#sotatsu

[gagosiangallery]

The Madison Avenue Presbyterian Church Day School students stopped by our "Urs Fischer: Sōtatsu" show this past week! The exhibition is on view through June 23 at Gagosian 980 Madison Avenue, New York. Come check it out: http://fal.cn/yudM  ___________ Image #repost @m.a.p.c.d.s "A group of our three-year-olds at the #ursfischer show at #gagosian"

[alroma1]

Gintama 621 Review

Can`t believe Sorachi ripped off light novel or just anime with this.

Two thing about new cover. First is that Sorachi always used to draw Shinsengumi ornament silver. Second I thought Kagura`s belt was white

So we are back where we have left including ever changing Tsukuyo`s ornament.

So Gengai and Otose are plans sacrificing themselves

But of course none going to allow this easily. Also the part about 7 is exactly what I meant. I don`t remember something like this being said in manga before but in 194 episode, in Bebop segment was this

 Segment based on light novels or maybe this is just anime thing.

 Noble but this not always means right.

Soutatsu has a change of heart?

No, he is just pro.

Well, this is ... dramatic. But I have one thought that might make words on last panel really ironic. I thought that if this arc is fake after all but Sorachi is going to use three races, then maybe they are going to be hired by Sakamoto.

I think you already can guess who is saviours

So knight came to his dame, huh? I wonder is someone is actually surprised by it. But as I have already said looks like outfit if not matched. But to know this for sure We need to see full Pirako`s outfit. So of people in 611 chapter three groups came( Kyuubei, Tsukuyo, Jirocho) three to go ( Ketsuno? Asaemon, Shachi) Plus strange Yorozuya? 

[gabinete63]

[gagosiangallery]

Press release—Urs Fischer at Gagosian Madison Avenue, New York

April 24, 2018

URS FISCHER Sōtatsu

Opening reception: Tuesday, May 15, 6–8pm May 3–June 23, 2018

980 Madison Avenue, New York

Art is open—it can go on endlessly. —Urs Fischer

Gagosian is pleased to present Sōtatsu, an exhibition of new paintings by Urs Fischer.

Resisting any single mode of representation, Fischer pushes the limits of line, color, and shape through surprising and provocative materials and subjects. In his cast sculptures and assemblages, paintings, digital montages, spatial installations, and kinetic objects, he ceaselessly mines the intersection where art meets everyday life. He has built houses out of bread, enlivened empty space with mechanistic jokes, deconstructed objects and then replicated them, and transferred other objects from three dimensions to two and back again via photographic processes.

Sōtatsu comprises a suite of nine paintings in which Fischer further explores the ways that space and gesture can be divided, stretched, opened, and closed—creating a panorama that is as continuous as it is fragmented. Inspired by the hand scrolls and painted screens of early seventeenth-century Japanese artist Tawaraya Sōtatsu, Fischer’s interior landscapes use negative space, light, and repetition to evoke time and movement. Sōtatsu, one of Fischer’s favorite artists, was a cofounder of the Rinpa school, which promoted a return to traditional Japanese subjects—such as gardens, cranes, the four seasons, and references to famous poems—while incorporating shimmering metallic backgrounds, bold colors, and images intersecting with calligraphic text. Continue reading...

[elvirasantos]

The stronger the characters, the larger the space in between. Wind God and Thunder God, by Tawaraya Sotatsu, 17th century. Kyoto National Museum. Photo credit: Public domain. #windgod #thundergod #blankspace #whitespace #sotatsu #kyoto #kyotonationalmuseum #japanesepainting #japaneseart #goldcolor #colorlove

[herbertcaro]

Eis que se tornou claro que o candente abraço de gelo provinha dos braços do gigante, que este o levantara da cama e da própria terra, e que no seu enorme peito, em cuja imensidão já não palpitava nenhum coração e não soprava nenhum alento, devia ser encontrada a terrível, a suavemente sedutora paz do inexorável. [p. 363]

 BROCH, Hermann. A morte de Virgílio. São Paulo, Mandarim, 2001. Tradução de Herbert Caro.

[herbertcaro]

No entanto, não se produzia nenhum espanto; o corpo era que nem um barco a balouçar-se suavemente, um barco que se preparasse para a viagem, e o Augusto, na praia, prestava amigável ajuda, enquanto lá fora o espelho do mar, liso e sem ondas que o encrespassem, refletindo na sua superfície a luz lívida, subia e baixava em toda a sua extensão. [p. 289]

 BROCH, Hermann. A morte de Virgílio. São Paulo, Mandarim, 2001. Tradução de Herbert Caro.

[universitybookstore]

Beautiful, big book from Smithsonian Books and editors James T. Ulak and Yukio Lippit, Sotatsu, a beautifully designed volume celebrating the influential early seventeenth-century Japanese painter Tawaraya Sōtatsu.