Aggression, the writer's main source of energy.
Ted Solotaroff
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Aggression, the writer's main source of energy.
Ted Solotaroff
The writer's defense is his power of self-objectivity, his interest in otherness, and his faith in the process itself, which enables him to write on into the teeth of his doubts and then to improve it. In the scars of his struggle between the odd, sensitive side of the self that wants to write and the practical, socialized one that wants results, [the writer] is likely to find his true sense of vocation. Moreover, writing itself, if it is not misunderstood and abused, becomes a way of empowering the writing self. It converts diffuse anger and disappointment into deliberate and durable aggression, the writer's main source of energy. It converts sorrow and self-pity into empathy, the writer's main means of relating to otherness. Similarly, his wounded innocence turns into irony, his silliness into wit, his guilt into judgment, his oddness into originality, his perverseness into his stinger. Because all this takes time, indeed most of a lifetime, to compete itself, [the writer] has to learn that his main task is to persist.
Theodore (Ted) Solotaroff, Founder-Editor of the New American Magazine, in 'Writing in the Cold: The First Ten Years'