something new from this

seen from Malaysia
seen from United States
seen from Saudi Arabia
seen from United States
seen from China
seen from Türkiye

seen from Poland
seen from Bulgaria
seen from Canada

seen from United States
seen from Singapore
seen from United States

seen from Poland
seen from Germany

seen from Canada
seen from United States
seen from United States
seen from United States
seen from United States
seen from United States
something new from this
Chris Ofili, Rincon Falls-Red Light, 2008 Color spit bite and sugar lift aquatints with drypoint and soft ground etching 32 1/2 × 22 3/4 in
Courtesy of Crown Point Press, San Francisco
Egg 3
Egg 2
Egg 1
Soft ground etching of egg shells
Almost forgot to share this other etching I made! This is a soft ground etching, much easier than the aquatint technique and I absolutely adore the pencil-like lines you get with this one! <3
Soft ground etching using torn net and a quick jellyfish drawing
Print Making, etching
I learned how to do etching today, using the dried flowers I have been collecting and preserving on campus. I had trouble with the delicate flowers sticking to the printing plate and I ended up drawing into the plate with the flowers. This is important to note, as if I want to repay this I need to use more sturdy specimens to print from. The negative on the plastic is hauntingly beautiful as well, I almost prefer the voids left by the flowers then the finished print. The air of loss and mystery in the gaps is intriguing. I think the crudeness of the sculptures and the refined lines of the print throw into sharp contract just how basic the clay models are and its not what I wanted. While I think the plate and the outcome is visually appealing now that its done I don’t feel it connects much with my current work, when put next to one another they don’t seem to create the dialogue that I was looking for.