And what if I said they are them???
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And what if I said they are them???
Drizella and the Tremaine Family Deserved Better Writing
(Author's Note: The one writing this post is African American woman in her 20s, so no one better claim racism in this as I go!)
You know, it's 2025 and I've had a long time to think on this and really consider it and honestly: I don't care now. I'm gonna say it!
Drizella Tremaine needed better writing as well as flushing out her Fairytale World, which according to OUAT - was basically supposed to be a whole new world with different reiterations of fairytales.
Before you guys go after me defending Ella, let me make this thing clear: I am not ANTI Cinderella/Jacinda Vidrio. In fact, as far as Cinderella stories go - I'm all for interpretation in between quiet strength to badassery like anyone else. But I have one pet peeve:
MAKE IT INTERESTING!
With all the flashbacks from S7, it's clear the Cinderella story followed & diverted in so many ways.
Before the marriage, Cecelia and Ella were a wealthy, noble single parent household. I don't know if Cecelia was a Viscountess or a Baroness (I honestly like the headcanons about her, even from GlassBeliever blogs), but at the end of the day, they were fine and doing fine on their own.
With Rapunzel's sacrifice - when she was worthy of being a mother and wife - helped Marcus and her girls achieve a better life where Marcus could take care of them and see them well. It's not time specified, but even if he hadn't remarried, Marcus, Anastacia, and Drizella would've been okay.
Drizella was the one who had a fascination with lanterns and had the initial idea to use them for Rapunzel to help her return home.
Marcus and Cecelia meet, fall in love, and marry - and thankfully the stepsisters get along well for the next 6 years.
Drizella's 14th birthday party - where Cecelia was poisoned by Rapunzel with Gothel's prompting after watching Drizella being happy with Cecelia, Ella, and Anastacia. (And I say 14th because Anna Cathcart was 14 during this time.)
Marcus chased after Cecelia, leaving all three girls in Rapunzel's care, for a year - making it all the way to Wonderland until his half of the enchanted locket stopped glowing. After which brokenhearted, he returned home to tell Ella and the girls Cecelia isn't returning.
Clearly sometimes, a year is my best estimate, Rapunzel and Marcus rekindled the flame & the sisters' recovered until Ella and Ana fell through the ice & Marcus is only able to get Ella and Rapunzel must've swam for Ana off-screen or how else would she had gotten her to Gothel.
Then, flashforward to the Cinderella story: Marcus is dead (later revealed to be murdered and only Ella suspected), Ella is a slave in her own home, Drizella was turned into the sole wicked stepsister, and Lady Rapunzel Tremaine is running the show.
I'll give OUAT credit: They kept it interesting, and I always wondered about renditions of Cinderella where the lesser/more flawed stepsister has more of a role.
So thank God they got Adelaide Kane for the role. She killed it using what she had.
But there's so much an actress can do to save the storyline.
Why? Because all that I listed? There's so many holes in Cinderella's story and the character of Ella/Jacinda herself was great but also highlighted it.
For starters, even in the flashbacks, we never really saw Cecelia and Ella process the arrival of Rapunzel. To give credit to her, Cecelia was clearly willing and extended the olive branch to enter her life and reintegrate into her daughters' lives but there's a reason the writers' gave her a name that means "blind" - because she was blind to Rapunzel and what a woman would do if her child (Drizella) wasn't as receptive to her as her husband and eldest daughter are after being locked in a tower for years - and this cost her a happy life with her family and broke the hearts of her daughters of both blood and by heart (and all honestly, I refuse to believe she didn't figure who stood to gain the most from her absence). And back to Ella, we never saw her and her relationship with Rapunzel before everything went to hell - which is a big NO NO from an aspiring writer like myself. The writers shouldn't just assume because the viewers know the story of Cinderella that it fills in the blanks - we need to see it too. Was Rapunzel initially accepting or tolerant of Ella when Cecelia was in the picture? Had or could she'd come to care about her had Anastacia not been preserved in a frozen coma? Obviously why did she kill Marcus - I get him giving her the benefit of the doubt but your new wife leaves after the presumed dead one returns? Come on now! And what about Ella and Drizella's relationship? If flashbacks showed they were close - how the hell did Drizella go from being skeptical of Rapunzel and loving Ella to wanting Rapunzel's attention and turning against Ella (actually I do get it Maybe the crazy part is how no friends or concerned staff members or just someone on the outside to recognize the messed up situation Rapunzel made of their lives). Ella definitely deserved to get her punches in and tell Drizella off for aiding in Rapunzel's abuse over the years - no doubt about it, and I still wanna figure out when she learned swordfighting because that was a lost trove of knowledge to her adaptable, badass character (right next to stealing Henry's motorcycle). Yet, when it comes to the girl who knew life before and after the Tremaine as well as life before & after Rapunzel - something stinks. And because Adelaide and Anna did such a good job portraying both Adult & Tween versions of Drizella - they also made it so it was like Day & Night, and it's not natural.
