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Paul Feeley: Alniam (1964)
Brigitte Bardot and Kinetic art
At the end of 60s - l’age d’or of kinetic art, it was not only an avant-garde, but it has slipped into the popular culture.
Brigitte Bardot - Contact by scootaway
In this clip we see Brigitte Bardot singing the Serge Gainsbourg song “Contact!”, wearing a Paco Rabanne dress, in front of multiple artworks of kinetic art like those of Nicolas Schoffer, Gregorio Vardanega that pulsate, move and rotate, giving a resumé of the visual language of the time.
Woman in Chains, Henri Georges Cluzot
A year later (1968) Henri Georges Cluzot made the film “Woman in Chains” (La Prisonnière) which takes place entirely in the context of kinetic art. The artworks for the film were given by the gallery of Denise René, who supported greatly kinetic artists at the time.
Here below is the extract with art-scenes:
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The Responsive Eye, Brian de Palma
Kinetic and Op art "exported" in USA and a number of European artists have participated in 1965 in the exhibition "The Responsive Eye", held in MOMA, New York, under the direction of William C. Seitz. Here below is a short film shot by Brian de Palma dedicated to the event.
The Responsive Eye, 1966
Brian De Palma
The Responsive Eye, 1966
Brian De Palma
The Responsive Eye, 1966
Brian De Palma
The Responsive Eye, 1966
Brian De Palma