On One Battle After Another...
Since I could hardly find any Black woman opinions... I'll be that!!
So, it's loosely adapted from Vineland by Thomas Pynchon, a writer known for playing fast and loose with "people and places" in a way that is purposely satifical outsized myth... but at the same time, the second half feels very human and "dad and daughter" in a warm funny way; with a tense investment in outcome, in the climax. ...I feel like aspects of PTA's new film are in conversation with and extending aspects of Frank Mackie's part of MAGNOLIA; a very shiny mirror with heavy maginifcation settings revealing more of the blemishes in a certain form of white "manhood" being asserted right now. Just dropping a quick reminder of what I mean:
This particular white manhood is rendered like every cartoonishly badly supresssed cope for insecurity hidden beneath resentment and aggression as a character enitity similar in drive to Chigurh in No Country for Old Men... which this also feels like there are shades of a lighter version of here.
I also feel like BW are mostly seated in outside gazes & not enough of their own. Which to me is a kind of built-in limit for many white male filmmakers with few exceptions (The Color Purple I think is the biggest one. Spielburg did manage to walk the audience in a Black woman's shoes, in Celie IMO).
My honest reading is three and a half stars out of five... This is a rec, but not the best movie ever kinda outsized hype it's been getting. It feels like a throwback to eccentric characters and dialogue, but with timely undercurrent subject matter. Still, it has a similar issue to what I had with Lost In Translation's use of Japan or Wes Anderson's use of India in Darjeeling Limiited. #ThisIsARec ...but temper those expectations!! EVERYONE is good but IMO, none of the Black actresses get enough to do, to get award nods... ...Then again Dame Densch did win for Shake(es)peare In Love.🤷🏾♀️
P.S. I also don't trust claims of who will be made "a star" especially when it comes to women and BIPOC, because all-too-often they don't cast them in anything after that star-making performance. That said...both Regina and Chase did well with what they had. Teyana, I feel played more with a gaze than a character... and you'll see what I mean when you watch. She comes off like character hearsay, which makes absolute sense within the context of the movie. Still, that is where I feel a ball was left bouncing without a dribbler.











