Jan 28, 2019
Patricia Treib. Cuff (2018)
seen from United States
seen from Georgia
seen from United States
seen from China
seen from United States
seen from Georgia
seen from China
seen from Malaysia
seen from Russia
seen from United States
seen from France
seen from Belarus
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seen from United Kingdom
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Patricia Treib. Cuff (2018)
Katsura Funakoshi. Smell of Snow (1998)
Patricia Treib. Straps (2018)
Patricia Treib. Pendulum (2018)
Laura Owens (b. 1970), American
Untitled, 2010; color sugar lift, spit bite and soap ground aquatints, edition of 25, 3 panels; each 31 x 23.25 in.; printed at Crown Point Press
Amy Sillman on Laura Owens:
To upend old-school (i.e., East Coast) formalism, ambitious painters like Owens and her peers threw humor, debasement, and self-reflexivity at it. Owens in particular took liberties with space. Her early work is about wittily reconstructing the spaces within painting, using extruded vanishing points, floors on drunken tilts, and crazy scale shifts, all in the service of literally finding new places for herself to be, in painting terms. In her hands, space is a feeling.
Laura Owens's work is on view at Matthew Marks Gallery, NYC from 2025/02/13 to 2025/04/19.
Experiment in using soap ground (comprised of grated soap, titanium white pigment, and boiled linseed oil), as a resist over aquatint instead of bitumen, to try and get a more ‘painterly’ effect.
My new art piece is gonna be so bad ass
Night Whispers, etching, 2014 - my first creeping water bite!!