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Tickletober Day 4 & 5: Reward/Punishment

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tickle machine

(Tickletober day 29: machine / tickle machines)

There are more than enough tickling contraptions out there that tie you up or hold you down. But how about ones that let you flail around as much as you want while you can't interfere at all?

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Tickletober Day 6: Cuddles

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interrogation

(Tickletober Day 1)

(image ID under the cut)

Images with handwritten text representing two speakers, with dialogue as follows: 

No.

You’re sure?

Mm-hm. Mmm-hhmm...

You’re really not going to tell me.

...nnf... no. 

What if I just… 

Ah!

...keep tickling this spot? 

Nnn–nah! ahaa...

Awfully ticklish right there, isn’t it?

...Mmf, fffah...

You wanna tell me yet?

Aheh!

How about… now?

Yah ahah! ah ah aaah... I won’t tell you! *hic* nngguuhh... please please, eee-

Oh, is this the spot? 

-eeehe! neh- no! nahaha...

Tell me, or else.

Ah! Hahaha-aah! stop stopstopstop no no no no no...

Tickle tickle...

Hahahahahaha!...

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Tickletober Day 7: Massage | Words: 450

—

Stede clambers back toward the window, his elbows and knees frantic as a scuttling crustacean. 

“No, no,” he scolds, like Ed’s a dog he’s bopping with the daily paper. “This is not what we’re doing.”

“Yes it is,” Ed says simply. And he grabs Stede’s ankles and yanks.

Stede yelps, wriggling in a futile swim against Ed’s riptide. His calves get dropped over the edge of the bed and he hasn’t a prayer of being fast enough to stop Ed from heaving down on top of him to pin him at the thighs. The man is a hound chasing a scent, and the deceivingly dead-eyed hunger in his face promises only defeat. 

“I’m just gonna rub ‘em, okay?” Ed asks, in a question that’s not really a question, because he’s a horrible miscreant who offers kindness and relief but delivers torment. 

“You are not—!” 

A yip snags Stede’s words in his throat, and then he’s giggling madly as Ed’s knuckles roll firmly up the wide muscles atop his thighs. He heaves upright to shove Ed away, but Ed’s hand darts up to his chest and unceremoniously plows him down again. The knuckles transform to lobster claws, kneading the meat of his thighs. Stede cackles as the bedframe thumps under the drumming of his uselessly dangling heels. He tries to sit up again. Ed’s chuckle is as rough as his shove back down. 

“This will not make me less sore, you menace!” Stede chokes out. His vision is starting to blur with laughter-driven tears; he pushes and bats but Ed’s hands are undeterred in their bloodlust.

“Sure it will. S’called a ‘mess-sage’ for a reason. Makes you a mess first but everything’s fine afterward.”

“Mass-sage!” Stede cries. “It’s French! Oh god, sto-ho-hop!”

“Not ‘til you’re pain-free,” Ed says cheerfully.

Maybe Ed’s right, though, because Stede loses all cohesion when the knuckles reassert themselves in the extra-soft thigh flesh just below his groin. Slamming his knees towards each other doesn’t even help because the horribly ticklish pressure is still there. He rolls his torso to one side, wailing with laughter and clawing at the bedding in a weakened attempt to crawl away and, of course, accomplishes nothing but bringing handfuls of blanket somewhat closer to his face. 

When Ed’s weight lifts from his legs, Stede gasps in anticipated reprieve— but the weight returns just as quickly, this time behind his knees when Ed pushes him the rest of the way over onto his front. The sudden pinching fingers nibbling their way up the backs of his thighs are even worse torture than everything before, and Stede’s pillows will surely be soaked with tears before his treatment has run its course.

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Renfaire AU

*splashes into the OFMD pool*

Words: 1,400

—

“Mister Blackbeard?” A child’s voice rises from the small crowd of observers. “What’s that?”

