thejennawynn replied to your post:thejennawynn...
meant to reply and i reblogged it like a chucklefuck. oops.
Don’t worry about it. It’s all good.
thejennawynn replied to your post: thejennawynn replied to your post:thejennawynn...
for me personally, it hit a lot of buttons. i love post-apocalyptic world-building. i love femslash. i love powerful women. there have always been hiccups along the way, and things i wished could be better, but those good things appeared to be there and it was like having blinders on. once the blinders were removed, it was like realizing i’d been eating gold-plated shit the whole time. >.< it had so much potential but it was all destroyed in execution.
Ok so what I’m getting is basically The 100 had a few things going for it, and by all means feel free to correct me on any of these points):
Post apocalypse (I’m assuming it had help that it wasn’t a tired apocalypse either, no zombies, no Terminators, etc.)
Good world building that made the place feel real?
A fairly diverse cast that was full interesting women (before the trash can fire disaster)
The promise of “no easy way out”/lack of plot armor for the main characters (whether or not they lived up to said promise or abused it is an entirely separate argument)
The diversity of the cast, racial and sexual (I feel like this is terribly important)