I once said Drizella was a child who was isolated and manipulated until evildoers knew they didn't have to work hard to mold her into a pawn (there's a reason she related to Regina) - but now I question if the only thing that pushed her into Rapunzel's influence...was Ella herself. The thing about Cinderella, you know her story and know even when she's alone, she still has allies while the step family at least had each other. In this OUAT scenario, Ella and Drizella were all they had with the former being the last remnant of happiness from the past. Not with the way Ella was proven protective of her loved ones. And given the subtext that Ella was clearly more aware of things that Drizella didn't (like Marcus's death), then I have three guesses:
A misunderstanding Rapunzel took advantage of to draw the final wedge between them.
A fight broke out between Ella and Drizella, and Ella said something she regretted that pushed Drizella into Rapunzel's grasp.
(Literally just came to me now) Marcus's death. The final straw, the man that raised them, and now that I think about it - it's never stated HOW he died. But Ella suspected murder and there's nothing about Drizella's
So either a serious misunderstanding
Now, note this: I'm not blaming Tween!Drizella for Rapunzel's actions. In fact, if the narrative had built on that - the fact Drizella was the only one skeptical and distant about Rapunzel's presence when she's clearly bonded to Cecelia + Rapunzel's choice to act on poisoning the woman who raised Drizella in her absence ON Drizella's birthday. Yes, it was a moment's choice and opportunity - but I wouldn't put it past Rapunzel had done this aimed at Drizella back then either! As the saying goes: Hurt people hurt people - and I'm never not denying Drizella's actions towards Ella, but I have to say that there's so much UNSAID that it makes me wonder just what happened besides losing Ana, Cecelia, and Marcus + Rapunzel's manipulations.
And notice I don't have a specific section about Anastacia. Why? Because compared to Drizella, I should be more of a fan of hers by principle. She loved all three of her parents, she loved being a part of a trio of sisters (a girl her own age and her baby sister). There was nothing wrong with her holding out for Rapunzel and clearly she bonded with Cecelia over the years. She was the happiest of them all and clearly balanced out on what was important. But now imagine the last thing she remembers is falling through ice and plunging into a frozen lake and the next thing: she's waking up in a world that's not her own, her mom is older and her little sister is OLDER THAN HER (and apparently hates her) and she's asked to undo magic on someone having no idea it's her step-niece and being used in what? 24-48 hours give or take (that you can correct me if I'm wrong). I agree the writers having Drizella say Anastacia has more reasons to hate her than Ella is wrong - because the real person who should have lived to say that is Rapunzel, who destroyed the happiness of Anastacia's childhood and broke the relationship with her sisters all for what? To claim her "rightful" place when she could have learned to share? Yeah, Anastacia is gonna have issues I sympathize with. I stand with the idea that eventually Drizella and Anastasia would return, and she'd make it her business to fix what her mother broke like Henry at the beginning of OUAT.
