seen from United States
seen from Maldives
seen from Türkiye
seen from Brazil
seen from Germany
seen from United States
seen from Philippines
seen from United States
seen from United States
seen from Switzerland
seen from Philippines
seen from United States
seen from Philippines
seen from Colombia
seen from Russia
seen from Pakistan
seen from Malaysia
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seen from Malaysia
seen from Greece
Celebrated four years since the release of the award-winning, The Black Victorian on 17.7.
Grateful for all the opportunities this project opened me up to, and I honestly look forward to receiving more and more and more.
Enjoy these wonderful BTS by my friend and assistant for the day, Niya Wells. Special love to my muse, Eve Majok and MUA, Johanna Essien 🤎
Monet by Stephanie C. Nnamani
by Stephanie C. Nnamani
Randomly thought about bookmarking this read a few days ago, and I finally had the chance to read. Coincidentally it is exactly a year + a day from the publishing. Excerpt I loved: “I craved the experience; to live in the same space as my work. Much like I craved a concrete memory of a younger me. To move in the physical world, with it.”
“ . . what is real is determined by what resides beyond the physical and especially by the willingness to expand to reach it.” — @tefftheory
Self-portrait by award-winning, self-taught Nigerian Artist, Stephanie C. Nnamani in the courtyard of her matrilineal home in Abia state (2017) as part of an ongoing project.
photographed + styled + directed: Stephanie Nnamani
Song(s) of Synthesis (2018) — always grateful for the opportunity to create, so here is the first project I rented an actual studio space for. I don’t take documenting movement in my creative journey lightly, so, naturally, I aim to maintain as much transparency as possible. The most thrilling part about this project is: it’s one of the few I created before running off to work last year (October, to be exact). Because creating by any means necessary is literally the song of my life.
model: Mariama Jalloh
select designs by: Nia Thomas (NY) - @niathomasny
assist: Anzie & Adrian
the day I learned to wield the Sun—self-portrait by Stephanie Nnamani (2015)—photographed on the rooftop of her home in Enugu, Nigeria.
Presented 15 Black women that attended Afropunk with colour swatches and questioned its representation of their mental health, aura, etc. to bring you #COURSEOFCOLOUR:
tefftheory.com
CORONATION OF THE KIN ~ I’m still in awe that I had the opportunity to travel to London + create this! wow! special thank you to Getty Images for making this possible!
so pleased to share this with you all - released 18-8-18.
view at http://tefftheory.com