Ed finds the kid, throws her a wink. “That’s Captain to you, lass. And these–” he pats the top of the hardwood structure– “are called stocks. Used for public punishment of filthy criminals, like pirates, or aristocrats. You’re not a criminal, are you?”

The girl giggles and shakes her head. 

“No? You sure?” Ed squints out at the crowd, scanning the faces. “I bet we could find one.”

The audience for Medieval Crime and Punishment (1pm, 2:30pm, and 4pm daily) has all the usual suspects: kids with plastic swords, parents in street clothes with tote bags, one guy with a huge Viking axe on his back, a handful of reasonably-costumed enthusiasts. There’s a blond coiffure towards the back corner that catches his attention. 

“You there.” He points, catches the man’s eye. The man glances back over his shoulder, but Ed doesn’t mean anyone else and keeps his finger extended until the man, looking surprised, points to his own chest. Ed feels a slow grin growing. He nods, turning his finger to curl it into a beckoning gesture. 

“Yes, you, with the fancy coat.” Ed keeps the narration going while the man slips down front through the crowd. The coat does look like a period piece, nicely cut with a matching waistcoat beneath. “That is a very fine garment you’ve got there. Too fine, I think. Where’d you get it?”

The man stutters over an explanation, something about a gift– Ed largely ignores it, instead focusing on guiding the man’s momentum cleanly into the seat of the stocks. 

“Mhmm, likely story. Say, what’s your name, scallywag?”

“Scallywag?” The incredulous pitch of the scallywag’s voice nearly makes Ed snort as he lifts an unresisting ankle into the open stocks. “I’m a– a respectable gentleman!” Second ankle. “But, ah, my name is, um. Steve.”

Ed raises an eyebrow while he closes the stocks. “Steve? You sure about that?”

“Of course I’m sure about my own n– oh, what… what are you doing?” He’s pretty cute when flustered, this Steve.

“Taking your shoes. You won’t need ‘em.” Ed sets each one carefully to the side. The stockinged feet left behind wiggle uncertainly. “Most folks don’t stumble when asked about their name, see. Makes me think we’re not really on the level with each other. And I’m really having a hard time believing that a jumpy fellow like yourself came by all this finery legitimate-like.”

Ed straightens, and puts on his projection voice for the crowd. “What say you? Is this man innocent, or guilty?”

A smattering of responses sprinkle in, but the girl near the front excitedly shrieks, “Guilty!”

“The people have spoken.” Ed pivots back to face the unwitting defendant, and he really can’t help the smirk. “Are you prepared to confess to your thieving crimes?”

“I haven’t stolen anything!”

“Your funeral,” Ed says with a shrug. He cracks his knuckles (the fingerless leather gloves of his costume lend to the intimidating vibe, he’s found), laces his fingers together and pushes them out in a stretch, then drops one wiggling finger onto the center of one vulnerable sole. 

“Wait, wai-haait!”

Ed keeps it going and begins his spiel on typical town square “corrective” behavior, while a verse and chorus of giggly protests pours from the seat behind him. He keeps an ear out for genuine distress, like always, but everything sounds bright and bubbly back there. 

“…even throwing rocks, but often the punishment of choice is tickling the feet. Harmless, but persuasive. Isn’t that right, Steve? Why don’t you tell me who you robbed blind for that fine outfit of yours?”

“Please, oh it tickles, you scoundrel–!”

It’s Ed’s turn for incredulity. “Scoundrel? Mate, you’ve got this sorely backwards. You’ll address me as Captain Blackbeard, Sir and you’ll speak the truth when I ask you a question.” 

It’s time for the first little ramp-up of the demonstration. One tickling finger can only entertain the crowd for so long, after all.

“Fang, would you come give me a hand, please? This deviant needs a little more convincing.”

There are eyelets installed at the top of the tall backrest, with shackles dangling from them. Not quite historically accurate ones, but what here is? (Fang’s choice of headwear is particularly egregious – but the studded pleather does give him a junkyard dog look, and since he’s the assistant muscle instead of the main presenter today, it works.) Ed abandons the foot he’s been gently tormenting and moves to crouch by well-dressed-Steve’s side as Fang lifts the man’s wrists to the shackles. The audience is starting to titter with sympathy.