And one more thing that I'm not gonna leave unattended: I ship StepBeliever. Yes, I understand what Drizella did and I said before, I held her to it. And do I think Drizella could be a lesbian? Honestly, I always pegged her as bisexual back then, closeted due to Rapunzel, But this is Henry! Henry Mills - the literal end product of two generations of heroes and villains and literally carried the title of Author - so he can change the fate of fairytales. He was born as the child of the Savior and the son of Rumplestilskin. My biggest gripe on him was his search for a love story like his grandparents - and that got old as soon as I heard it because that's no way to start a love story. Or maybe strictly speaking: Going for a "classic romance" for a guy who's descended & raised by them and has the power to literally alter storylines of "classic" tales? That was almost painful to listen to. With that potential, Henry could really just fall in love with anybody because he brings out the best of anybody. The fact that his wife ended up being Cinderella could have been charming if it wasn't for the fact my SHIPPER antenna wasn't picking anything up for nearly the entire season. As friends or co-parents, what was seen before and during the curse between Henry and Ella didn't inspire me as a writer or a shipper - and I'm very critical about that, for example, I'd never have put Nick and Adalind together in Grimm, so for all you OUAT fans that are stickler on rape culture? Look at them! - and the only thing connected to them that I hated was Lucy Mills herself (Too long to talk about!) Ella alone as a character was fine, great, she just should have had her own story to herself and the writers' should have kept it to her given the lack of flashbacks to memories we hear about but don't see & context pointing to unspoken moments in her story. Henry could have easily been that wildcard best friend to Cinderella and I still would've enjoyed it - but the romance angle...CRINGE! If you wanted me to see Drizella as just a layered but still wicked stepsister that I'd enjoy watching but not root for? The writers failed. Instead, while also lacking flashbacks to memories we hear about but don't see & context pointing to unspoken moments, we still get more scenes with her, which all leads up to...The Bench Scene. That one scene and set of dialogue that had my SHIPPER antenna blaring and I wasn't even expecting that! And I think it hit me because that scene was Drizella's most honest at her situation. It didn't need specific or mention of magic, they got to the core of her situation in a casual setting and Henry's moment with her that felt real, it was real. And kept me thinking it would've been her when Henry did that coin toss to see which "true love" would walk through the door of that bar and even when Drizella was having hot chocolate at his apartment before going to make things right with Anastasia (and even she's pushing him towards Ella in this scene) because she's right - Ella makes sense and is good for Henry and given the entire post above - it's not to say Ella didn't deserve Henry either. But Drizella is also right: Have he arrived in her life sooner, then he might have made all the difference in her choices had they met first.
I RESPECT Adelaide's opinion that Drizella and Henry would never happen... Yet I'm just not sure after purposely watching Henry with Drizella and Ella multiple times over the years and finding my antenna still leaning towards Drizella (and growing fonder of Ella/Jacinda).
Henry wants a "classic" character? With his history, a wicked stepsister with baggage - and crimes - made sense. (And let's be clear, she was clearly attracted to him but if she REALLY wanted him, Henry would've been cursed beau instead of thinking his family died).
And on the premise that Drizella likes girls? I definitely agreed, just don't think Henry and his positive influence should be ruled out regardless of any or type of relationship they have.
Sometimes, when I acknowledge that I ship Henry and Drizella, I get scared for antis to come after me.
Like don't get me wrong, as far as canon goes, I acknowledge Drizella's actions and there should be consequences, as well as why people think a romantic relationship between Henry and Drizella isn't good.
But I also acknowledge that Drizella didn't get there by herself:
Follow the thought-process of before finding out Drizella was behind the curse:
Not to say Ella didn't have it bad, but once you consider everything from Drizella's point of view, she's the more sympathetic out of the stepsisters. She was only a baby when her mom disappeared, and when she and her family became stable and her dad remarried, she gained a loving stepmother and stepsister. She was the one who suggested the lanterns, but it was probably just a thought, she didn't realize Repunzel was alive. Then, she has to learn to accept her biological mother back into her life when she already had one she knew. Then, her stepmother disappears on her birthday and she's forced to watch her father despair as he searches for her. Then, she watches her parents get back together as time went on, then watches her sister and stepsister nearly die (and her sister is the one in a magical coma). Also, unknown to her, because of her mother resenting her father for not saving Anastasia, he's killed by her and the prince - which she never knows. Soon enough, she learns she can learn magic but is cut off from her potential by Repunzel. And at that point, she's so love-starved that turning against Ella, who was demoted to a maid, was sad but inevitable. Why? Because at this point, as she said so eloquently, "without her mother's approval, she has no one".
The little girl she once was got stripped of everything near and dear to her and was essentially forced to latch onto a cold and distant mother to get any affection. Not justifying turning against Ella, but sometimes, you have to wonder: What could she have done? Especially if she was still just a little girl when Ella was being abused and how do we know if she just let it happen? Ella lost her mom and stepdad and her home and got abused, but Drizella had a full family that got torn apart to pieces one by one by her mother (and no one was telling her of her mother's crimes of removing her stepmother and father from her life). There are so many factors missing that I hate the writers for not acknowledging.
(Lemme just say, I love the irony of child!Drizella being played by Anna Cathcart - who plays her character's daughter, Dizzy, in Descendants Trilogy!)
