#talea ensemble

[jgthirlwell]

08.20.24 Talea Ensemble play Uri Kochavi's Dermis for the Time Spans Festival at the Dimenna Center in NYC.

[jgthirlwell]

08/20-21 Talea Ensemble are always essential to see, and they performed for two nights at the DiMenna Center for the Time:Spans Festival. On the first evening they performed three stunning premieres by Ana Sokolović, Dániel Péter Biró and Philippe Leroux. On the second night they shared the bill with Yarn/Wire.

[jgthirlwell]

 03.29.18 Talea Ensemble performed some excellent works by Columbia University graduate composers at the DiMenna Center for Classical Music. The stunning program included many world premieres included David Bird’s Moln, Finola Merivale’s Do you hear me now? (2018), Sam Yulsman‘s Negative Horizon, Ashkan Behzadi’s Iris, Louis Goldford‘s Tell me, how is that I poisoned your soup? and  Stylianos Dimou‘s Les Instances, which included a four channel electronic element. James Baker was the conductor

[jgthirlwell]

02.21.18 Violinist Karen Kim and David Adamcyk (live electronics) of Talea Ensemble performed Luigi Nono’s  “La Lontananza Nostalgica Utopica Futura” (1988-1989) for violin and 8-channel electronics in the midst of the audience illuminated by candlelight at The Italian Academy for Advanced Studies in America in Columbia University, NYC.

[jgthirlwell]

08.20.24 Talea Ensemble play David Bird’s Moln for the Time Spans Festival at Dimenna Center for the Arts

[jgthirlwell]

10.24.19 Mario Diaz De Leon celebrated his release of Cycle and Reveal with a one-night performance at Queenslab in Ridgewood. This concert included a solo audiovisual set by Diaz de Leon followed by performances from Cycle and Reveal by his longtime collaborators in the International Contemporary Ensemble (ICE) and Talea Ensemble.

[statesofexception]

Steven Takasugi/Talea Ensemble — ‘Sideshow’ (2015)

Performed live at the Bludenzer Tage zeitgemäßer Musik (BTZM), Bludenz

[jgthirlwell]

2/26/16  Talea Ensemble performed a great program of the works of Austrian composer Georg Friedrich Haas at the Bohemian National Hall including “La profondeur” (2009) for low instruments, the lyrical “tria ex uno” (2001) and the stunning “…wie stille brannte das Licht” (2009) with Tony Arnold singing soprano. The latter blew me away both in construction and performance.