Where are Elmer, Herman, Bert, Tom and Charley,
The weak of will, the strong of arm, the clown, the boozer, the fighter?
All, all are sleeping on the hill.
One was burned in a mine,
One was killed in a brawl,
One fell from a bridge toiling for children and wife—
All, all are sleeping, sleeping, sleeping on the hill.
Where are Ella, Kate, Mag, Lizzie and Edith,
The tender heart, the simple soul, the loud, the proud, the happy one?—
All, all are sleeping on the hill.
One died in shameful child-birth,
One at the hands of a brute in a brothel,
One of a broken pride, in the search for heart’s desire;
One after life in far-away London and Paris
Was brought to her little space by Ella and Kate and Mag—
All, all are sleeping, sleeping, sleeping on the hill.
Where are Uncle Isaac and Aunt Emily,
And old Towny Kincaid and Sevigne Houghton,
And Major Walker who had talked
With venerable men of the revolution?—
All, all are sleeping on the hill.
They brought them dead sons from the war,
And daughters whom life had crushed,
And their children fatherless, crying—
All, all are sleeping, sleeping, sleeping on the hill.
Where is Old Fiddler Jones
Who played with life all his ninety years,
Braving the sleet with bared breast,
Drinking, rioting, thinking neither of wife nor kin,
Nor gold, nor love, nor heaven?
Lo! he babbles of the fish-frys of long ago,
Of the horse-races of long ago at Clary’s Grove,
This poem introduces the collection “Spoon River Anthology” by Edgar Lee Masters.
Sergio Leone was probably inspired by its imagery when he conceived the idea of Sad Hill in the Good the Bad and the Ugly. There are references to the impermanence of life, to war, and to the lives of simple people who might as well go forgotten - just like “Unknown” beside Arch Stanton.