As far as shipping goes for me: Chemistry is important and Stepbeliever had it more, compared to Glass Believer (and by the time I could see the shipping potential in Glass Believer? Well, as lyrics from JoJo's 2006 album, The High Road goes, it was just "too little too late". And I have this scene to thank for it:
(First off, I love Andrew West's portrayal of Adult!Henry) This scene solidifies what Henry and Ella lacked for me. When it came to Henry's ideal romance, he might as well said he was looking for the romance his maternal grandparents shared. Which makes sense, it's a classic!
But I believed Henry was setting himself up to fail. Compared to his family and fairy tale characters they represent (such as the Ugly Duckling for Emma Swan), Henry's an OC. No, more than that, he's the Author, who can record and/or rewrite stories. But, in other terms, especially in the first episode of season 7, he is the Master of his Fate. Trying to find his fairytale was always going to be a unique challenge because he's more than a prince (by EF standards). He can alter the fates of others.
Now, which character fits the profile (even on Disney standards) of being stuck with no plot or character development? Drizella Tremaine. From the looks of it, whenever there's a Cinderella, there are two stepsisters, and where's there are two stepsisters, one is more redeemable. In comparison to Ashley/Ella from OG Enchanted forest, Tisbe just got lucky to meet a duke. If you wanna talk Disney (especially A Twist In Time), Drizella either follows Lady Tremaine or suffers a worse, poorer fate. Find something within her status with the possibility for history to repeat or suffer a fate worse than death. Both are tragic endings.
If you asked me, a meeting between The Prince Author and The Foredoomed, Evil Stepsister was just an arrangement waiting to happen.
And it makes sense: Even though she changed, Henry was still abused by Regina just as Drizella was emotionally abused by Repunzel. Henry knows what it's like to lose a parent who was important to you. Henry redeemed evil characters with his love. While not as bad as her adoptive mother, Henry has experience loving someone less than heroic and seeing the good in them.
He can and could learn to love Drizella. He may not choose to do bad, but he has known the forces that could tempt him to turn, if not for his unwavering belief as the Truest Believer.
I'm not saying it wouldn't be complicated (Long story short: I got the vibe that he and Ella would be better off friends who co-parent with Lucy rather than be happily married. Blame the writers!) but Henry fits more for the unconventional slow burn fairytale than something already done with the fairytales before him.
And Drizella? She deserves a fate of her control. It doesn't matter if it's just simple independence or love from others outside of romance (but as a hopeless romantic, I say she should have that too), but as long as it's nothing sort of complicity or servitude, she's happy. She deserves someone who sees through her cold personality. Someone willing to fight for her when she can't fight for herself. Someone whose positivity lightens up her dark world. Someone who makes her feel worthy as if she's the main character in their life. Someone who makes her wants to be good. Maybe not a hero, but more than a villain. Good is enough.
Drizella may have chosen to forsaken Gothel in the end for Anastasia's love, but she wouldn't have been able to get that push if not for Henry's influence.
That is what StepBeliever is for me. Henry writes his story of an epic romance as a Savior who changes the fate of evil stepsister while Drizella gets her fairytale prince and rewritten happy ending.
My opinion when it comes to Henry and Drizella in OUAT
It's been a while since I last saw OUAT, especially season 7, and I still remember having opinions on their questionable choices.
And as the title stated: It's about Drizella and Henry.
Look at almost every Cinderella story and, despite the different names, there's always a Anastasia and Drizella and (whether or not we have Disney to thank for this is TBD) Anastatsia seems to be the twin that seems more redeemable.
Anyways, rambling aside, here's my point: I shipped Henry and Drizella. Why? Well, when I ship people - it's not always about looking good together. I want to know their characters and how chemistry works.
First and evident proof: The Bench Scene
Back before we knew Drizella had her memories, you can tell she was being genuine here. She has no angle or reason to be starting anything. She's just an annoyed stepsister looking for her missing niece, looking for her mother's ever-elusive approval. And Henry is just the guy who has issues that, for a night, was her confidante and willing to listen.
That was when I shipped it. These two people, who couldn't have been more farther from shipping material, just clicked for me.
And then it hit me when we got back to the beginning: Henry said he wanted a fairytale if his own and was low key taking ques from Snowing about what he wanted from a romantic relationship and just pegged it that Jacinda/Ella/Cinderella was the one. And from episode one, I must admit, I wasn't feeling it.
And maybe that's the entire point: It would have been way to obvious and cliche for them to be endgame!
In entire realms based on classic fairytales and love stories, the one most invested is the one we don't see coming! Look at Regina with Robin or Emma with Hook (three of the four basically raised Henry!)
