The nice thing about soup is that it's literally just water that you threw a bunch of stuff into.
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The nice thing about soup is that it's literally just water that you threw a bunch of stuff into.
Ursa Wren is giving me Satine vibes aesthetically
Like oh it's funny to see that former deathwatch member Ursa Wren head of Clan Wren also has a title (Countess), an aristocratic accent, a big ass mural of of herself in her throne room, and a somewhat similar architectural style to Satine's Sundari and Kalevala
Almost like Satine was pretty culturally traditional (which is stated in tcw lol but widely ignored) generally and her thing was political and specifically about the rule of violence
(Ursa Wren is a cool character. i'm surprised i haven't seen the kind of discourse around her the kryze sisters always get considering her similarites and connection to both.)
[OKAY, PICO DE GALLO. YEAH. SOME DICED ONION, TOMATO, CHOPPED CILANTRO, MINCED JALAPEÑO--JUST RAW, BEAUTIFULLY RAW. AY. SOME SALT, AND THEN WE'LL JUICE SOME LEMONS. OKAY, MIX IT UP? YEAH.]
People being salty about Dean tap dancing in a dream like he hasn’t been singing to Air Supply and wearing old west costumes and play acting Dr. Sexy and yelling at pigeons as a dog-man and doing an Eye of the Tiger music video and teddy bear doctoring and playing with swords in a dead guy robe and literally turning into a Scooby Doo cartoon like y’all this show has been Like This since 2005
You know what is the most fucked up thing about the show being centered on the Shadowhunter's side? They forget about some details of the Downworlder's side, which becomes totally convenient for plot reasons, but absolutely horrible for the characters. The Warlocks have the Spiral Labyrinth, a place located in a separate dimension like the Seelie Realm. And different from the Seelie Realm, only Warlocks can enter there. It's even punished by death to tell another race how to get there. If Magnus' solely interest was to protect the Warlocks, why he didn't take them there? It doesn't make sense to go to the Seelie Realm if they have an entire place for them. Of course the Vampires and the Werewolves are a different issue, but still. For plot reasons, his alliance with the Seelie Queen was just the beginning of Magnus' downfall. First his job, and then his magic, his home, and ultimately his love. This seemed more a gratuitous Magnus' whump. He suffered a whole hell and then went back to his life as if nothing have happened. Wtf. It wouldn't surprise me if the writers/producers didn't even know or forgot about the potential of the SL. One of them did confirm that they forgot Alec got hurt in the end of 3x10 and this is why he appeared as if nothing had happened in 3x11 😒
I’m absolutely with you, anon! I didn’t get very far with the books so I actually had no idea the Spiral Labyrinth was located in a separate dimension. If I recall correctly (which I do because I looked it up, haha, the power of research!) the Spiral Labyrith is mentioned in the show a whole two times, once in 1x04 when Magnus orders more shields for his loft and once in 3x09 when it’s relayed that Lorenzo said he’d put every warlock who doesn’t obey him into the SL’s dungeons. So, that wasn’t a lot to go off of XD I also wouldn’t be surprised if the writers themselves weren’t entirely clear on what the SL can, where it is, etc. but you’re right, if it was a solid option to flee the range of the angel’s wish then it makes no sense for Magnus to take that foul bargain that the Queen offered. Why should he, when he can keep his people safe without having to compromise his autonomy?
Then again it really wouldn’t be the first time that illogical / ooc stuff happens in this show for ~more drama~ right? Hah.
The fact that the show so clearly focuses on shadowhunters is a source of many of my grievances. Not to repeat myself, but at any given moment I want to ask “Okay but where is Cat?? Why is she not there alongside Magnus fixing shit??” and the show never gives a satisfactory answer. It’s the reason why there’s no casual downworlder bonding shown if it doesn’t serve a (shadowhunter) plot. It’s why Magnus especially is so isolated despite, on paper, having a support system that allegedly cares about him. (Yes, he does this to himself to some extent, but tbh from both Cat and Raphael I get definite vibes of ‘ok i’ll let you get away with this for a short while but when it reaches a certain level i will kick down your door and refuse to let you drown in your misery and depression’ but what we get from the show is ‘what, you lost and regained your magic since the last time we saw each other? hah, i didn’t even know because i didn’t bother to check in with you oops.’ That’s... not the same.)
