#super 35mm

[w4lrusss]

hands by Thomas Hole on Flickr.

[bloooood]

Another excerpt from my ultra-successful film, “Evil and Gold.” Herein: Chapter 2, “Liars and Assholes / Peter and Todd.”

[steefanvj]

What would you do if you were the last man on earth?

"This Time Around" is a new music video for an up and coming South African band based in Durbanville, near Cape Town. It explores the idea of what one would do if there was no one left - no one to communicate with or pass time with, no human interaction whatsoever… It follows our protagonist on his journey searching for relics of the past, trying to find meaning in his everyday routine. Tomorrow he'll wake up and do the same thing…

Shot on the Sony NEX-FS700 & Canon 24-105mm f4 IS L, this production was undertaken with a minimal budget over a period of two days in the middle of nowhere - the Karoo. 

COMING SOON!

Crew: David Enright, Albert Le Roux, Renier van Jaarsveld, and our hobo, Naude Van Zyl.

All featured Photographs: Albert Le Roux (flickr)

[falele]

Empieza el NAB, y ya tenemos notición!!. Cámara de cine en 4k por menos de 4.000 euros.

Por segundo año consecutivo en el NAB, la compañía Blackmagic acaba de reventar de nuevo el mercado audiovisual. A falta de confirmación oficial, ya se han filtrado fotos y características de dos nuevas cámaras de cine digital. Entre lo más llamativo, sin duda, sus precios. Veamos:

- Blackmagic Production Camera 4k. Sensor super 35mm, con resolución 4k y global shutter. Por supuesto, a demás de las mismas caracteristicas de la actual Cinema Camera (almacenamiento en SSD y DNG RAW). Incluye DaVinci Resolve y Ultrascope. Todo por el precio (increible) de 3.995 dólares.

- Blackmagic Pocket Cinema Camera. La más pequeña de la familia, con sensor super 16mm, almacenamiento en tarjetas SD, codec ProRes/DNG y  compatible con ópticas micro 4:3. Precio (más increible) 995 dólares.

Seguiremos informando de las novedades, entre ellas del nuevo Avid Media Composer 7, de este NAB que promete ser calentito.

[aashfox]

Excuse the shit quality of my shit phone, but today in my Production II studio we got to construct, load, thread and shoot dummy rolls of super 35mm in 1000ft mags on a Panavision Platinum cam, all set up on a Fischer Model 9 dolly.  

Needless to say, today was a day of hardcore camera fangirling and questioning why I never considered going into DP/Cam Oping/ACing work.