It’s the stuff of fiction, the lives we glimpse in peripheries of our own, whether those we observe in mysterious passing or those we pull from thin air. But when we pull those lives to the center to tell their stories, what do we put in their place? Too often it seems to be nothing, making so much of the fiction I read feel claustrophobic with no sense of other lives mattering at the edges and no impression of a world deeper and wider than those parts inhabited by the central characters we’re asked to attend to. Fiction can show us an individual, idiosyncratic mind, or at least the semblance of one in the tangled, rambling, multivocal chaos of our own thoughts in lieu of the tidier, deliberate narratives we’d like to imagine our intentions and actions to be. Outside ourselves, though, there are so many others going about actions and intentions and baffling, beautiful lives of their own, riding tiny bicycles uphill and yelling hilarious non-sequiturs of half-conversation into their phones on the bus and — because those others aren’t always human — chasing each other in circles as three squirrels are doing outside my window just now. Perhaps none of those amount to much narrative potential apart from being cast as metaphors in the shadow of a more dominant plot, but I want to be reminded of those active edges when I read stories.