I get it, to some extent. Unlike us blessed fanfic writers who enjoy a lot of freedom the show’s script works with some very specific constraints, especially time constraints in both the time they have to i) come up with a plot and ii) the fact that the plotlines have to be choppable into nice 42 minute segments.
(I fondly rememer The Untamed which took one look at concept ii) and said “Screw this, so what if I have to cut off the actors mid-dialogue at the end of the episode, I have a story to tell and nothing is going to stop me from doing that” and I deeply respect that.)
The way I see it there are two (ok more but let me focus on two) opposite ways to approach the construction of a story: You can a) develop a plot, and the characters and worldbuilding have to bow to this or you can b) put the characters and worldbuilding into an open space and wait and watch what plot unfolds if you leave them to their own devices. It is clear that sh follows approach a). Which is fair because the plot needs to meet certain requirements to work in this format and if you do b) that is just not guaranteed. But it’s also clear that this kind of building a plot is pretty susceptible for (periodical) ooc behavior, screwing over your own worldbuilding and dumb plot convenience.
I’m not saying it’s impossible to develop a plot going off of a) that doesn’t feature ooc behavior, worldbuilding contradictions and plot convenience but it requires a lot of careful planning.. and here we very quickly hit time constraint i) because the writers are under a lot of time pressure. I’m not an expert on how much goes into a production process but I know it’s A Lot and honestly, if the writers legit forgot that they granted one of their main characters a near death experience in last season’s finale then that really says everything you need to know about the amount of pressure they’re under.
This seemed more a gratuitous Magnus' whump. He suffered a whole hell and then went back to his life as if nothing have happened.
Mood. I’ve never particularly gotten into it, but it is a universally acknowledged fact that Magnus regularly gets benched in his own storyline (and then gets a dramatic scene to save everyone... but no one appreciates him...) right? I don’t need to explain this further.
And on top of that portraying long term consequences of things just isn’t a strength of this show. Case in point: No consequences of the (almost) downworld rebellion at the end of 2B, neither on the side of the downworld nor the clave. They all just ignore it as if it never happened. I feel like this partly translates to the characters and their interpersonal relationships as well. They experience something grave, might suffer for an episode or two and then they (mostly) reset. It can get frustrating ngl.
SPN 15X18 Observations
Let me preface this by saying, I apologize ahead of time if I and/or my notes seem a bit cynical. I’ve had a rough week. (I think everyone has.) But for whatever it’s worth, here are my notes, observations and meandering thoughts on tonight’s episode.
Oh, one more thing though. For episodes 19 and 20 (and anything really to do with them) in addition to my usual tags for the episodes and season, I’ll be tagging them with #dontspoilthefinalhunt for any who wish to avoid spoilers for them.
im rambling a little bit just thinking of Carmen Sandiego
idk what went on when making it like idk if Netflix was like dangling seasons/eps so they didn’t know what they were getting, i dunno if Covid was an issue during the time, etc so I will admit
the ending was rushed. I dont mind the letter as much as others? personally (i do need to rewatch it just to see if i missed something lol) think like during those two years everyone was still in contact. Carmen just wasn’t active and Zack then just made that comment just because but to each their own and I get why people would be upset
but everything else yeah we could have had a one season for just how VILE came to be and then one season with Dark!Carmen. And I wish we got more with her mom but ya know
after being burned and back stabbed by s/pop and then getting spat in the face while down like me being hurt by it I somehow was in the wrong for that, Carmen’s ending is nice. Its not perfect, B- in my books cause it still was pretty good, but it just
felt so nice after dealing with s/pop. Not to mention, my (grey)aroace ass is overjoyed no one got together. (ahahaha s/pop you fuck im sorry im slightly salty now) its just so nice also.
Carmen Sandiego is a soild show. I would rec it to others but with the warning the ending is a bit rushed. Again idk if something happened like Netflix being dicks or the virus or maybe they just flopped with the ending! But, its a good good show and I am happy it’s around