Local Artist Interviews - Anny Crane
Awhile back I had an idea to feature local art here on the press as a way to help readers connect with artists in their area. It is my pleasure to present our first artist: Anny Crane. I was lucky enough to share a couple studio classes with this talented woman; she is vibrant and deliberate, and her work is just beautiful. Show her some love!
My name is Anny Crane and I live in Brooklyn, New York. I currently work in textiles - creating installations and embroidered illustrations by experimenting with handmade paper, machine knitting, and other techniques. You can follow me here, here, and here. I also work at the Textile Arts Center as their Content Production Manager (pretty much my dream job!). I run our blog + social media, as well as manage our new print publication: TAC Magazine.
saint petersburg, or, where could i find you? (2013)
hand embroidery, watercolor, + illustration on handmade paper, with fabric pieces.
handmade paper from books, wildflowers, + banana pulp.
How would you describe your work?
To put it simply, I make paper and then I embroider into it. I like to play with watercolors, fabric, and natural dyes while creating a piece. While I like to keep it focused on a deeper meaning, my work comes out really whimsical, I think.
Who or what has influenced your work the most?
I am really lucky that my job is to be surrounded by wonderfully talented folks. Influence, for me, typically is in the form of drive and motivation. Recently, I was able to have a studio visit with one of my greatest friends, Jessi Hamilton. I love love her work! She is constantly producing and never lets anything get in the way of her work. I really thrive off that...it makes me want to stay awake for days on end, just creating and creating.
As far as the actual pieces go, I think like with any artist, I find influence and inspiration from my personal life. I don't let conceptual meaning loom over my shoulders too much while I work, because I really don't want something that feels contrived or forced.
the future hangs over our heads (2012)
hand embroidery, illustration, + watercolor on handmade paper
Describe your creative process or method.
Typically I make mood boards of what is inspiring me in the moment. I make really rough sketches in notebooks just to plot out the generals...but I really enjoy the process of creating a piece. I work with quite delicate materials (paper, fabrics) so I just let things...happen. If the paper rips, I incorporate it into the overall composition, or if a drop stitch happens while knitting...I may even push it further.
Sometimes I will make a bulk stock of paper, and then as the ideas come, I create an illustration one at a time. Usually I embroider and illustrate interchangeably, but I like to sketch out the composition before I dive into sewing. This current piece I am working on, the installation, I am making the parts simultaneously: machine knit stalactites + stalagmites, and handmade paper clouds. I will spend a day machine knitting, then dipping the pieces in corn starch, and I will spend a day making clouds. Right now I am in the process of working the clouds even further by embroidering into them and also drawing with ink + charcoal.
we are restless things (2013)
embroidery, ink, + watercolor on handmade paper + handmade coffee dyed paper
Any upcoming projects we should look out for?
While I work mainly in illustrations, I also enjoy experimenting with techniques by taking them out of their traditional use. Lately I have been playing around with machine knitting, which is typically used for clothes production. I have been dipping it in corn starch and playing around with drop stitches Ah! So much fun.
Currently, my main focus is on an installation I am doing at TAC's Greenwich Village. We have a huge window looking out at West 8th, so my plan is to create this handmade paper + machine knit site specific installation. It's been a great challenge!
I have also been practicing my tapestry weaving skills, which is so much fun. I have been playing around with found tapestry looms (suitcases, branches, etc), as well as nontraditional warps+wefts.