#stuart weitzman

[pinkwishlist]

Stuart Weitzman Nudist Shine 100 sandal

[nocoffeeplease]

"PUT YOUR FUCKING HANDS UP! NOW SCREAM!"

[taylorswiftstyle]

MTV Video Music Awards | September 11, 2024

Dior Resort 2025 Lorraine Schwartz earrings Stuart Weitzman ‘Ultrastuart Maverick Leather Boots’ - $1,550.00

Dior’s latest cruise collection was an ode to Scotland and the house’s first runway show held there in 7 decades. Creative director Maria Grazia Chiuri said of her inspiration, “Scotland is an important reference in the fashion world and I wanted to interpret it in a different way. For my generation, it’s so associated with punk.” The result was an offering full of voluminous skirts, dramatically cinched dresses, and hourglass jackets rendered in historically accurate tartans and, indeed, set off with certain punk sensibilities thanks to studded leather accessories and clompy buckled boots. 

The VMA dress code typically leans towards the wacky and the outrageous. Hence why Taylor has felt comfortable appearing in alphagetti soup baby onesies (aka The Incident, circa 2014). I’ll put it on record again and again that I may pull a face at that look (and still do, a decade later) but I will always appreciate a risk (relative to the wearer). Fashion should be fun! 

The collection filters Scotland’s most historic women into its fabrics. Namely, Mary Queen of Scots: a fiery Sagittarius woman I’d like to think Taylor might feel kinship with. During her years of imprisonment in England by QEI, Mary would insert veiled - often political - symbols into her embroidery. At one point even the phrase, "In my end lies my beginning" was embroidered into her state's clothes. Doesn’t that feel, “In the death of her reputation, she felt truly alive”? 

In his review of this Dior runway, Mark Holgate for Vogue described the collection as one that “drew on the geopolitics of fabric[s …] and the way [Mary] gave political commentary through her embroideries.” He described the series as full of “defiant beauty and an equally defiant energy. It felt uncompromising. But then maybe women can’t afford to be anything but that, especially now.” If a possible connect, I admire this evocation in the wake of Taylor’s major political endorsement. Especially given Chiuri worked with the iconic Harris Tweeds for their artisan, loomed wool. This teed her up nicely for an onstage call to action to remind viewers to register to vote.

All-in, this felt like a cohesive night of looks to underpin TTPD’s aesthetic. The runway’s interplay of proportions and bustier-like top are very TTPD - sensual, emboldened, playing with what to reveal and what to hide. A look that’s dark academia adjacent. 

I do find the biker gloves (also by Dior) confusing and I’m searching for insight on their ‘why’. At the Grammys, I could buy into the ‘Albatross’ reference in her black elbow-length gloves. These? I’m still trying to make sense of. A straitjacket allusion, perhaps? Were I to make some styling tweaks, I would have removed the gloves, opted for the coordinating tartan shorts from the runway, and changed the boots out to an equally tall but caged style to tie into the patterned effect of the ensemble.

Photo by Dimitrios Kambouris via Getty Images

[xosiren]

Life of the Party

Starring Keke Palmer

[lamaisongaga]

FASHION CREDITS: 'MAYHEM: REQUIEM'

Lady Gaga is the ghost of her own broken-down and withered gothic opera house as she takes the stage for the Apple Music 'MAYHEM: Requiem' - the final chapter of this hauntingly beautiful era.

Photography by Jack Bridgland. Styling by Hunter Clem with assistance by Kallie Collett, Thomas Jay, Lisa Bruno, George Villalpando, Casper Tveteraas Hauge and Rebecca Moreno.

For the opening look, Gaga and her longtime stylist Hunter decided to delve once again into the Rodarte archives. From the Fall/Winter 2023 collection, they opted for the black silk velvet devoré cape with floral sequin all over embroidery.

For the majority of the show, Gaga leans fully into ritual. She appears veiled beneath a sculptural beaded headpiece and crown by Tommy Solovyov - her face obscured, her presence amplified.

The piece reads like armor and relic all at once: a lattice of beads cascading into a netted veil, crowned with intricate, almost sacred detailing. It transforms anonymity into power, turning concealment into spectacle.

For an alternative opening look, as seen during the rehearsals, Lady Gaga seems to be wearing one of the fun tinsel capes as seen on the aforementioned Rodarte‘s runway!

To throw in some Saint Laurent, as she loves, we got these new "SL 736" black acetate oval sunglasses with side logo detail.

I was immediately captivated by this Victorian goth-inspired beauty.

This black wool dress with leg-o'-mutton sleeves, standing collar, hook-and-eye details, voluminous hips and sheer paneled skirt, hails from Aniye Records‘ Fall/Winter 2025 collection titled "Breaking Rules".

A mix of established houses and emerging designers is a must when it comes to Gaga‘s styling palette.

Here, she‘s donning the uber-fierce Fragile studded cropped leather jacket with dramatic shoulders and elongated eyelet straps from Judassime‘s Spring/Summer 2026 collection titled "Lost Highway".

You‘ll remember her honoring this collection at her very last 'Mayhem Ball' tour show in NYC with another studded jacket by this young talent!

Gaga then re-emerges on stage as a withering gothic bride, dressed in the most gorgeous silhouette from Matières Fécales‘ Fall/Winter 2025 "The Other" collection - black tulle enveloppée evening gown twisting around the torso before falling into a dramatic mermaid silhouette.

A custom Dilara Findikoglu black organza veil with antique deadstock guipure lace trim mounted on a layered headband completed the look.

Emerging designer label SLVA is the mastermind behind some pieces of this show, including this mindblowing sculpted industrial rubber dress featuring an asymmetrical hood, zip front and matching gauntlets, all inspired by his Fall/Winter 2026 collection.

A little bird whispered to me that Gaga‘s boots for the show were a pair of Stuart Weitzman Power boots which were reworked by Lacey Dalimonte with a distressed and treated leather overlay!

We had SLVA open up the 'Mayhem' era with his creations using repurposed car parts. And now, we‘re letting him close it.

Gaga donned one of his body armours, this time in black made of old vintage car parts Selva himself picks out by hand.

To complete the look, Gaga dons these fierce stretch leather thigh-high platform boots Christian Louboutin created for Matières Fécales‘ Fall/Winter 2025 "The Other" collection.

Mother Monster changes into a total custom look done by emerging designer Andrew Curwen which includes a treated black mesh corset and layered silk organza tea-length skirt in various shades of grey!

"It consumed 337 yards of silk fabric", Curwen says. "It’s literally hundreds of thousands of circles layered and strung together".

The look was completed with a pair of custom black leather gauntlets with buckled wrist strap detail Andrew made in collaboration with Sofia Morin.

Things changed up for the performance version of the previous outfit.

Instead of the big ballgown-esque skirt, she opted for a custom Andrew Curwen corset skirt made of wool gauze and horsehair.

Ugh YES. When performing, Gaga wears this vintage 1970s Art Deco revival style chainmail headdress with beads!

[luckydiorxoxo]

Meghan, Duchess of Sussex attends Annual Fifteen Percent Pledge Fundraising Gala Honoring Ms. Tina Knowles at Paramount Studios in Harbison Studio

[stylestream]

style blake lively in a sequin yellow retrofête pre-fall 2019 dress and stuart weitzman sandals

stream pokémon: detective pikachu new york premiere in 2019

[guy60660]

Sean O'Pry | Stuart Weitzman