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My biggest vice is my love of hats. If it's not @neweracap, then it can only be @ongroundclothing or Breed Hats. Snap backs or 7 1/2 are the sizes. Lol. Now happy hunting for Christmas gift family. #breedish #59fifty #9fifty #TheKollection.

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Clearly, the holidays can be a time of heavy demand on one’s schedule; it sure has been for me. I hope all of you have been able to have a blessed season of thankfulness and reuniting with family and friends. This week for Sunday Solace, we have a solid mix of warm and cool tunes to compliment the wintry mood we all are feeling.

Starting off Volume 22 are a few light mixes of Bondax, The 1975, and a personal favoriteLana Del Rey. Patrick Baker’s vocal edit of “Just Us” adds a seductive swirl to Bondax’s original production. It’s quite different, but I enjoy it and hope you do as well. Speaking of remixes that portray a different feel than the original… Ryan Hemsworthtook the rock anthem of “Sex“, by The 1975, and formed such a beautifully melancholic atmosphere with his edit. When I listen to the two, I find myself imagining a scene of a wishful John Doe in pursuit of his Jane with no-holds-barred determination (found in the original song), only to leave let down, hanging his head in Hemsworth’s remake. It’s a beautiful compliment to its musical prior. Hemsworth has been featured several times on Sunday Solace for his calming style of musical taste, so I certainly recommend following his work.

As you continue along the playlist, observe the warm progression within the sound. Alina Baraz and Galimatias come together to create a sensual work of art within “Make You Feel” through deeply rolling bass and whispering vocals. Lobo’s edit of “So Gone“, by John Legend, brings together the heat of a soulful choir with a pleasantly bouncy groove. My hat goes off to Pierce Fulton for his choice in creating a remix of “In No Time“. Paul Meany, MuteMath’s lead vocalist, has a uniquely smooth voice that fits perfectly within this playlist.

I’ve always been a huge fan of Drake and his R&B feel. His beats make me think of melodramatic class, so to speak; a soft piano roll in background of a whirlwind of synth and… feelings. So, by choosing to feature Jhene Aiko on his new track, “From Time“, her voice reflected the song’s feel of reminiscence so beautifully. “The Worst“, Aiko’s original, has a similar sound to the single by Drake. Chase Miles, a producer of “electronic and soul vibes” from Seattle, compliments Aiko’s original so well with a heavy punch of bass and distant synth rises and falls. Honestly, listening to the two I find myself at a standstill in deciding which version I enjoy more.

Hope you enjoy Volume 22! Tune back in next week for another mix!