#thisgoodlyframe

[thisgoodlyframe]

I have never seen a tree look more like a flathead screw, and I doubt I ever will

[thisgoodlyframe]

PATHS: 4/6

And as she went to bed that night

With shining hope of futures bright

She dreamt about the times you’d had

The highs, the lows, the good, the bad

Memories once locked away

Tempting her to let them stay

[thisgoodlyframe]

PATHS: 5/6

there must be something

you promised me an answer

“you must keep walking.”

[thisgoodlyframe]

PATHS: 3/6

Um-

Sorry, I...

I just thought,

thought maybe,

that this was

finally...

but no,

no.

sorry to intrude,

Thank you for your time.

[thisgoodlyframe]

The longest, darkest, coldest night a ceaseless void in which I cling to stars that shine so full and bright I close my eyes and welcome spring

[thisgoodlyframe]

The longest, darkest, coldest night a ceaseless void in which I cling to stars that shine so full and bright I close my eyes and welcome spring

[thisgoodlyframe]

Project: Materiality 𝐏𝐚𝐫𝐭 𝐎𝐧𝐞 "Since its invention, photography has translated three-dimensional space (and time) into two- dimensions." For this project, we were asked to examine the unique materiality of the photograph and challenge its form. My original idea for this piece was to reintroduce 2-dimensional images back into 3-dimensional space. To do this, I wanted to print out the full images and cut out different sections. I would then set those cutouts at various heights above or below the image to create a 3-dimensional viewing experience (image like a 3D chessboard and that's kinda the idea). As you can probably guess, I didn't get too far into this process before we were all sent home last March, and I had to adjust. My new objective became creating that same 3-dimensional feel on a basic 2-dimensional image. So, I present to you, a 3-dimensional location captured in a 2-dimensional image translated back into 3-dimensional space through 2-dimensional augmentations projected on the 2-dimensional screen of your 3-dimensional device!

[thisgoodlyframe]

Project: Emulation

The Closet

Research a significant artist and create a photographic series emulating or inspired by their work.

Jeffery Wolin is an American photographer widely known for his unique blending of the written word and photographic image. Part of his signature style is to handwrite on his own photos and shape the words around the image. I find the resulting appearance incredibly beautiful and was very excited to adapt it to tell my own story. The first image is the beginning of my series, swipe to see examples of Wolin's work that inspired me!

Time to be vulnerable...

The intent is for the photo to be read itself, but I know how my handwriting is, so here is the transcription:

“The closet door loomed over me like a skyscraper must appear to a bug. But there is no awe. No sense of majesty. No, the only feeling I ever got from that closet door was that of someone breathing down your neck. It lay in one dark corner of the house, and its door was always slightly ajar. No matter how many times you closed it, the next time you passed, the door would have opened again ever so slightly, as if something was always trying to worm its way out. I would do everything in my power to not have to pass it. On the unfortunate days when I needed to cross its path, I did so as fast as humanly possible in order to avoid whatever grotesque hand might reach out from its depths to snatch me up. Something deep within me sensed danger behind that closet door, almost as if I could feel it..."