seen from Iraq
seen from Türkiye
seen from United States
seen from China
seen from United States
seen from Austria
seen from Japan
seen from T1
seen from T1
seen from Brazil
seen from Türkiye
seen from United States
seen from Brazil
seen from China
seen from Australia
seen from United States
seen from Russia
seen from United States
seen from Malaysia
seen from Brazil
greenfairy groovestation
my new setup is complete. i can now hotswap tabletop synths. it has an ideal layout for voltage processing for the GRIND, CRAVE, and EDGE. ive incorporated a parametric EQ, a better accessible effects chain, and better integration of the tape deck. also ive yet again run out of instrument cable.
Before
After
Session with Koki. Setagaya City. Tokyo, Japan.
This is the new Behringer TD-3 Analog Bass Line Synthesizer. The circuit is analog like Roland’s TB-303 from the ‘80s, but Behringer added more versatile interfacing (USB and DIN MIDI) and a new distortion circuit. Priced at around $150 street, the TD-3 is also available in red and blue in addition to the original silver.
✵ emma. ✵ 03. ╱ musings. ✵ for all i hear are echos repeat inside my mind. ╱ 03. emma frost. ✵ 03. ╱ moodboard. ✵ ╱ visage. ✵ thought i was a hero but i was just a child. ╱ 03. kristine. ✵ beauty from inside. ╱ 03. dianna. ✵ somebody worth the fight. ╱ 03. january. ✵ i thought the shade around me was making me feel blind. ╱ 03. margot. ✵ blake. ╱ alt emma visage. ✵ jaime. ╱ alt emma visage. ✵ worth the fight. ╱ music. ✵ i pray i will i pray i might still be somebody worth the fight. ╱ ships. ✵ 03. ╱ aesthetic. ✵ 001. ╱ queue. ✵ 00. patron saint of lost causes. ╱ about betts. ✵ ╱ ask ic. ✵ 00. ╱ ask betts. ✵ 00. ╱ save. ✵ 03. a cavern for a body. the deeper darker kind. ╱ bodyclaim. ✵ so fill me up and let me try to show you beauty from inside. ╱ 03. emma’s relationships. ✵ builds the world around me that once burnt to the ground. ╱ 03. headcanon.
building in progress
as the year closes, i want to reflect on the progression of my home studio and the journey ive been on. it’s been a good grind for about 4 months, starting with the TD-3. i got it back in 2022 for $110. it sat idle until 2025, when in late august i started to think about it a lot. “wouldn’t it be cool if you knew how to use it?” so, i taught myself (while drunk and stoned) to use it. after learning how to use it screwing around with it for a bit, i got hooked on analog. the rd-9 was required in my view for the full acid techno sound. after getting the RD-9, i wanted more places to share my music and had the thought, “upload to newgrounds” without having thought about the website in years. as a result, i met some really cool techno producers and gained so much knowledge. after that, i wanted the rd-78 for the cowbell and at the same time i got the behringer edge, then the grind. i purchased one compressor and limiter module with 2 channels and for some reason the seller sent 5. i entered into a contest on Newgrounds with my new friend Shabadaman (we got 5th). i was convinced to get the behringer crave after experiencing the interactions that the edge and grind have together and talking to Shabs who used one in a song. never enough synths (and now not enough space), so i got what is single-handedly the biggest synth i have (the 2600).
been honestly an insane year and i wouldn’t think a year ago that this is what id be doing right now.
more music to come as Weed Music for Weed People has one more song i have to finish and then the album itself will be finished.
first track of mine to feat the rd-8 and also feat a better understanding of how to use the 2600
this is the setup now. unless stuff goes on the wall or below (not convenient) this is the max use of space.
