Inception and 1984
Released in 2010, the movie Inception has quickly become a cult favorite around the world. Masterfully mixing action, drama, and emotion, Christopher Nolan truly delivers an experience worth watching on the big screen. However, hidden between all the explosions, deaths, and tears lies a simple theme exploring ignorance, linking it to the letters of 1984. Here’s the action-packed trailer to the movie.
As a quick run-down, let’s go over the plot of Inception. Note that this article will contain spoilers: if you haven’t watched the movie yet, go watch it now. Don’t worry, I’ll wait. Back? Awesome. Inception tells the story of widower Dom Cobb, a skilled dream extractor on the run. Cobb’s skills lie in the world of shared dreaming, a technology invented by the military in order for soldiers to collaboratively practice battle scenarios in dreams. This has several benefits; for instance, a soldier dying in a dream would only result in their waking up. The special secret with dreams, however, is that they allow people to access someone’s mental state: their ambitions, goals, and ideas. As a dream extractor, Cobb steals ideas within the minds of prosperous businessmen in their dreams, in order to leak them to other companies. However, someone soon comes to Cobb’s door asking for a unique job: was it possible to plant an idea rather than to steal one? Though his teammates vehemently deny the plausibility of that notion, Dom reconsiders. Through various flashbacks, we learn that he had indeed accidently done so before, to his wife. By planting the idea that reality was a dream in itself, Cobb leads his wife, believing that she would be waking up in the real world, to commit suicide. As a result, he is forced to leave the country and his kids. Through various mind-bending tricks and explanations, Cobb attempts to perform inception once more, in an attempt to be reunited with his family.
Phew. Definitely a mind-trick of an explanation in itself. Between the various levels of complexity, however, is hidden the remarkable theme of ignorance is bliss. But let’s take a step back and think of dreaming itself, for a moment. Isn’t it true bliss? When we dream, we have absolutely no idea that we’re in one. As Cobb puts it, “Dreams feel real while we’re in them. It’s only when we wake up that we realize something was actually strange.” As a result, we see that one’s ignorance to their true place in reality can indeed imbue them with a sense of bliss. Throughout the entire movie, those who have no idea of their dreaming state are highly comfortable with themselves and truly enjoy the experience of dreaming. On the other hand, those who are aware that they are dreaming (such as extractors) are also aware that anything that happens would only be restricted to their minds, and nothing happy would stay so.
As a result, the life led by extractors is painful and filled with regret. Most of us retire to a night’s sleep wondering what adventures lay waiting for us in our dreams, though this isn’t a belief shared by extractors. The knowledge that they are simply dreaming destroys their bliss from the act of doing so.
In literature, pain is something that often follows true knowledge, and 1984 is no exception. Winston learns the truth behind the government through the book Theory and Practice of Oligarchical Collectivism, written by Goldstein. Soon after doing so, however, he is thrown into a jail cell and tortured by the government for his radical ideas and rebellious notions. Winston is quite similar to extractors in Inception; both know the painful reality of their world, and are forced to suffer as a result. When talking about the government, Winston states that, “In the end the Party would announce that two and two made five, and you would have to believe it.” (75). Unlike the general populace, the knowledge that both have about their world drives them to pain. When contrasted with ignorant people, both Cobb and Smith show a definite lack of bliss.
In the middle of the movie, there’s a particular scene in which we see people utilizing the shared dream world extensively, almost to the point of obsession. You see, in a dream, time goes faster than in real life, as the mind constructs reality at a quicker pace. A few hours of sleep in real life, for instance, can equate to several days’ worth of dreaming. In this scene, there’s several people in an underground room who use the shared dreaming interface for several hours each day in order to dream and construct the reality that they want. Due to the time dilation, this translates to them essentially living in their dreams, for days at a time. I found this particular exchange fascinating.
Cobb: After a while [shared dreaming] becomes the only way you can dream.
Eames: They come here every day to sleep?
Old Man: No. They come to be woken up. The dream has become their reality. Who are you to say otherwise?
These people have ignored the fact that dreaming is not reality, and have left behind various hopes and dreams that they wished for themselves in the real world. By losing themselves in the dream world, they’ve glimpsed at what they feel is true joy: having the power to do whatever they want and change the outcomes of anything. That kind of power is definitely intoxicating, hinting as to the reasons of their addiction. Sometimes, ignoring reality can truly lead to a sense of bliss.
This question of whether reality is subjective is one that’s explored thoroughly in 1984 as well. As O’Brien explains to Winston as he is being tortured, “‘Have you ever seen those bones, Winston? Of course not. Nineteenth-century biologists invented them. Before man there was nothing. After man, if he could come to an end, there would be nothing. Outside man there is nothing.’” (265). O’Brien insists that reality is simply what one makes of it, rather than what is actually true. The party is able to enforce this dogma by enforcing ignorance throughout society. The party can allow anything to be seen as true, as in their eyes, the beliefs of their citizens make it so.
The last scene of the movie, one that is highly debated, is also one where I believe that this theme is manifested (the interesting portion begins around 2:40). Throughout the film, Cobb is obsessed with the fact of whether or not he is dreaming. At various points in the film, we see him frantically attempting to check whether or not he is in reality by spinning his totem: a top which never topples in dreams, though falls normally in reality. At the end, Cobb finally returns to America in order to see his children, something he has not been able to do for years. When he sees his children, he spins his totem as usual to ensure that he is indeed in reality, though he soon looks away and moves to embrace his children. As we see the totem spin, the screen cuts to black, leaving the viewer in doubt whether or not Cobb is dreaming.
Cobb’s initial compulsive need to know whether he is dreaming reflects his desire for knowledge and the grip of reality. As mentioned earlier, dreams were places in which things could go wrong for extractors, who preferred the cold logic of reality to the world of imagination. At the sight of his children, however, Cobb is taken by the same sense of bliss which surrounded the people in the underground chamber. Whether he is dreaming or not doesn’t matter to him, as the emotions that he experienced are real.
As we've seen, the theme of ignorance being bliss is implied in both 1984 and Inception. However, we see different takes on this same subject. 1984 presents a society in which individuality has been lost due to the collective ignorance of the masses; everyone displays the same mindless sense of happiness. In contrast, Inception shows a world in which emotion trumps the immutable will of knowledge. We can see this from either perspective, but in the end, isn’t reality merely what you believe it is?
-G












