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Raul Julia’s wife, Merel Poloway, speaks about the apartment they shared. Visible on the wall to her right is Thomas Ryder’s 1799 engraving of Act II, scene I of Othello. From The World’s a Stage documentary.
▪Mary, Queen of Scots (reigned 1542 - 1567)
Artist: Thomas Ryder (French); after Francois Clouet (about 1510 - 1572)
Date: Published 1821
Medium: Stipple engraving on paper
Thomas Ryder I, Thomas Ryder II, after Henry Fuseli - Titania's awakening. A midsummer night's dream, between 1803.
Titania conversing with Oberon, after she has awoken.
Love’s Labour’s Lost. Act IV, Scene I. Engraving by Thomas Ryder, by William Hamilton (1793).
Created for the Boydell Shakespeare Gallery
Image Source: Folger Shakespeare Library
Thomas Ryder, after Joseph Wright
The Captive (published by John and Josiah Boydell, 1786)
This print reproduces a painting of an episode in Laurence Sterne’s A Sentimental Journey (1768). The novel comprises the reflections of the sensitive traveller, Yorick. In Paris, threatened with arrest, he reflects upon the terrors of the Bastille, in a section titled ‘The Captive’. By focussing imaginatively on a single, suffering prisoner, Yorick is able to conjure the deepest emotions, which the reader is invited to share.
