed your hair and yanked it back.

That metaphorical middle finger sinks back down into the slimy gut sludge.

“Not from me,” he says, low, a warning. “Not for you.”

This is all it takes for tears to prick inside your eyes.

Mahito’s lips quirk up. Just a little. Just enough for you to notice.

“You’re going to cry already? I didn’t even do anything.”

Your eyes dart up and back, towards where he’s currently gripping your hair hard enough for it to sting.

He sighs through his nose. “This isn’t anything. You know that. Don’t be childish now.”

But--he lets go of your hair, and doesn’t grab for you when you scoot backwards on your blanket nest. Instead, he plops himself down, crossing his legs and resting his chin on his elbow.

You don’t speak. You don’t want to, and you don’t know what to say. Sometimes it’s better to be quiet around Mahito, so he doesn’t get ideas. Although he comes up with them on his own just fine, even if you try to stay silent.

It’s Mahito who breaks the silence.

“Why do you like him so much?”

How silly, to feel embarrassed right now. With the creature in front of you, and what he can do. But that’s what makes your cheeks burn: embarrassment.

“I don’t know,” you mumble, because while you are stupid in so many ways, you’re still smart enough to know he wants an answer. “I guess I just like antagonist characters sometimes.” Well, most of the time. But it’s better to keep that from Mahito, if you can.

Mahito’s lips quirk here and there while he thinks. Then he looks at you with something like genuine confusion.

“You say that you like how awful he is. The awful things he does. So…” He tilts his head a little. “You should like me. Right?”

Your fingers pick at the loose threads of your clothes. Your eyes don’t meet his entirely--they flick up and down, from your legs to his face.

“It’s not the same thing,” is what you come up with. But how to explain that to a curse?

Mahito frowns.

“I don’t understand.” No bitterness, no pouting. A simple statement of fact.

“He’s not real.” You swallow against the minefield that all of this is making you step through, hoping you’ll avoid them. “But you are. That makes it different.”

Mahito leans forward, grabbing your wrists, pulling you closer to him with a yanking, childish gesture.

“So you should like me more,” he says, a slight pout in his tone. “Because I can really do those things.” His eyebrows raise, and you swear you can hear a buzzing light bulb go off. “I could turn someone into a scarecrow for you.” He smiles, sudden, excited. “Do you want me to find some school children to torment?”

“No!” Your voice cracks. There are brief images in your mind--the people he’s tortured and killed, experimented with, before you were here and while you’re here and probably after you’re dead and gone--and you shake them away.

Mahito’s eyebrows furrow. He groans and rolls his eyes backwards until they are entirely white, not in mockery or an attempt to scare you, but in irritation. Fingers squeeze your wrists briefly and let go, and you stay quiet, trying to fight your urge to cry, until Mahito slowly rolls his eyes back to stare at you.

His gaze flicks over you, until he catches your eyes with his.

“You won’t write about him anymore.”

You don’t take a moment to answer this time.

“I won’t.”

“You won’t read those books anymore.”

“I won’t,” you stay. “I haven’t. I--don’t even have copies anymore.”

Mahito smiles, a little. Maybe it’s a good thing you never asked him to find you a copy, a thought which had been a brief temptation a while back.

And then he leans in closer again, until his nose touches yours.

“You won’t think about him anymore,” he says, quiet, solemn. Not an order but a matter of fact.

You don’t answer. You swallow against a bitter taste in your throat; you swear, sometimes, that the sludge in your gut is real and tries to make its way out sometimes.

Mahito presses his nose against yours until it starts to hurt.

“You won’t,” he says again, this time more to himself. “I’ll make sure of it.”