It changes things when you're pursuing someone who's mostly uninterested in you, such as Jacinda. She's independent, brave, and not a "true believer" in True Love. Something about Jacinda before and after the curse had me more convinced that she and Henry were together but ended because their spark was no longer there and the writers were just forcing me to see GlassBeliever. I could see their shipping capabilities towards the middle and end of the show, but not enough to make me ship them. Or in other words, they're that couple who started well but realized they were better off as friends co-parenting a child (and considering how Henry grew up, that isn't the worst fate).
With Henry and Drizella...If I had to word it simply:
The character and the writer. The stepsister with an unchanging fate and the Author looking for a story of his own.
Let's imagine Drizella's side of the story: When she was nothing but a toddler, she and her family were poor and living on a traveling wagon when her mother disappeared. Despite a stable life and her father remarrying, a loving stepmom she's always known and an equally loving stepsister, she's missing her and wanting to come back, she has the idea to light up lanterns in hopes it will guide her home - which her sister, Anastasia dies, which does encourage her mother, Rapunzel, to come home. She's back and isn't quite used to having to mons (and perhaps feels a bit threatened that her stepmom might leave because of her...). On her birthday, her stepmom disappears and she's forced to watch her father look for her stepmom while deal with Repunzel acting in her steed. Then, a year later, she's grown closer to Repunzel
Henry is her Fairytale while Drizella Tremaine is his Guardian.
(...huh. The Author and The Guardian. Now that's a story I want to read!)
But why a Guardian? Hasn't Drizella been tempted by and given into evil plenty of times? But in that logic, shouldn't Regina had not been able to practice Light Magic? In OUAT, where rules can be bent or broken, the possibilities are endless, and who's to say Drizella, who was manipulated time and time again, wouldn't have had a redeeming arc to be a Savior!? (And I say this because there's no specific requirements for the position and someone had to fill in the position in Wish Realm!)
I'm particularly attached to these fanarts of Drizella & you can't tell me a fanfic story behind these isn't possible! (All credit goes to @WindOfForever on Twitter and Instagram!)
Mirror Realm. Plain and Simple. Or more appropriately, The World Behind The Mirror. As seen in OUAT 7x08, this world is where Sydney Glass/Magic Mirror lived while serving the Regina during her Evil Queen days. The potential story behind this fanart is more than possible because it likely also exists in the New Enchanted Forest.
And for Drizella to end up here? For numerous reasons. An AU where Drizella stuck around after the curse broke and is placed here by Wish!Rumple as a hostage? Maybe a new Big Bad appears shortly after Drizella and Anastasia leave and Ana had to use magic to save her? Or judging by the silhouette of Rapunzel, maybe her mother put her there as a means to control her. Or it could be a metaphor for the Old Drizella hiding behind a facade wanting to break free.
Anything is possible!
Alright, I'm a Stepbeliever shipper and I don't deny it! And this is fanart here is another potential we never come - or the fandom has scared others into not writing as much as they should! Loving the use of Mary from Reign aside, this also has a myriad of story potential behind it.
What if Henry met Drizella first? What if Henry fell for Ivy if she joined the Resistance? What if Drizella broke away from Rapunzel and ran off, only to end up crash landing into Henry's life - as her stepsister did in canon? What if Drizella became a false "Ella" and Henry mistook her for the real Cinderella and fell in love with her?
Anything can happen when the least redeemable stepsister meets the one who can change her life!
(First off, I have nothing racist against Ella/Jacinda - and I heavily EMPHASIS this as a POC myself! In all actually, I liked her character - or at least found her more tolerable than her daughter, Lucy! See, the thing that has me rooting for Henry and Drizella has nothing to do with race but a majority more towards chemistry! And I'm sorry, but the scene that hit the nail on the head for me was the famous Bench Scene. And taking into context that Drizella was awake in that scene, everything she said was still likely true - no deception. Same story, different world. I saw more chemistry and emotions between Henry and The Evil Stepsister more than I saw with Cinderella. It was only towards the second half that I could actually see why Henry and Ella worked! (Which is sloppy writing btw!) But because it took so long for me to see that - or rather the writers to put it in - is why GlassBeliever still isn't for me. At most, in a realistic perspective, GlassBeliever would look more like an amicable divorce with co-parenting than what Isaw with StepBeliever - which fits everything Henry was looking for in a fairytale love with a more grownup perspective! )