#synth doom

[dreamsofconsciousnessmetal]

437: My Heart, An Inverted Flame

Dreams of Consciousness Podcast Episode 437 features an interview with Andee Connors and Marc Kate of My Heart, An Inverted Flame.

Watch on Youtube Listen on Youtube Music Listen on Apple Podcasts (IOS) Direct Download

My thanks again to Marc and Andee for speaking with me, and to all of you for listening.

Music In This Episode:

"-||||\||||||/////" (excerpt) taken from the album "A Collection of Essays, Attempting to Describe in Intricate, Exhaustive Detail, Everything That Was Ever Wrong with the World, Vol. 6"

"The Innovation Toolkit" (excerpt) taken from the album "Plague Notes, Unnamed, Unknown, A Finger Dragged Through Dust"

"dungeon bias" (excerpt) taken from the album "Psi-Solation: A Global Compilation of Music Made in Lockdown"

"Necrosomethingology" "Some Leave Forever. Some Leave Forever Through Memory. Some Leave." "You. Alone." taken from the album "My Death Is More Beautiful Than Your Life" myheartaninvertedflame.com

linktr.ee/grafzahl

MHAIF on Bandcamp

MHAIF on Facebook

My Death Is More Beautiful Than Your Life on Bandcamp[through Crucial Blast]

MHAIF on the Crucial Blast webshop

[dreamsofconsciousnessmetal]

My Heart, An Inverted Flame is a Bay Area duo whose doomy instrumentals encompass everything from the spacey synth epics of Tangerine Dream to the drone metal of Sunn 0))). Their second album My Death Is More Beautiful Than Your Life will be out on May 15th through Crucial Blast.

Facebook ⎜Bandcamp ⎜Linktr.ee | URL

[whateven1sth1s]

A trip through an image.

Part one is an improvised session of music made along the side progress of and I inspired by the art for the album.

Part two is a long form ambient drone made from part one.

Art: Bruib

Imrryr - Through.

RELEASED 04/18/2025

https://ampwall.com/a/imrryr/album/through https://imrryr.bandcamp.com/album/through https://cara.app/bruib

[ionlymadethistosaysomethingtoyou]

So my band just released our first recording, a collection of demos from April-December 2016. All of it was recorded live on our phones, with minimal edits limited to a bit of trimming here and there, and a fade in/out or two. This particular track is a bit of a slow burner but the last three minutes are probably my favorite thing I have ever recorded and one of very few instances in which I think my vocals sound cool.