Already I'm an animal you don't understand.
"Shadow Play," Stacy Gnall
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Already I'm an animal you don't understand.
"Shadow Play," Stacy Gnall
Transformation Sequence
Once I was beautiful. Now I am myself... ---Anne Sexton, “You, Doctor Martin”
I was wrapped in black fur and I was
wrapped in white fur and the moon
was rising like slow bad laughter.
I was drenched in gown
light and I was drenched
in bone light as my window’s moon
waged its danger in anger
that it had not been the prettier sister.
The moon was wrapped in ashes
and the moon was drenched in silvers
and it followed me a committed but
manipulative lover whetting its pebble
tongue as it turned my face foreign
from mother in the mirror
where my eyes turned antiquated
moons, full black doubloons, and I
could no longer pronounce
what I was after.
It seemed from every where
every thing beautiful looked on
at the blank page panic of my new skin
my new hunger’s black arrow
blipping---telling me where to begin.
My giving way giving out giving in.
Take your last tremble, I said
you will be yourself by morning thinking I’d wake naked and radiant
in a field the next day not knowing what
I’d done or where I’d been in the night.
Rising to shake the fine lines
of dust from my hide. Rising to run
until it’s dust and the dust recedes
like the details of some damn dogged dream.
Stacy Gnall, Dogged (University of Massachusetts Press, 2022)
Epithalamium (II)
...to speak of me is to think of you. To speak to me is often a prelude to questions about you... Fay Wray, in a letter to King Kong from her autobiography
He ran you dumb and clumsy through the brush. Under his lush left arm.
Closer to the heart that way felt husbandly.
And our minds without their knowing making sense of this already.
So long. Each blurred tree a notch on a clock.
So dark into the last green leafing we began forgetting the life you lived before the lifting.
That the strangler figs and walking palms weren’t the end of your setting.
So cool the den’s homecoming that the shape of your hands in our hindsight shifted
and a laugh we once loved snagged behind in a spider’s filigreed webbing
as you lost track of time dipping your wrists into the river fish skins pinking your ribs through winter the months growing slower but your eyelids moving to a song you remember
and your lips mouthing a name you once knew as you huff lower into your dreaming.
In your sleep running. Retracing his steps reclaiming your steps
first picking up one seed and then the next
’til you wake golden on gold in no one’s hold
picking up one seed and then the next ’til you find where you had yourself last.
Stacy Gnall, Dogged (University of Massachusetts Press, 2022)
i. / Shh
Once there was a house built on a hush, and the hush was a dark sheen that divided us from the depths we couldn’t see, like the sea. Once we were hushed like a whole house gone empty, like the whole depth of a mine---my grandfather at seven, eight, nine for as many pennies as letters in his name, kneeling into corners with the floret of a shovel’s head, lungs hushed from the black damp where he kept his secrets like bees, like he kept them from our meals, from me---picking letters like petals now and writing them down as though I have something to say.
Stacy Gnall, from “Creature Feature,” Dogged (University of Massachusetts Press, 2022)
Picture of Woman Training Circus Lions
At night, it hangs black and white. Yet each eye has a sunrise in it
if eyed in the right light---rust and rustic like the fur of lions
which stirs like the glancing eye-teeth of lions when the tamer steps lion-hearted into the ring.
Like the blazed ring they will step through with glassed, mid-distanced sight.
Like glass eyes gathering dust in stitch-hidden hides of lions
which hang poised behind museum glass like this greyworn photograph of lions
hanging like the soft, jet hearts of lions---soft as the paw
that falls unlike the gavel which grants me my pardon.
I’d hung this image my whatnot, my plaything, my neatly framed fable for every day’s taming.
Which pangs like a dream come each night back to me purring.
Now, the shame hangs like the hour’s henna-colored crown of the lion.
At night, the black and white looms lustering like myth.
O, kings---how I’ve made you kitsch. Stings from the tail-end of the whip.
Stacy Gnall, Dogged (University of Massachusetts Press, 2022)
Dogged, Stacy Gnall
Dogged, Stacy Gnall
Dogged, Stacy Gnall