#the capture

[c-goldthorn]

but he’s so pretty when he’s writhing on the ground in pain

[wheatart]

So this was a cool one. @joysweeper commissioned me to do a "missing page" from the Animorphs graphic novel of The Capture, where Jake meets Crayak. I tried to emulate Grine's style as best I could, then got to design Crayak! I LOVE being an Animorphs artist that people reach out to for commissions! Best thing ever!

Ko-fi: https://ko-fi.com/wheatart Commission info: https://wheatart.com/about

[thejakeformerlyknownasprince]

About the Animorphs comic series - what do you think of Crayak's omission in the #6 adaptation?

I'll be honest: I completely missed that, because I was distracted by how Grine chose to portray Temrash 114:

Because I'm torn. I like the way that Jake is the one drawn as a ghost while the Temrash 114 copy is real, which feels like a nice way of conveying who has agency and who is just a voice in one's head. On the other hand... I thought this same idea looked silly in AniTV and I do think it risks looking silly here. Like, here's how they conveyed Jake being trapped in his own mind:

And even that AniTV portrayal is a lot less literal in ways I appreciate. Over Temrash 114 telling Jake "we break humans, the way humans break horses," we get not Jake's face but an image of Tom, sobbing on the floor:

Later on, Temrash announces "I've found the part of your mind... I needed" and we get shown-not-told what's about to happen because a close-up of a tiger fills Jake's mindscape:

Side note: is this footage reused from the opening credits? Sources say probably.

and then we cut to reality, where Jake's body is morphing.

By contrast, the comics' use of this:

...is okay, but it doesn't have nearly as much figurative stuff going on and — in my opinion this is the biggest issue — isn't visually separated enough from the stuff taking place outside Jake's head. Like, one of these panels is set in reality, one is set in Jake's mindscape:

... and if not for the fact that we've already been clued into Temrash 114's art style, you'd never know which is which. There are so dang many floating heads in the Animorphs Graphix that the addition of a few more doesn't stand out. And there are so so many better ways to portray non-literal space, or something happening in a character's mind. Like, see if y'all can guess which of these panels is Jean Grey (Marvel Girl/Phoenix, X-Men) having a literal conversation with another person who is physically present, and which is her having a psychic conversation with another person who is inside her mind:

Even with the limits of 1970s/80s printing technology, there's no question of the literal vs. figurativeness of each scene. Either Animorphs Graphix needs more background in all its other panels to contrast the blank white space that Jake and Temrash inhabit, or else it needs to do something different to contrast their reality from everyone else's. Which, I mean. It's not the 1970s anymore, and comic-printing technology has gone way beyond the primary-color square-panel format since then:

so there are so many more options you could use that aren't just this:

and I never thought I'd say it, but I think I kind of miss the purple mist to convey Jake being a controller.

To be clear: it's extremely possible that the bare-bones drawings of the Animorphs Graphix have exactly the same origin as the floaty purple people from AniTV: budget. In general, these comic adaptations of bestselling novels are being produced on a shoestring budget with an impossibly fast schedule, and publishers see them as naked cash grabs rather than as real comics to be constructed with all the love and care and editorial oversight that goes into an X-Men comic.

That said, Animorphs itself was seen much the same way — hence the lack of censorship for the violence and gore and anti-U.S. commentary — and still became a beautiful work of fiction. But budget is less of an upper limit for novels than it will always be for any kind of visual medium. You can see there is clearly some effort to get details right — like thought-speak speech bubbles never having arrows, I love that. But it also might be that Grine is constantly getting handed an entire novel and told "make this a 200-page comic by, oh, next week" and sacrifices have to be made with regard to visual composition and background detail.

Anyway. Crayak. Sorry I got so off-topic there.

It is a weird omission, especially in a comic series I keep criticizing for being too faithful to the original novels. Much like "the other Animorphs and Ax," it's a glaring hint that nobody involved in the editorial process is carefully reviewing for continuity or asking for KAA input. And it does not bode well for the adaptation of #7 coming out in a few weeks that someone forgot — or chose to ignore — the start of the Cosmic Chessmasters plotline in #6. I dunno, man. If I had to guess, it's once again down to budget.

[ahauandthesun]

INDIRA VARMA on tv This Way Up / Obsession / Carnival Row / Game of Thrones / For Life / Obi-Wan Kenobi / The Capture

[kingofthepitt]

The Capture - S03E04 - Kill Switch

[miaomiaochui]

Callum Turner in uniform

John Egan (Masters of the Air, 2024)

Luke (Eternity, 2025)

Abu Dice (Atropia, 2025)

Shaun Emery (The Capture, 2019)

Anatole Kuragin (War and Peace, 2016)

Bill Rohan (Queen and Country, 2014)

[borgialucrezia]

"I was a bit naive as to how quickly AI could change what we do. Already friends of mine are refusing to sign contracts and losing jobs because they won’t give away the rights to their performance to be manipulated and used again. That’s another threat of AI. Will it put an end to human artistry? Humans always fuck it up, don’t we? I’m fully prepared for our dystopian future now!” — HOLLIDAY GRAINGER

THE CAPTURE 3x01: "Don't Look at the Camera"