“I’ll ask you again, Steve. Where did you steal this coat from?”

“I, I didn’t, I promise! It was a very nice present from, from a friend– oh god, ahah!”

Ed’s got a hand slipped inside that fancy coat, tickling now at a helpless armpit. It’s very warm up in there; the autumn hasn’t cooled quite enough to make this many layers necessary yet, and Steve’s body heat has been trapped inside. Ed bets it just feels that much more intense, so he makes sure to keep his touch lightly teasing – even though there’s an urge coiling inside him to really make this man scream.

“Only the guilty laugh when confronted with their crimes, mate.” He addresses the crowd again. “As you can see, we’ve got more than just feet to work with. Everything from legs to stomach, ribs to armpits can help extract a confession. In fact…”

Ramp-up number two. He reaches behind the backrest where his favorite theatrical aids have been hidden, and nods for Fang to do the same. 

In tandem, they both reveal large ostrich feathers with a flourish. The crowd laughs and cheers in surprise.

“Usually these are reserved for the damsels and wenches, but you look soft and sensitive enough, my friend. They’re torture for the neck and ears, I’m told. What say you? And address me respectfully, if you please.”

Ed dusts his plume at the crook of Steve’s neck. Fang mirrors on the other side, and oh it’s adorable how their victim erupts with pitchy, snorting giggles while he tries to retract his head like a turtle. His wrists swing in the shackles, fists balling, biceps straining. 

“I have nothing to confess!” the accused cries out. “Please, Captain, plee-hee-heese!”

The third and final ramp approaches. Ed guns it. 

He drops down on his good knee, keeps the feather dancing, and lobster-claws down the meat of Steve’s thigh. He spiders wickedly around the kneecap before delving beneath to the unprotected, stretched-in-midair knee pit below and, mm, there it is, the scrumptious sound of a scream-laugh. Ed pushes its pitch by continuing down Steve’s leg to his foot once again, where there’s no single-fingertip teasing this time; he rakes the open sole with scrabbling, ruthless fingers while the feather fluff-fluff-fluffs across ear and jaw.

“NO! No, no, nooo-ho! It’s the truth! Please, Ed, stah-haaahp!”

And just like that, everything stops. 

Ed creaks his way to standing – feels like it gets harder every season – and regards the sagging, panting man with resignation. 

“Maintaining your innocence even in the face the worst torture, eh? Perhaps you’re not a liar after all.” He sighs. “Welp. Disappointing, if you ask me.”

—

It’s barely four minutes after the crowd has dispersed and Ed’s plopped himself into a breakroom chair when Stede barges in to find him.

“You.”

Ed takes a glug from his water bottle, swallows it down. “Hey, Steve.”

“Steve nearly died today, I’ll have you know. Bastard.” 

Somehow it sounds like a term of endearment, even as Stede collapses dramatically into the chair next to him. Ed grins. 

“Not my fault Steve is so ticklish. Pick a different character next time. I quite liked Reed, though he seemed to have the same problem.”

Anybody else would probably flip Ed off, but Stede just waves a hand like Ed’s a buzzing fly. 

“You, just– just shut up.”

“Don’t worry, babe, I’ll make it up to you,” Ed promises. “When the last bus heads out, you and I can hang back to close the torture museum.” He leans toward Stede expectantly and waits for him to sigh and tip his head close enough for Ed to kiss it. “I promise nobody will be around to hear you beg me to tickle your tummy while you’re on the rack.”

Stede swipes the water bottle from Ed’s hand and drains it before settling back with closed eyes and a tiny, tired smile.

“If you promise,” he mutters.

