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"The Authority of Truth: Storytelling vs. The Grift"
There’s a very sharp line between telling a new story inspired by the old ones, and forcing yourself onto a story that otherwise wouldn’t agree with you.
I spend my life dealing in old tales. Mythology, history, and folklore are the bedrock of everything we build in this tavern. And there’s nothing wrong with drawing inspiration from the past to write something new.
But intent is the dividing line.
If I write a new tale inspired by the old world, I’m being honest with you. I’m inviting you to dream.
When someone takes an established piece of history or folklore, and forces themselves onto it with a butcher’s knife and an indiscriminate scalpel because the original doesn’t suit their needs? That isn’t storytelling. It’s a grift wearing history’s clothes.
They do it because the cadence of history carries unearned authority. It makes modern nonsense sound older and wiser than it actually is.
Fiction invites you to dream. A lie demands your compliance.
Don’t let them sell you a hollowed-out myth, traveler.
Check out this in-depth review of Baldur's Gate 3 —it really changed my perspective!
https://shrinkme.ink/baldurs_re
🌸 The Dawn-Bearer: In the Quiet Where Eostre Waits
By the firelight of the Black Dragon Tavern
There’s a hush that falls across the hills just before dawn. Not silence—no, the earth is never truly silent—but a stillness. A breath held. A pause between the long sleep of winter and the restless stirrings of spring.
And it is in that space—neither night nor day—that she waits.
Eostre. Not a goddess of thunder or battle. Not a storm-bringer. Not a queen of temples or a name etched in marble. Hers is a power of soft things. Budding things. Things that return after all reason says they should not.
You’ll not find her in the scriptures. Not in canon. Not in law. Her name is a whisper that survived the centuries on the tongue of a monk—Bede, they called him—who claimed that long ago, in the time of the old ways, the people of his land marked the month of April as Eosturmonath, in honor of her.
A goddess of the dawn, he said.
A goddess who brings the light that comes before the light.
Across the Christian world, the name for Easter carries the echo of Passover: Pascha, Pâques, Pasqua—each one a linguistic lantern burning with the memory of an exodus, of blood on doorposts and the angel that passed by.
But in English? In German? Something older clings to the syllables.
Easter. Ostern.
As if the ground itself refused to forget her.
She was not worshiped with pageantry or fear. No grand shrines. No imperial cults. But the land remembered. So did the hare. The wren. The first bloom that dares to break winter’s hold. There’s a tale—quiet and crooked at the edges—of how she came upon a bird, wing broken by frost and hunger. And rather than let it die, she changed it. Not into something fierce. Not into something mighty.
Into a hare. A creature soft and swift. Who still lays eggs in secret nests, if the stories are to be believed.
And it’s said—though only in whispers among those who remember—that the serpent who once threatened the meadow was not slain by her hand. She didn’t crush it. She turned it into light. Into warmth. Into the golden spill of morning across frostbitten fields.
That’s not conquest. That’s not even mercy. That’s transformation. And it may be the oldest kind of magic we know.
The scholars will debate her. They’ll ask if she was ever truly worshiped. They’ll weigh their scant evidence and argue footnotes like they’re spells. But those of us who know the rhythm of the old woods—we recognize what Bede was trying to say, even if he didn’t know he was saying it.
She doesn’t need temples. She is in the return.
She is in every act of grace we do not deserve and yet receive anyway. In every bloom from buried soil. In every moment we choose gentleness over retribution.
So when the bells ring out on Easter morning, some will hear the call of Christ’s resurrection. Others will hear the old song—of dawn rising from darkness, of soft paws in dew-soaked clover, of a name that endures only in the folds of language and memory.
And maybe that’s enough.
Some gods arrive with thunder. Others wait in the turning of the season.
And if you rise early enough, before the birds, before the coffee, before the world demands your attention—step outside. Listen. Look east.
You might catch her shadow in the pink of the sky.
She never needed worship. Only remembrance.
🕯 Watch the story come alive inside the Tavern: Eostre: The Dawn-Bringer and the Wren’s Keeper
I’d love your thoughts on this Baldur's Gate 3 Review
Don’t miss out! This video on Baldur's Gate 3 is getting a lot of buzz
https://shrinkme.ink/baldurs_re
A toolkit (currently in alpha) for the Tavern Tales tabletop roleplaying game system. Based on the KS 1.01 flavor of Tavern Tales. Check out the official Discord if you are interested in the system