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Understanding Harmony

Critical Role: Bell’s Hells. Ashton and Imogen take a watch after the events of episodes 33–38. Written for @feather-aesthetic for the Squealing Santa 2k22 fic exchange. Prompt: playful/bonding situations. Words: 1,500

—

“I just…” Imogen’s voice hitches with a tiny, incredulous laugh that lilts and wilts into something almost sad. “Just can’t believe she’s back.”

Ashton stares into the fire for another moment before dropping their eyes to the twig they’ve been fiddling with between their knees. 

“Crazy, huh?” they say, for lack of anything more intelligent to add. 

Imogen twists her fingers into a loose fold of her skirt. The fabric tightens across her hands, a smart pair to the tension still visibly lingering in her body. 

“It’s not supposed to happen. Bringin’ someone back from the dead. Though, I guess, for Laudna… maybe it’s not so strange. I don’t know.”

“No, it’s weird,” Ashton assures her. The nubby end of one toothpick-thin branch snaps under their thumb. They roll the broken bit between their fingers. The tiny splintered end is sharp. 

“I never… never would’ve thought I’d see somethin’ like that. That I’d be part of that. Y’know? Heck, I just thought I’d be spending the rest of my life staring at fields and feeling alone. It’s just… a lot,” she finishes quietly. 

“Being alone isn’t so bad.” Saying it is almost habit. It’s true enough. 

The firelight catches in the glance Imogen darts their way. “Feeling alone, though. It’s different when you don’t really have a choice.” 

Ashton shrugs. “Not much different, in my experience.”

There’s a gentle scoff in Imogen’s voice when she says, “Then why’re you stickin’ around with us, huh?”

“Because Letters needs people.” It’s just as quick to surface, just as habitual. 

“But you don’t.”

Ashton knows a jab, even in the dark. The retort is already in their throat, clambering on the back of their tongue. But they swallow it, because Imogen isn’t coming after them, not really. They don’t have a ready-made alternative response, though, so they focus on the splintered nub, trying to crush it between their fingertips. It’s too small and just digs in, a tiny hard granule of dead wood.

A soft glow leans toward their mind but doesn’t quite enter. Ashton braces internally anyway.

“They’re pretty important to you,” Imogen says aloud, instead.

Having someone important is dangerous. That’s how stupid decisions get made. Case in point: letting a complete stranger put them all under so they can go fight the spirit of a necromancer in order to yank a not-quite-living, not-quite-not woman out of a tree-shaped manifestation of her trauma, or some shit. 

But then Ashton is caught completely off-kilter when Imogen continues: “What the fuck is up with that?”

Ah, fuck them, but it works. They crack a laugh.

Imogen laughs quietly along, too. It’s something shared, and it evaporates the murk that’s been crowding Ashton’s throat. 

“Somebody’s gotta look out for ‘em,” they say with half a smile. “Otherwise Letters would end up trusting some pack of fools hell-bent on getting dead for each other out of some poorly-advised sense of integrity.”

“Out of all of us, I think FCG is the only one with integrity, sometimes.” Imogen’s grin has seemed to soften her, as well. “They take good care of us. So do you, y’know. You both make a good team.”

Ashton does their best to skirt the compliment, but there’s still some warmth that surges up unattributable to the campfire. Riposte. “Can’t talk about a ‘team’ without looking at you two.” They tip their chin toward the sleeping form that is Laudna, with an empty gap at her side for only as long as Imogen’s on watch. “Closest I’ve ever seen two folks who aren’t in each other’s pants.”

Imogen huffs softly. She rubs her forearm with one distracted hand. “Lotta people don’t get it. That’s fine, I guess. But she just… she saw me when nobody else really did. She knew what it was like. Keeping away from people, feeling like connections were impossible. Laudna was the first new person I got physically close enough to touch in… god, in years. That kinda messes you up after a while, doesn’t it?”

It’s said rhetorically, but her tone clearly expects agreement, and Ashton isn’t inclined to agree. Being messed up: sure. One hundred percent, all day every day. Being messed up because nobody’s holding your hand, or lying close while you sleep, or filling some sort of sappy hug quota: nah. 

They settle for responding with a noncommittal grunt. 

“It was the simplest thing,” Imogen continues, smiling wistfully down at her hands. “Just touching my elbow to draw my attention to a flower. Handing me an acorn cap or a dead worm or whatever she was decorating her next little doll with. Her hands were always a bit cold but it was still soothing when she’d hum to me, like this.”

Imogen side-leans in just a bit, and it’s a testament to how far Ashton has relaxed with this group – for good or for ill – that they don’t duck away from her approaching hand. Her fingers alight on the back of their neck, gentle as a songbird, as she begins to hum a folksy, unhurried tune.

The touch on their nape drifts back and forth with the cadence of the song. Ashton doesn’t recognize the melody, but it’s easy to imagine it tells a story of land remembered or beauty witnessed. Imogen’s fingertips are… fine. Ashton wouldn’t call them soothing. Wouldn’t really call them anything. Their skin doesn’t register much of anything duller than a slap, so the fire-heated warmth and pressure of her hand is barely notable. But, they suppose, it could be nice – for a person whose body is not constantly, quietly ringing with the ache of pain. It’s yet one more luxury that Ashton is not permitted to experience. It would feel unfair, if they weren’t just used to it.

Imogen’s humming trots up and down in scale as she reaches some chorus line. Her fingers shift, tapping nails in staccato on the back of Ashton’s neck with the time.

Ashton’s shoulders pull slightly inward. Okay, they can feel that a bit more than the softness of fingertips. Kind of itchy.

Doesn’t seem like Imogen is paying any close mind, though. She’s gazing into the campfire again, her head canted gently in unseeing reminiscence. The chorus ends and her fingers fall back into drifting touches with the next wordless verse.

This is so foreign. 

Not hanging out with a group, or even having a low conversation in the night; it’s this kind of interaction, this connection, with someone who’s sharing something beyond job-related banter or a clipped story. Apparently Ashton is going to be treated to a full song with tactile accompaniment for no reason except Imogen wanting to give it.

The second verse ends. The chorus picks up again.

Shit, that really does itch when she does that with her fingernails. But, like, a shivery itchiness. It makes Ashton’s belly clench up a little. Especially when the nail tips drag short little lines in a wave pattern up and down their nape. An involuntary shudder trembles through Ashton’s neck and shoulders, but what’s so remarkable is that they don’t want it to stop. 

Imogen must notice, because her humming bobs with a light chuckle. But she doesn’t stop the song. She carries into a third verse, this time keeping her nails gliding. 

Ashton would feel teased, except for that glow leaning against their mind again. It still doesn’t push in. Rather, it rests against the doorframe, watching kindly from just outside; a sentinel, careful and attentive. 

This is so, so foreign.

But fuck it feels… good. And that’s a revelation as much as everything else about this interplay. Ashton’s not thinking about the ever-present, spine-deep ache in their body. Not thinking about when the enjoyment might be soured. Just listening to a friend’s gentle music while fingernails dust sparks of static across their skin.

The hummed song dances off its by-now predictable path into a melodic bridge. Imogen’s nails skitter up and down with the notes, out in wider arcs and spirals, tapping and scraping along Ashton’s scarred, calloused skin, and it’s just– fucking hell, it tickles. 

Ashton can’t help the way they hunch even further at that realization. They’re fracturing into laughter before they have any hope of getting a grip on themself.

Imogen’s mental glow warms. It’s okay. It’s okay to sit here and snicker, to crane up one shoulder and then the other in conflicted attempts at protection, to grin and squint and squeeze their fists between their knees and just feel something good for once.

It’s okay.

The tune winds its way back to the notes Ashton now knows by heart, turning reflective and peaceful. Imogen’s humming slows, as do her fingers. She caresses long, gentle lines with the edges of her nails. Ashton’s eyes fall closed, though they still chuckle and shiver through their sighs. 

Maybe this is soothing, after all.

[wordstrings]

Tickletober Day 2: Chase